Funny Face (1957) Edit

A collection will be designed for her by the greatest couturier in Paris.

A magazine must be Iike a human being.

A magazine must have...

A means to an end.

A rendezvous at the opera. Two seats.

A sinister place in Greenwich Village. Come on, girls.

A woman can be beautiful, as well as intellectual. See facing page.

About the guest of honour. Where is she? How does she Iook?

Ah! Monsieur et Madame Barker de Florida.

Ahh! Here it is.

All for a girI who does not appear.

All good Americans

All I want is $53.95.

All that is delicious is not nutritious.

All the things we can do

All we want to say is

All you do is sit there. I make my speech to the press,

Alors! Your picture will be in all the newspapers?

Alright, girls, we've got to get cracking. To work and to Paris.

Alright, here we go.

Alright, Marcel, lights!

Alright, Marion, let's go.

Alright, run!

Alright!

Alright. Go!

Alright. Hit it.

Alright. More. More. More!

Alright. Now, give him a kiss.

Am I here?

Am I supposed to go over to DuvaI's now?

An empathicalist should feel me asking for unemployment insurance.

An invitation to Flostre's home is a great honour,

And $10.50 for The Egyptians Fourth to Seventh Dynasties

And acquainting them with empathicalism?

And as hard to get as an invitation to...

And bees Iove

And bury the beige.

And father of empathicalism.

And flash a smile that folks come flocking to see

And he's going to Iet us photograph the collection before the opening.

And her ineffable charm.

And how is the facing page?

And how! If you modeI, I can get you bookings.

And I couId certainIy use a reIease.

And I get a trip to Paris every year.

And I have been in every corner of Tallahassee.

And I Iove too?

And I see no functionaI advantage in a marvellous mouth.

And I'll never be abIe to pick up HaroId's Iaundry.

And if I add, your funny face appeaIs to me

And if it won't speak to me, it won't speak to anyone.

And it's no more than we would do unto ourselves.

And join the jubilee!

And now, the finale of the collection. Wedding Day.

And on this shelf, materialism, and on this, psychopiscoparalysm.

And once you know, oh how

And out the doorway

And pink's for the Iady with joie de vivre

And send it on a tour.

And she Ioves

And since you've come such a Iong way to taIk with me,

And six stitches in my ear.

And some thrills I can't define

And starting to take up

And that includes the kitchen sink

And that you not only look like, but you are, a mess of worms.

And that's what

And the Braque and Hieronymus Bosch come to $22.75.

And the man from IstanbuI will be at the presentation.

And then?

And there is not the slightest excuse for plum, or puce

And they Iove

And they Iove

And they'll ask me all sorts of questions.

And we will Iose that eviI spirit called voodoo

And whispering trees Iove

And you'll be IoveIy

And you'll be IoveIy as a carouseI, too

And you're...

Any more than every American meets the President.

Anything you don't understand, you call small talk.

Are not respected by the group, the group cannot exist.

Are there no models who think as well as they look?

Are we all gonna hang around, or get somebody else?

Are you alright?

As a matter of fact, I rather feeI Iike expressing myseIf now.

As a mere accessory of physiological processes

As charming as you.

As I Iove you?

As one Iady to another...

Ask him to pick me up at the cafÈ.

At most, a synthetic beauty.

At once, or Mr Flostre will hear about this.

Attack Flostre and you attack the things I believe in.

Attendez! We are ready for your show.

Avaricious, av...

Babs, take this to Kaiser Delmont.

Banish the black,

Be charming and answer their questions.

BeautifuI!

Because if you Ieft, you'd be picked up for vagrancy.

Because you are intellectual, always thinking.

Bells

Bells are ringing, flowers blooming, angels singing.

Bells!

Birds Iove

Bon. Entrez.

Bonjour, bonjour.

Bonjour, Paris

Bonjour, Paris

Bonjour, Paris

Bonjour, Paris

Bonjour, Paris

Bonjour!

Bonjour!

Bring her back, girls, alive!

Burn the blue,

But before you move...

But except that you are very charming, I don't know you.

But he's also a man. He's more man than philosopher!

But I am a man. And you're a woman.

But I couIdn't care Iess

But I need you now.

But so hypnotic

But tell her if she's gotta think, think pink

But this would be a violation of all my principles.

But you can chase that hoodoo

But you ought to get to bed early. The camera picks up everything.

But you weren't Anna Karenina. The bird wasn't Prince Charming.

But, Padre, we're not here to marry.

By all means, Iet us taIk.

C'est Jo!

C'est moi, c'est vous, c'est grand, c'est tutu

C'est triste!

Can I trust how I feeI?

Can one kiss

Can you make me some enlargements?

Can't do it with make up

Can't we walk and get friendly, or better acquainted, or something?

Children!

Chosen to represent a great American fashion magazine, Quality.

Clap a your hands

Clap a your hands

Clap your hands

Clap your hands

Clap your hands, slap your thighs, gimme that beat, boy...

Climb that stair a

Come along and join ourjubilee!

Come in.

Come on and show me the best

Come on, drop the books.

Come on.

Come, all you children, gather around

Consciemment ou inconsciemment,

Corbillard

Couldn't I stay? The professor wants to talk to me.

Curtain!

Cut down the steam. That's wonderfuI. That's it.

D for dreary.

D for dull and for depressing,

Dans nos meilleures sculptures... Et dans notre meilleure littÈrature.

Darling

Darling, guess who this is. You'll never guess!

Deep, Marion. Profound, Marion.

Dick Avery started working on the pictures.

Dick, I thought it wouId never happen.

Dick, that gives you a week to photograph her.

DismaI and deadIy!

Do all of this?

Do I make myseIf cIear?

Do some window shopping

Do we Iook Iike peopIe who gape all day?

Do what I tell you. Don't worry about it.

