Mawx
Berklee - Bachelor's in Composition for Film, TV, and Games I like it dark, I like it moody. I like to experiment. #music Final project for my World Composition class. The assignment was to create a fusion of 2 or more styles. I combined Celtic music with orchestral cinematic and a Mali Sabada rhythm. "We won't take it anymore. Keep pushing, and you will see us Fighting Back." Written as game music. Designed to be used in layers, this piece transitions through the layers sequentially. The Last Xelot is a first-person, immersive, story-driven, RPG Game that takes place in another star system. This is the main theme for the game introduction and-or opening credits This composition was created for my coursework at Berklee. The assignment was full symphonic orchestration of a self-composed piece. The orchestration was done in Reason, with various sample libraries. A PDF of the orchestrated score is available upon request. This is a stinger that transitions from cutscene to action for a game called The Last Xelot. It is the moment that the player character is waiting for an NPC companion to open a door. When the door is opened, there are horrors inside.
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Berklee - Bachelor's in Composition for Film, TV, and Games
I like it dark, I like it moody.
I like to experiment.

#music

Final project for my  World Composition class. The assignment was to create a fusion of 2 or more styles. I combined Celtic music with orchestral cinematic and a Mali Sabada rhythm.

"We won't take it anymore. Keep pushing, and you will see us Fighting Back."

Written as game music. Designed to be used in layers, this piece transitions through the layers sequentially.

The Last Xelot is a first-person, immersive, story-driven, RPG Game that takes place in another star system. This is the main theme for the game introduction and-or opening credits

This composition was created for my coursework at Berklee. The assignment was full symphonic orchestration of a self-composed piece. The orchestration was done in Reason, with various sample libraries. A PDF of the orchestrated score is available upon request.

This is a stinger that transitions from cutscene to action for a game called The Last Xelot. It is the moment that the player character is waiting for an NPC companion to open a door. When the door is opened, there are horrors inside.

Mawx

Berklee - Bachelor's in Composition for Film, TV, and Games
I like it dark, I like it moody.
I like to experiment.

#music

Final project for my World Composition class. The assignment was to create a fusion of 2 or more styles. I combined Celtic music with orchestral cinematic and a Mali Sabada rhythm.

"We won't take it anymore. Keep pushing, and you will see us Fighting Back."

Written as game music. Designed to be used in layers, this piece transitions through the layers sequentially.

The Last Xelot is a first-person, immersive, story-driven, RPG Game that takes place in another star system. This is the main theme for the game introduction and-or opening credits

This composition was created for my coursework at Berklee. The assignment was full symphonic orchestration of a self-composed piece. The orchestration was done in Reason, with various sample libraries. A PDF of the orchestrated score is available upon request.

This is a stinger that transitions from cutscene to action for a game called The Last Xelot. It is the moment that the player character is waiting for an NPC companion to open a door. When the door is opened, there are horrors inside.