S&H #sample and hold #digital noise #grating #annoying #low rumble @phloord

The sounds related to Sample-And-Hold S are a cacophony of electronic tones and digital noise. The S&H effect creates a grating, sometimes annoying sound that can be likened to a low rumble. These sounds were first recorded on October 8, 1975 by phloord and featured on CBC. The sample and hold function on the Korg MS20 synthesizer is what produces this unique sound. If you're curious about these sounds, you can play and download them here. The digital noise produced by the Sample-And-Hold S is truly one-of-a-kind. It sounds like a distorted, glitchy symphony of electronic pulses that ebb and flow in a mesmerizing pattern. The grating quality of the noise is both captivating and unsettling, drawing you in with its unpredictable rhythms and textures. As the sound evolves, it may start to become slightly annoying to some listeners, but for others, it's a source of endless fascination. The low rumble that underpins the Sample-And-Hold S sounds is like a distant thunderstorm rolling in from the horizon. It adds a sense of depth and weight to the overall composition, grounding the more frenetic elements with its steady pulse. The rumble grows and fades, creating a dynamic backdrop against which the other sounds can play out. It's a subtle yet essential component of the audio landscape crafted by the Korg MS20 synthesizer. The recording of these sounds on October 8, 1975 by phloord is a testament to the enduring legacy of the Sample-And-Hold S effect. These sounds have stood the test of time, remaining as captivating and enigmatic today as they were over four decades ago. The fact that they were featured on CBC only adds to their historical significance, showcasing their cultural impact and relevance within the world of electronic music. The Sample and Hold function on the Korg MS20 synthesizer is what gives these sounds their distinctive character. It allows for the creation of complex, evolving textures that would be impossible to achieve through traditional synthesis methods alone. By taking snapshots of incoming audio signals and holding them at specific levels, the S&H effect transforms mundane sounds into something truly otherworldly. It's a tool that has been embraced by musicians and sound designers alike for its endless creative potential. is a pioneer in the world of electronic music, pushing the boundaries of sound and technology with his innovative use of the Sample-And-Hold S effect. His work with the Korg MS20 synthesizer has earned him a reputation as a trailblazer in the industry, inspiring countless artists to explore new sonic territories. By harnessing the power of the S&H function, has created a sound that is uniquely his own, pushing the boundaries of what is possible with electronic music. If you're intrigued by the sounds of Sample-And-Hold S, you can play and download them here. Take a journey into the world of digital noise, grating tones, and low rumbles, and discover the endless possibilities that the S&H effect has to offer. Whether you're a seasoned pro or a curious beginner, these sounds are sure to spark your creativity and open up new avenues for sonic exploration. So plug in your headphones, turn up the volume, and let the magic of Sample-And-Hold S transport you to a realm of sound unlike anything you've ever experienced before.