Do you know what the word "empathy" means?

Does it show?

Don't be silly. Everybody wants to be kissed, even philosophers.

Don't bother. I'll throw myseIf out.

Don't even ask. The thought of her makes me shudder. DreadfuI girI.

Don't Iisten to her. She is a chiId.

Don't Iook Iike such an amateur.

Don't say another word.

Don't you dare!

Don't you know Ben Franklin wrote about this thing at length?

Don't you remember me? Jo Stockton?

Don't! Stop!

Dovitch, I can't wait to tell you about my feature for the next issue.

Dovitch. I want to see you.

Down the Champs ElysÈes

Dr Post, who runs a shop I worked in, has contacts in severaI universities.

Drive in pink

Drop the books.

DuvaI can't show his collection without you.

DuvaI needs measurements. Where is she?

DuvaI! I can't hear myseIf think, and I'm trying to think in French.

Elle estperceptible dans tout ce qui nous touche.

Embarrassing me in front of Professor Flostre!

Empathicalists have a very firm way with hostile vibrations.

Empathy is to project your imagination

Empathy. Is it something Iike sympathy?

Er, Miss Prescott, please.

Et maintenant

Etudiez la statue un instant. Je reviens tout de suite.

Every girI in Quality has grace, eIegance and pizzazz.

Everybody come along

Everybody come along and join the jubilee!

Everything on the great horizon

Everything that you can think

Everything's rosy

Excuse me, DuvaI. Where is Jo?

Feels so gay, feels so bright

Feels so good when you stop.

Finding another worId

Flostre may be the quiz kid,

Flostre part au cafÈ et on est dÈj‡ en retard. Au revoir.

For fashion pictures for Quality magazine.

For her appearance, her grace, her poise...

For I have to have the answer

For I need you, and you need me

For me

For miles and miles and miles

For worlds I'd not replace

For you, my dear, I promise never to grow oId.

Forget her. This is the other girI I'm taIking about.

Forget it and relax. We've been working too hard.

Fountains.

Frankly, dear, your modesty reveals to me

Friends, you saw enter here a waif, a gamin, a IowIy caterpillar.

From now on, girls...

From the Arch of Triumph

Gather around, you children!

Gentlemen, may I tell you that you look like a mess of worms?

Get her up here. Order books.

Get them quiet, DuvaI. I'll be back.

Get to work. I'll take care of Dick. Leave it to me!

Gimme some, gimme some Dixieland beat!

Girls, back to work. Gentlemen, that will do.

Girls, girls, girls, girls. Take this to all the designers.

Girls, I want these books rearranged.

Go out dancing but just remember one thing

Good morning, Miss Prescott.

Good morning, Miss Prescott.

Good. A IittIe smiIe.

Good. Alright. Now, la steam!

Good. Now give her some flowers. Flowers. Arms full.

Good. Now, where is Jo?

Good. One more, please.

Good. We'll put you to work.

Good. You're not only a model, you're an actress.

Goodbye.

Great. That's great.

Had no plan for a man

Hallelujah

Hallelujah! Hallelu... Hallelu...

Hang five in pink

Has Ieft me in the Iurch

Haven't poor people like us a right to make a living?

He Ioves

He is a marvellous photographer.

He would be barred from all the other fashion magazines.

He'll never hound you, step on the ground you...

He's more excited about it than any of us.

He's the only...

He's your Prince Charming, isn't he? Well, get happy!

Head up a IittIe. You're so happy.

Hello there.

Hello!

Hello. MonsieurAvery? He just Ieft.

Here is our theme. Here is our answer. Pink.

Here it comes

Here it is. Clothes for the woman who isn't interested in clothes.

Here she is.

Here. I think we ought to use her in the shot. Miss, come here, pIease.

Hey, diddle diddle, the cat and the fiddle.

Hey!

His interest in me is anything but intellectuaI?

Hold it, boys. Beethoven isn't working. Try Brahms.

Hold it!

Hold it. Ready?

Hold it. Ready?

Hold it. Ready.

Holy Moses! You look fabulous!

HoteI Savoyard? M. DickAvery, s'il vous pla@t?

How can you possibly make a model out of that?

How could you be so rude?

How dare you Ieave me in the street Iike this! Taxi!

How do you do, boys?

How do you do? I'm Dick Avery.

How do you think I feeI when you don't show up?

How Iong has this been going on?

How Iong has this been going on?

How Iong has this been going on?

How Iong have you been in Paris?

Hundreds of people.

Hurry. Over here.

I aIways knew someday

I am jeopardising my position with Harper's Bazaar and Vogue,

I am, but it's caught on something.

I asked you to Ieave. That is my right.

I assume you mean me, too.

I came from New York just to see you.

I can see that. Do you ask men to dance with you?

I can still see them when I cIose mine.

I can't beIieve it. I thought you'd be oId.

I can't tell you how sorry I am.

I can't tell. Do they Iook pIeased?

I can't, Babs, I got my hands full.

I cannot keep them waiting. I must make an announcement.

I certainIy envy you that.

I couId cry saIty tears

I didn't come here to enroI in a miIitary schooI.

I didn't reaIise we made such a mess.

I do what I do for a Iiving. It has to do with suppIy and demand.

I don't bIame him. I hurt him too much.

I don't know what you mean.

I don't know. I just asked.

I don't think jokes about FIostre are funny.

I don't want my eyebrows up or down. I want them where they are.

I don't want to sound Iike the personneI department,

I don't want to stop. I Iike it. Take the picture.

I don't want you spending your Iife retouching my pictures.

I feeI a hostiIe vibration.

I find myseIf at an awkward disadvantage.

I had no idea they were coming, or what got into Dick.

I had no idea. Nobody toId me.

I hate to admit it, but she's right.

I have asked you here to meet the woman seIected to represent

I have no desire to be kissed by you, or anyone eIse.

I have no doubt that in Iess than ten years,

I have no illusions about my Iooks. I think my face is funny.

I haven't seen a woman in two weeks in anything but pink.

I Iove Paris.

I Iove these cIothes and the IittIe church. And I Iove you.

I Iove your funny face

I Iove your funny face

I Iove your funny face

I Iove your funny face

I just feeI so dishonest in this wedding dress.

I knew you wouId not Iet us down!

I know how you feeI, even if you think I don't.

I know what they're here for and it is not guidance.

I know you can show how

I know you don't mean any harm, but you are in everyone's way.

I know. I said things I shouIdn't have. She got upset.

I make a deIivery and find myseIf being pillaged and pIundered.

I must phiIosophise with all the guys

I never want to go home. I Iove Paris!

I put myseIf in your pIace and I feIt that you wanted to be kissed.

I said I'd be there, and I will.

I said you'd be there at 10:30am.

I shouIdn't design a collection for you.

I simpIy cannot reIease this issue the way it is.

I stayed to heIp you put these back.

I suppose we'll be going home soon?

I think her face is perfectIy funny.

I think I can change your mind.

I think perhaps you had better stay here with me, huh?

I thought I was!

I want a IittIe rouge here. She needs a marvellous mouth.

I want marvellous pictures. Give me a Iot of pizzazz.

I want shoes and stockings in this coIour.

I want the whoIe issue pink. I want the whoIe country pink!

I want to apoIogise. She wasn't worth fighting about.

I want to see the den of thinking men

I want to step out

I want to wander

I was full of seIf defences

I was taught that I ought not expose my inner senses

I went through all this nonsense to meet this man.

I went to the cafÈ. She isn't there.

I work here, and I'm in charge in her absence.

I worship everything he stands for. The way he thinks.

I wouIdn't Iike to swear in court, but I have an idea.

I wouIdn't take you to Paris if I didn't think you'd work out.

I'd be in Paris now if I couId afford it.

I'd go far before I'd find a sweeter pan

I'd swim the ocean wide

I'll bet you've been here all these years

I'll check the Iights, then I make my speech.

I'll do that.

I'll give you a guarantee

I'll go to FIostre's tonight and bring her back.

I'll have her here tomorrow morning at ten without faiI.

I'll Iet you out.

I'm afraid I've disappointed you.

I'm afraid it's all my fauIt. I thought you'd make a good modeI.

I'm enchanted,... Miss Stockton.

I'm going to seIect a girI to be the Quality Woman.

I'm hurt, and disappointed, and...

I'm Ieaving now, and if anyone makes a move to stop me

I'm in such a IoveIy state

I'm Jo Stockton. Can you heIp me?

I'm not interested in your peopIe.

I'm ready. What are you gonna do?

I'm responsibIe for you.

I'm so excited about meeting you, I forgot to introduce myseIf.

I'm so sorry. It was too Iate.

I'm so tired it's an effort for me to say I'm tired.

I'm sorry about the troubIe. I didn't reaIise.

I'm sorry if I spoiIed a print.

I'm sorry, I'm nervous. I've never done anything Iike this.

I'm sorry, Mr Avery, we don't stock what you're Iooking for.

I'm sorry. I didn't see you up there. Are you aIright?

I'm sorry. I don't know what's the matter with me.

I'm sorry. Perhaps we shouId've asked your permission first.

I'm sure he got it. He didn't want to taIk to me.

I'm sure that in all America there's no empathicaIist

I'm thinking this is taking a Iong time,

I'm throwing a shindig to christen the Quality Woman.

I'm trying, but I've never fished before.

I've been at the cafÈ all day. I'm terribIy sorry.

I've never been so humiIiated in all my Iife!

I've never seen these peopIe in Tallahassee,

I've written editoriaIs on it for years.

Ieaving to the passionate music of Tristan undIsolde.

If he has found you, chiIdren

If I Iet this go through, I will have faiIed the American woman.

If I send paper to the American woman, I will have Iet her down.

If I went to Paris, it wouId be to go to EmiIe FIostre's Iectures.

If it comes into the home it must contribute.

If it is, you'll be in Paris. You can see your Professor Whosis.

If onIy to weave a spell

If onIy you knew how anxious I am to taIk to you.

If she's here, she Iooks invisibIe.

If the rights of the individuaI

If this is some sort ofjoke...

If we don't get this fixed, you may never see HaroId again. Let's go.

If we'd be happy

If we'd be happy

If we'd come a few minutes Iater, you'd have found out for yourseIf.

If you can't Iick 'em, join 'em and if you can't join 'em, Iick 'em!

If you girIs onIy knew how important posture is.

If you got a IittIe pink

If you Iay one finger on me, I will call your embassy.

If you see her, hang on to her.

If you weren't so serious, this wouId be terribIy funny.

Il n'y a plus rien

Il n'y a qu'un seul remËde

Ily a un autre couple qui s'appelle Barker de Florida.

Imported all the way from Napa Valley, CaIifornia.

ImpossibIe! You're in the fashion worId.

In cities Iike Omaha and Detroit and...

In desperation, one does not examine one's avenue of escape.

In fact, I feeI wonderfuI.

In the 60 years of Quality magazine, this hits rock bottom.

In the meantime, be my guests.

In the Rue de Ia Paix

In your swing

Inspired by the Quality Woman,

Is it fun?

Is it reaI?

Is this my Achilles heeI?

Isn't it time you reaIised

It all suggests age. I mean, maturity.

It doesn't speak.

It feeIs wonderfuI, but it's not me.

It is your opportunity. It will be your evening.

It just can't Iie around.

It staggers me nobody's thought of it before.

It wouId be hypocrisy for me to Iend myseIf to this.

It'll be better when we get through with it.

It's a great gimmick. Any of these modeIs wouId be aIright.

It's all in the know how

It's based on empathy.

It's chi chi and an unreaIistic approach to seIf impressions.

It's hard to expIain, but it's all part of empathicaIism.

It's in the pubIic domain.

It's most immoraI for us to quarreI

It's movingIy dismaI. We couIdn't have done better if we'd designed it.

It's my newest project. When you hear it, you will drop.

It's no joke. If we do her over and fix her up, she'd be great.

It's not the happiest day of my Iife. No one's waiting for me anywhere.

It's thrilling! It makes me cry for the CaroIines.

It's time you woke up to your responsibiIities.

It's too Iate.

It's too ridicuIous even to think about.

It's up there a

Itsabuchi, hmm?

Jazz up the Latin quarter

Je suis complËtement dÈrangÈe

Je suis... terribly sorry.

Je vous dÈteste!

Jo, give me the works. Heartbreak, Ionging, tragedy.

Jo!

Jo! Jo, where are you?

Jubilee today

Just fine, thank you. How are you?

Just hand them to me.

Just Iisten and repeat after me.

Just pretend that Marion can read.

Keep away from me, you!

Keep in mind that you're a woman who thinks.

Keep in mind that you're a woman who thinks.

La.

Ladies and gentlemen of the press, my friends.

Ladies, feast your eyes on our Quality Woman.

Laura, everything goes pink!

Leave it to Dick to find a delicatessen in Paris.

Let me in.

Let us Iead the way

Let's all Iet our hair down

Let's forget it and get this over with.

Let's give 'em the old pizzazz.

Let's hurry. We might have to pick up Harold's laundry on the way.

Let's kiss and make up

Let's kiss and make up

Let's kiss and make up

Let's turn into a couple of friendly vibrations.

Lettie, remember that creature in the book shop?

Lettie, take an editoriaI. "To the women of America..."

Lettie, what is the name of Dick Avery's hoteI?

Lettie! Have you seen Jo?

Light up the Louvre museum

Lights!

Like Jean PauI Sartre

Living is easy

Longer.

Look at her. She's reading.

Look at it as if you understand it. As if it understands you. See?

Look at me, I'm all at sea

Look up the airstay.

Look what you've done! Bursting in here Iike a hoodIum.

Look, Marion, I'd Iike to try it again.

Look, stop.

Lousy, rotten good for nothing!

Lovely.

Ma tÍte Èclate

Maggie, is there any news?

Maggie, she's new.

Maggie, where's Dick?

Maggie, where's Jo? Have you seen her?

Maggie?

Mais entrez donc.

Mais quandje I'ai vu

Make it a totaI of $52.75, and there's $1.20 for the taxi.

Make sorrow incidentaI

Make you sigh, or to die

Makes your day, makes your night

Marion Iooks smarter aIready.

Marion might Iook better in a different background.

Marion, dear, what are you reading?

Marvellous!

Marvellous!

Marvellous!

MatÈrialise les plus nobles aspects de la nature humaine.

May I heIp you?

May I present the Quality Woman!

Maybe at the top of the EiffeI Tower, or the bottom of the Seine.

Maybe she's in a traffic jam. How should I know?

Maybe you should give them a chance...

Melons from Florida.

Merci.

Messieurs et mesdames.

Might do what?

Minute Men From Mars.

Miss Prescott's secretary will deaI with you.

Modelling may not be as bad as you think.

Monsieur, Gigi would like to dance.

MonsieurAvery? MonsieurRichardAvery?

Mort, froid, et massacrÈ

Most people think they're beautiful dresses on beautiful women.

Mr Avery will be by in five minutes.

Must you go? I was just beginning to know you.

My dear, Iet me do the apoIogising. I behaved abominabIy.

My dear, you mustn't assume guilt for something that was unavoidable.

My philosophic search

My work is pleasant, the pay is excellent,

My, my, my...!

Neither do you, which brings us to why I'm here.

Never mind what I'm going to do. Just say "go".

Nice of you to say so, but it was me...

No more jokes. But let's be friendly. We have to work together.

No use to break up

No wedding? Quel dommage!

No, I... Oh, Dick, she was just great!

No, I'll have to have the beginner's course on that one.

No, I'm not mad, I...

No, not too much steam.

No, thanks, I'm busy. Didn't Gigi tell you?

No, thanks. I've got to go to bed.

No, that's not the way we Iook when we're thinking of Itsabuchi.

No, why does a chicken cross the road?

No, you mustn't mix them up.

No. There's no reason why someone brilliant shouldn't be young.

No. Why?

None of you seems to realise you're trespassing on private property.

Nonsense. If the project comes off, we'll all be heroes.

Nonsense. Marion can be very deep.

Not everyone interested in empathicalism meets him,

Not showing my collection. I'm ruined.

Not too much. I don't want a cycIone.

Not yet. I haven't toId you what a phoney you are.

Nothing serious

Nous sommes icipourphotographie, pour la magazine de la fashion.

Nous sommes voyager ici pour la meditation.

Now for you and me

Now I feeI that I really shouId face the consequences

Now she's gonna get even.

Now that the poor thing is dead...

Now the hostile vibrations have gone...

Now what's this all about?

Now, just a moment...

Now, let's see.

Now, mademoiselle.

Now, tell Marion about the books so that we can get out of here.

Now, turn around. Fabulous!

Now, wait a minute. Just a minute.

Now, wait, we're spirituaI singers on a tour and...

Now, we won't be a moment.

Oh oh, the reaI Barkers.

Oh, 's wonderfuI

Oh, 's wonderfuI

Oh, chÈri.

Oh, how could I be a model?

Oh, I feeI that I couId meIt

Oh, it goes beyond sympathy.

Oh, it's you.

Oh, it's you. Well, come on in.

Oh, mais quelle mariÈe charmante!

Oh, Marion's...

Oh, no!

Oh, no.

Oh!

Oh! Oh, no!

Oh? What's empathicalism?

Oh...

OK, that's it. That ought to do.

On how to be charming

On how to be IoveIy

On how to be IoveIy

On me demande

On ne m'avaitpas dit qu'ily aurait un mariage aujourd'hui.

On the proposition that in union there is strength

On the road

On the sands of time

On you it Iooks cute, sugar.

One never talks to Maggie Prescott. One only listens.

Or a means to a beginning, according to how it works out.

Or chartreuse

Or we can show you the south

Oui, madame.

Oui? Qui est vous?

Our cares will fly away

Pardon, monsieur.

Peace through understanding is the only real...

People there think, and do things. Useful things.

Photographing silly dresses on silly women.

Pink is now the colour to which you gotta switch

Pink toothpaste too

Pink's for all the famiIy

Pink's for all the famiIy

Play in pink, all day in pink

Please tell me what this is about.

Please, let's get this show on.

Poor Anna Karenina.

Pretend you caught a fish. Pull it out.

Professor Flostre is the greatest living philosopher,

Professor, I Iove every broken bone in your body!

Professor, they want to make a fooI of you.

Pulling my clothes and cutting my hair.

Put them back. Please talk to her. It'll take me hours.

Quels noms?

Razzle, dazzle and spread the news

React to it. Just... say it.

Remember trouble must be treated just like a rebel

Right. Now, ready?

Ring a dem bells

Ring a dem bells

Ring a dem bells out

Ring a dem...

Ring a dem...

Ring a them, ring a them Ring a them, ring a them

Roses are red, the violets are blue,

Run as fast as I can and don't Iet the balloons go.

Run as fast as you can and don't Iet the balloons go.

Run!

Runs around here Iike he owns the magazine.

Salaud! DÈgueulasse!

Say, Iisten!

Self appraisal often makes us sad

Send it to the deviI

Shall I throw myseIf under the train?

She did this to me, with a statue that cost 200,000 francs.

She doesn't approve of fashion magazines.

She is a rare creature... chosen from hundreds

She put herself in your place, so put yourself in her place.

She stabbed her Iover because she hated him.

She was here, but she's disappeared.

She was magnificent! You should've seen her!

She'd devour us all.

She'll show up. The girI has integrity.

She's a fashion editor. Get 'em out!

She's agreed to go to Paris. She can hardly wait.

She's at her hotel, but she won't take messages.

She's filled with virtues. Only she's not wasting them on us.

She's fresh.

Should come here to die

Show up where?

Sir, I owe you a drink.

Slap your thighs

Slap your thighs

Small talk? I suppose you think the neckline of a dress

So I bribed the desk cIerk into Ietting me copy her phone messages.

So ring a dem bells

So that you actually feeI what the other person is feeIing.

So where is she?

So why can't... you Iove

So won't you Iove me

Somehow we gotta

Something is wrong.

Something missing, I know

Song and meditation tonight at my salon."

Sounds great, but what is it?

Stand here, please. There's a good place. Fine.

Steve, tip that back Iight down a bit, will you? OK.

Stop!

Straighten up, shoulders back.

Suivez moi. Il me semble qu'ily a une erreur.

Suppose we Ieave my bones aIone and give me my $53.95?

Swim in perfume, and a new Iove affair every hour on the hour.

Sympathy is to understand what someone feels.

Take her, and whatever you do, don't Iet her out of your sight.

Thank heavens. I thought you'd stand us up again.

Thank you.

Thanks.

That dancing is nothing more than a form of expression or release?

That he is speaking at the cafÈ and that they are Iate.

That is a piece of sculpture by ltsabuchi.

That is a piece of sculpture by ltsabuchi.

That just can't go wrong

That thing from the book shop?

That way it won't be a totaI Ioss.

That way.

That would be novel in a fashion magazine.

That you should care

That you should care

That'll be me. Sorry.

That's a killer.

That's all you have to know. You're happy. Now, run!

That's alright. What's all the desperation about?

That's for me

That's for me

That's for me

That's for me

That's great.

That's great. Just Iike the movie.

That's it! Maggie, you ought to be president.

That's not what I came to taIk about.

That's not what I heard.

That's quite obvious. You might just as well be flying a kite.

That's sinister enough.

That's very rude, refusing to dance with Mimi.

That's what Maggie said.

That's what you've been talking about! Why didn't you say?

That's where she'll be tonight.

The air will do her good. She was very pale.

The bird is Prince Charming, turned into a bird by a sorcerer.

The bones are good.

The books are here.

The books on this shelf pertain to empiricism,

The clock must be fast. He just hasn't got the message yet.

The correspondent from Madrid will be able to make it.

The correspondent from ****stan has accepted.

The curtains will open and you dazzle 'em!

The day you've dreamt of. You're marrying the man you Iove.

The dresses is gotta be showed. Let's get this show on the road!

The eyebrows up, a Iight powder.

The facing page Iooks as intellectuaI as a snake.

The great American tourist

The great American woman, who stands out there naked,

The greatest philosopher since Aristotle.

The hair is awfuI. It must come off.

The hair, the dress. It's perfection.

The Herald Tribune has brought a correspondent from Sweden.

The Iiving is high

The man who Ioves you.

The man you Iove more than anyone is inside the church waiting for you.

The Modigliani is $12.50,

The most discriminating publication in the world, Quality.

The most sensible approach to true understanding and peace of mind.

The Quality Woman must have grace, elegance and pizzazz.

The railroad is going to paint a whole train pink

The way is clear

The White House.

The woman who thinks must come to grips with fashionable attire.

The world looks good to you

Then I gotta confess

Then I will come. Perhaps we can do usefuI things together.

Then we can show you the west

Then you'll be IoveIy as a hoIiday

There are tears in her eyes.

There is a magicaI moment waiting for us.

There was a Iot to be done.

There was no one here when I came in.

There were chills up my spine

There'll be plenty of hair cut, and it won't be mine.

There's a plane to New York at 10:30pm and I'm on it.

There's no need to be formaI or cute about it.

There's no time for talking. Tell us on the plane.

There's nothing to be nervous about. You're in Paris, the Tuileries.

There's one.

There's something missing

There's still one place I've got to go

These are not my clothes.

These gentlemen are waiting to do her face, hair.

They all say the same thing. Everyone in Paris is Iaughing.

They are too elemental.

They came to see me, not you.

They don't care about anyone's feelings.

They Iook too much aIike. They're too pat. Mix them up.

They promised they'd get my message to him before he boarded.

They understand me through the way I feeI, and the tone of my voice.

They were Ient for tonight. I'm being presented to the press.

They'll want to know who does your hair,

They've been waiting for you at DuvaI's all day.

They've gone.

Think pink

Think pink, think pink

Think pink, think pink, think pink!

Think pink! Think pink if you want that quelque chose

Think pink! Think pink on the Iong, Iong road ahead

Think pink! Think pink when you shop for summer clothes

Think pink! Think pink, and the world is rosy red

Think pink! Think pink, and you're Michelangelo

Think pink! Think pink, it's the Iatest word, you know

Think pink! Who cares if the new Iook has no bust?

This deals with epiphenomenalism, which has to do with consciousness

This fussing and fretting is getting my goat

This girI will represent everything the magazine stands for.

This has got to be illegaI

This is grand

This is great

This is just paper.

This is my second and Iast encounter with you Iunatics.

This is no time to discuss our differences.

This is not a Ioss of integrity. It is a means to an end, and...

This is the first time I've seen you Iack imagination.

This is your idea?

This is your wedding day.

This isn't funny. You don't belong here.

This kid's a IittIe confused.

This must be the place.

This time, let's see if we can't get with it.

This time, let's see if we can't get with it.

Those people.

Though you're no Mona Lisa

Though you're no Queen of Sheba

Three hours. It is the uItimate in concentration.

Through the Saint HonorÈ

To get me over to DuvaI's to modeI their collection.

To see

To show the richest and the poorest

To which you gotta switch

Today, you're just a simple little girl.

Tout d'un coup, je savais bien Queje I'ai aimÈ

Try pink shampoo

Try pink shampoo

Try to stay with us for a while. Duval shows the collection on Friday.

TWA will Iet me know if we can have a pink pIane.

Un moment de passion engageante Je le dÈtestais

Un moment, s'il vous plaÓt.

UntiI we get in. As they say, if you can't Iick 'em, join 'em.

Very good, Marion. One more, please. Last one.

Vous retrouverez tout cela

Wait a minute. Don't go away mad.

Wait till you see what I've got. The girI. The Quality Woman.

Waiting for me to tell her what to wear.

We are proud to bring you a new collection by PauI DuvaI,

We begin with Hors d'Oeuvre.

We can go on Iocation. An intellectuaI hang out.

We can never reconcile our differences.

We can show you the north

We don't have to communicate with words.

We don't usually barge in that way.

We is goin'

We may as well get started. Babs, get that dreadfuI thing off of her.

We need each other, dear

We open the cocoon but it is not a butterfly that emerges.

We ought to Iook Iike one Iady to another.

We should all go straight to our hotels and get some rest.

We sit at your feet, ignorant, but so willing.

We think freely here. If a girl wants to dance with a man, she asks him.

We throw ourselves at your mercy.

We want the shop as a background

We want to sit at your feet and Iearn.

We'll make a twosome

We'll mention the shop in the magazine.

We'll only do unto you for a moment,

We'll scoop every other magazine.

We'll see. For now, just wonderful, noble self sacrifice.

We're cold, artificial and without sentiment.

We're fortunate to have found out these things now.

We're here to take pictures.

We're in the same boat

We're just going to take a few pictures.

We're not inhibited by outmoded sociaI conventions.

We've been calling you on the telephone for hours.

We've come to see Flostre. Professor, Maggie and I need guidance.

We've got to get to DuvaI's.

We've started the campaign. There isn't time to get someone else.

Well, give it a yank.

Well, hello. How are you?

Well, how was that?

Well, I hate to throw a wet bIanket...

Well, I mean, a phiIosopher and professor.

Well, I'll have no more of it. I don't want my hair cut.

Well, just this Iast picture, then you'll be through.

Well, Mr Tallahassee, how we doin'?

Well, run out and get him! It's urgent!

Well, what do you know!

Well, where is she?

Well, you fixed everything!

Well.

Wet your Iips.

Wet your Iips.

What a beautifuI bride!

What a woman ought to think

What about a girI with character, spirit and intelligence?

What about my collection? Without her I cannot show it.

What about these pictures?

What am I going to tell him?

What am I going to tell them?

What are they doing? They've been hours.

What are you doing here? You Iook ridicuIous!

What are you thinking?

What did you say?

What do you mean?

What does that mean?

What I feeI

What sort of pictures?

What were they saying about Flostre?

What you call funny, I call interesting.

What you eat, drink, what sheets you sleep on.

What? Oh, why did I ever...

What's got into you? Have you any idea...

What's the clue to pursue?

What's the matter?

Whatever are you doing?

When a man Iooks at a woman the way FIostre Iooks at you...

When I say go, waIk down with fire in your eyes and murder on your mind.

When I'm done, you'll Iook Iike...

When we can work in harmony

When we're done, you can spend all your time making small talk.

When you can be fancy free

When you can feeI Iight and gay

When you hear that Dixieland, you gotta clap your hands

Where have I been all these years?

Which shelf for materialism?

Who goes to Paris for Iectures?

Who's buying the wine?

Whose presence or absence makes no difference...

Why can't we both agree?

Why don't you photograph trees?

Why raise a storm up if we'll just warm up?

Why, we's the two most friendly vibrations you ever seen.

Will I see you any more?

With more than beauty

Would there be any value in my contacting philosophers

Would you mind if I had my own conversation with this lady?

Would you mind telling me what all this is about?

Yeah, I'm the one you sue.

Yes, $50 worth if necessary.

Yes, I know.

Yes, thank you. Can I heIp you? WouId you Iike a book?

Yes, the show! Our personaI Iives don't matter!

Yes?

Yes. D for down.

Yes. Pity it isn't her wedding.

You are here. That's all that matters now.

You are mad, aren't you?

You can board your plane now, monsieur. Pleasant flight.

You can get a IittIe wink

You can talk to him and go to his lectures.

You can titter and jeer

You can't be serious.

You can't blame me for feeling amorous

You can't blame me for feeling amorous

You can't do this to him, or to all the others.

You can't do this to me! Come back!

You certainly made friends and influenced people.

You couldn't have a more loyal disciple of empathicalism than I.

You didn't even give me a headache.

You don't find Flostre in cafÈs, except on special occasions.

You don't have to be friendly to work together. Acquainted will do.

You don't need a college degree

You don't need dough

You fill the air with smiles

You gotta be happy

You gotta be jolly

You gotta be merry

You gotta clap your hands

You gotta... if you wanna get to the promised Iand

You have all the qualities of Peter Pan

You have come across this statue. It says something to you

You have the most penetrating eyes.

You haven't quite got it. Now, Iisten carefully.

You haven't? By now I thought you two'd be buddies.

You Ieave his feet aIone.

You Iive on the Seine, and you're trying to catch a fish for Iunch.

You Iook absoIuteIy fabuIous. How does it feeI?

You Iook as if you've been jiIted.

You just gotta wake up

You know who I am.

You may never know that kiss again, or Iove again.

You might as well tell me never to eat again.

You must see Greenwich Village. It's our Left Bank.

You put yourself in the wrong place.

You run around, ignorant of the fact that I can have you put in jaiI.

You said she would be here at ten this morning. It is now past five.

You said that you were so exhausted

You see how much we accomplish when you appear?

You should be ashamed of yourself.

You talk a lot about empathy. Ever do anything about it yourself?

You told him to go and he went. He flies at 10:30pm.

You told me that you had to rest

You'd be amazed how small the demand is for pictures of trees.

You'd come along

You'd go to a party every night, drink champagne,

You'd have a ball.

You'll be as IoveIy as can be

You'll give me my way

You'll meet each other in somebody's place.

You're furious at Tristan.

You're IsoIde. You're a queen. Now, go, go, go!

You're just not fishing.

You're making things difficult. You don't own empathicalism.

You're not exotic

You're not gonna tell him anything. You'll never see him again.

You're only a pebble

You're quite welcome.

You're talking like a man.

You're the authority on how to be IoveIy.

You're the saddest bride I've ever seen.

You're too important forjeopardy. Relax. She will be here without fail.

You're walking out of the opera,

You've gone out of your mind.

You've got a Iot of

You've got a Iot of personaIity for me

You've got balloons. There's a sudden shower. You're very happy.

You've made my Iife so gIamorous

You've outgrown me.

You've said enough, Mr Avery.

Your Iover has just kissed you goodbye.

Your mouth suggests to me burgundy velvet.

Your sunny, funny face

Your sunny, funny face

Your sunny, funny face

Your sunny, funny face

Your sunny, funny...

'S awfuI nice 'S awfuI nice

'S marvellous 'S marvellous

'S wonderfuI 'S wonderfuI

(crowd) Bonjour! Bonjour!

(knock at door) (woman) Is that girI in there?

(Miss Prescott) Marion, over here. Who are those?

(woman sobs) Pourquoije I'ai tuÈ

A Iarge order, so she can't refuse. $50 worth?

A U L Y. Orly. O R L Y.

AllÙ? (chatter)

Alright. This is where I get off.

And then what happens? We go home.

And you're still here? I'm still here.

Are you making a fooI of him? Me?

Are you ready? (Jo) Just about.

Are you the owner? No, Dr Post is.

BeautifuI! I don't beIieve it. Maggie, what did I tell you?

Betty Hayes? She's in jaiI.

Bonsoir. Vous Ètiez formidable. Merci.

Bravo. Your defence rests.

But I came here to taIk. We'll taIk.

C'est tragique! You can say that again.

Catch! (Jo screams)

Come on, Jo. What's the matter?

Come on, Maggie. Well, Iook at her.

Come on, sugar. Alright, darlin'.

Command performance! Come on, Mama. We're on.

Did she say where she was going? I understand now.

Did you get him? No. We'll get him at the airport.

Do I Iook grubby enough? Yeah. How's the beard?

Do you Iive in Greenwich Village? Of course.

Don't come any closer. Why are you behaving like this?

Don't tell me I did that! You?

Florida. That's us. De Tallahassee.

Flostre, there you are. Professor, we need you.

Flostre? Yeah.

For the Iast time... You're getting tiresome.

Full of pizzazz. Come on.

Get out of my house. I'm not ready to Ieave.

Give 'em the old pizzazz. I'll try.

Good. Get her in another outfit. Put on the shebop.

Have they gone? They've gone.

Here's what I want you to be. I know. I'm a princess at a ball.

How about Lucy Brand? On her honeymoon.

How can you be in Iove? I'm a bIack sheep.

How did the wedding pictures go? Wonderfully.

How Iong before we can begin? We're ready.

I am exhausted. I know how you feeI.

I am. I understand more than you think.

I can put myseIf in your pIace. Maggie, that's empathy!

I can't find it! How are you spelling it?

I can't stop. Take the picture. Stop!

I couIdn't do it. Let me be the judge of that.

I never touched him. Go away!

I shouId have known. You shouId've heard what he said.

I... Quite aIright, mademoiselle.

I'll be there. Promise?

I'm hurt and... Right, a creature of tragedy.

I'm not promising anything. You don't have to.

I'm not. This is all your fauIt.

I'm sorry, but... Shush.

If you're saying that the wine... Let me show you something.

Il est un photographer de fashion. Fashion?!

Is this some sort of a gag? I know who he is!

It's not? No, it is a bird of paradise.

It's the same subject. I haven't met FIostre.

Just a Iovers' quarreI. A what?

Just after Iunch. Professor, don't beIieve them.

Later. Why don't I come back Iater?

Le Savoyard. Get me the number.

Let me study the possibilities. Now you are talking.

Lettie, you'd better come out here. I've got the books she ordered.

Maggie! Ssh! I'm calling again.

Me? You're selling a book to that girI.

Merci, monsieur. Come back soon. Thank you.

Monsieur, your bill is ready. I know. 352,428 francs.

Not going to see him again? That's what I said.

Now what? Just you Iisten.

O˘ est Flostre? Pourquoi?

Oh, no. What's the matter?

Oh! Oh, no!

On the floor? Yes, drop them.

Only you can fulfil that potential. This is it.

Paris? Yeah. Look at it this way.

PauI DuvaI? Yes, PauI DuvaI.

Professor? Call me Emile.

She didn't show? She did not.

She gave you 18 stitches? And a gashed Iip.

She's not at the hoteI. Forget about her.

So did I. Aren't you surprised? I'm overcome.

Somewhere with books. A book store.

Sort of Iike a dog. ObviousIy, you don't understand.

Staggers you, doesn't it? I can't beIieve it.

Such a beautifuI bride. This is not my dress.

Talks incessantly. The body's good.

Tell DuvaI I'm sorry. Where are you going?

Than whom? I'm sorry. I'm Jo Stockton.

The gowns were sewn on her! I'm facing ruin!

The grand finale. I'm getting nervous.

The more the merrier. They are here.

They are not from Tallahassee! They ain't even from Miami.

They don't Iook dispIeased. (Duval) Everyone.

They don't Iook happy. They don't Iook unhappy.

They don't understand English. You were talking English.

This is Dick Avery. Professor? I thought you'd be oId.

Through with what? She might do.

To get to the second floor! You is a genius!

We are so Iate aIready. I want to heIp.

We have trouble. She's a thinker. She's also a talker.

We'd be working together every day. I'll modeI.

We'll talk about that later. What are you doing?

What about you? Me? I wouIdn't be caught dead.

What do you think of Flostre? Don't change the subject.

What shall I say? Tell them it was all my fauIt.

What sort of questions? It's remarkabIy simpIe.

What's the matter? The song's a bundle of laughs.

What's wrong? I don't know which way to go.

When did you realise this? Today. At about two o'clock.

Where is she? I don't know, she was here...

Who's Gigi? I am Gigi.

Why did you do that? Empathy.

Why don't you trust these people? Because I know them well.

Why not throw some empathy my way? I still don't know what you mean.

Would you like a tour of Paris? No, we're not tourists.

Would you please sit down? Leave me alone!

Yes. Use our darkroom.

You and that girI... Why not?

You come from Greenwich Village. I'm moving uptown. Yonkers.

You must do the collection! Later. I've got to get to Dick.

You should. Sit down.

You were there! I'm just so nervous.

You're very unhappy. What happened now?

You've heard it all before. Have you Iost your mind?

Your brother? Professor Flostre.

Your empathy is a IittIe one sided. Get out!

..and mad.

..blood and brains and pizzazz.

'S marvellous

'S marvellous

'S paradise 'S paradise

'S what I Iove

"At 10:15, Dick Avery called."

"At 11:30, Dick Avery called."

"At 11:30, Dick Avery called."

"At 12:16, Professor Flostre called."

"Do unto others as you would have others do unto you."

"Would be delighted if you would join us. Emile Flostre."

(all speak at once)

(all) I'm strictIy tourist

(all) No, Miss Prescott, don't say that.

(all) No, Miss Prescott, you mustn't say that.

(all) There's something missing

(announcer) Monsieurs et mesdames, Jonquille.

(applause)

(band tunes up)

(beeping)

(beeping)

(bell rings)

(bell rings)

(belljingles)

(both) Bonjour, Paris

(both) There's something missing, I know

(chatter)

(children singing)

(clattering)

(clock strikes)

(crowd) Bonjour!

(Dick) Driver, stop here.

(discordant dramatic music)

(excited chatter)

(excited chatter)

(fanfare)

(fastjazz)

(Flostre) I may go next year.

(gasps)

(horn blows)

(Jo) ..there's so much you can teach us.

(Jo) I'm ready.

(Jo) IntellectuaI gratification is nonexistent.

(loudspeaker) Attention! Attention!

(man) C'est tragique!

(man) Marion, give me a Iong Iook.

(Miss Prescott) A fantastic idea.

(Miss Prescott) Do keep it to yourself!

(Miss Prescott) Goodbye. I'll be in touch.

(Miss Prescott) Nowhear this.

(Miss Prescott) Taxi!

(Miss Prescott) What do you think?

(Miss Prescott) What does that one say?

(mooing)

(music moves up tempo)

(phone rings)

(rings)

(Spanish music)

(Tristan undlsolde by Wagner)

(whispers) Don't give me away.

(woman screams)

(woman) He doesn't answer, madame. I will give you the desk.

(women) Hurry up.

(women) You've made my Iife so gIamorous

$7 for the postimpressionists

$50 to get her up here. We'll have to drug her to get her to Paris.

$53.95.