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Inception (2010) Inception is a mind-bending science fiction thriller directed by Christopher Nolan, released in 2010. With

Inception (2010)

Inception is a mind-bending science fiction thriller directed by Christopher Nolan, released in 2010. With an ensemble cast featuring names like Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page, Tom Hardy, and Marion Cotillard, this cinematic masterpiece takes audiences on a gripping journey through the depths of dreams.

Set in a world where technology allows people to enter and manipulate the subconscious minds of others, Inception follows a skilled thief, Dom Cobb, who is tasked with planting an idea in a target's mind. As the layers of dreams unfold, engaging the audience in a labyrinth of reality and illusion, Inception explores themes of guilt, redemption, and the power of the human mind.

To enhance the experience, the film's soundtrack, composed by Hans Zimmer, adds another layer of intensity and suspense. You can play and download these captivating sounds to immerse yourself in the film's gripping atmosphere. Inception continues to captivate and puzzle audiences, challenging them to question the boundaries of perception and the nature of reality.
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A bacteria? A virus?
A challenge for you to build something for yourself...
A combination. They demanded the first numbers to pop into my head.
A dream within a dream? Two levels?
A powerful sedative.
A simple little idea that would change everything.
A totem, it's a small personal
A train that will take you far away.
A train that'll take you far away.
A truth that she had once known, but chose to forget.
A truth that she had once known, but chose to forget.
About $500, right?
Accept the fact that you're in a dream, and I'm here to protect you. Go on.
Actually, the subject is partial to postwar British painters.
Admit it.
After a while, it becomes the only way you can dream.
After Mal became pregnant, that became our home.
After my mother died, you know what he told me?
After you.
Ah, there's no use threatening him in a dream, right, Mal?
Ah, yes, but you see, Mr. Saito....
Ah. So this is your idea of losing a tail, huh?
All right, I don't know any combination.
All right, let's go.
All right, well, try this. Um....
All right?
All right.
All right.
All right. Bag them. You're going for a ride.
All right. Brief him on the route into the complex.
All right. Taxi. Thank you.
All right. Third and Market. Snappy.
All right. What is in the safe?
An elegant solution for keeping track of reality.
An hour?
An idea that is fully formed, fully understood. That sticks.
An idea.
An intestinal worm?
And a face full of glass hurts like hell. When you're in it, it feels real.
And I believe that's what's going on right now. Mr. Fischer.
And I can teach them to you. so that even when you're asleep...
And I could only make out...
And I have to let you go.
And I will lead them on a merry chase.
And I'm not about to just open my mind to someone like that.
And I'm not sure we're gonna like what we find.
And if he dies?
And if we are gonna succeed in this...
And if we get killed...
And it doesn't have to be me...
And l broke in...
And no matter what I do, no matter how hopeless I am...
And our mind does this so well that we don't even know it's happening.
And Saito wasn't supposed to be shot in the chest.
And she couldn't break free.
And suggest concepts to Fischer's conscious mind.
And the better the maze....
And the sicker Maurice Fischer becomes, the more powerful Peter Browning becomes.
And the truth that, as we go deeper into Fischer...
And then when the van hits the barrier of the bridge, that should be unmistakable.
And this is where she'll be.
And this job, this last job, that's how I get there.
And to go into the field with us.
And we will find him.
And we'll be young men together again.
And when you enter a dream within that dream, the effect is compounded.
And you be good, you be
And you saw them torture him?
And you were the best that I could do, but...
And you'd like to see their faces again, wouldn't you?
Are you all right?
Are you here to kill me?
Are you talking about, um, extraction?
ARIADNE: And why don't you approve?
ARIADNE: Cobb?
ARIADNE: Cobb.
ARIADNE: Eames! Eames, get to the antechamber now!
ARIADNE: How did architects become involved?
ARIADNE: Like a coin? ARTHUR: No.
ARIADNE: This is your house?
ARIADNE: This wasn't in the design.
ARIADNE: Well, what the hell is down there? Just raw, infinite subconscious.
ARIADNE: What is that?
ARIADNE: What kind of tricks?
ARIADNE: What was that? The kick.
ARIADNE: Who are the people? Projections of my subconscious.
ARIADNE: Why are they all looking at me?
ARIADNE: Why do you do this to yourself?
ARIADNE: You built all this? This is incredible.
Ariadne? Terrific work, by the way.
Arthur has a couple minutes, and we have about 20.
Arthur told me she passed away.
ARTHUR: He's not gonna check every compartment.
ARTHUR: In your father's office, below the bookshelves...
ARTHUR: It would have to be a 747. Why's that?
ARTHUR: Let's get him upstairs.
ARTHUR: Someone got first aid?
ARTHUR: That's why the military developed dream sharing.
ARTHUR: Uh...
ARTHUR: What happened to you? Blocked by a freight train.
ARTHUR: You good?
ARTHUR: You're gonna have to master a few tricks...
As I'm about to call out to them...
As I'm about to call out to them...
Assemble your team. Mr. Cobb. And choose your people more wisely.
Asshole. How do you mess up the carpet?
At the end...
Because I am the most skilled extractor.
Because my subconscious feels that someone else is creating this world.
Because they have no idea the risk they've taken coming down here with you.
Because they think I killed her.
Because you left us.
Before I describe the job. I have to know you can do it.
Bit too much free champagne before takeoff?
Brain function in the dream will be about 20 times normal.
Breathe.
BROWNING: How is he?
BROWNING: I'm not smelling settlement here. Take them down.
But after what happened...
But all of that stuff, it's, um....
But he took the trouble to tell me one last thing.
But he's wrong.
But how big do these levels have to be?
But I can.
But I can't speak for Cobol Engineering.
But I need your help.
But if it's too late, I won't be able to drop us.
But in my dream, you play by my rules.
But it doesn't matter.
But pain....
But sometimes, it feels like it's almost creating itself, if you know what I mean.
But that's not true at all. is it?
But very definitely made of wool.
But we did.
But what do you believe?
But when you wake up, you won't even remember that we had an arrangement.
But you can make amends. You can still keep your promise.
But you don't have to do that alone.
But your deception was obvious.
By creating something secure, like a bank vault or a jail.
By now, they know we failed. It's time we disappear.
Can I trust you to do what needs to happen here?
Can you get me access to this man here? Browning.
Can you get me out of here?
Care for a lift. Mr. Cobb?
Cash, cards, ID. And this.
Chased around the globe...
Choose to be here.
Cobb can't build anymore. can he?
Cobb said you'd be back.
Cobb, I'll still honor the arrangement.
Cobb, we need to get Fischer.
COBB: Because it's never just a dream, is it?
COBB: Because you'll be together.
COBB: But l never knew that that idea would grow in her mind like a cancer...
COBB: But the moment's past.
COBB: Cobol Engineering.
COBB: Don't tell me to calm down!
COBB: Eames, this is your dream.
COBB: Has he been shot? Is he dying?
COBB: He's out.
COBB: He's out. Wait.
COBB: Hey.
COBB: I appreciate that, Saito.
COBB: I'm gonna get you a drink.
COBB: If I get on this plane and you don't honor our agreement...
COBB: On the cliff? Come on, I want you to show me. Can you show me?
COBB: Phillipa, is that you?
COBB: Rod Green from marketing.
COBB: She was certain there was nothing l could do...
COBB: Someone from a half remembered dream.
COBB: That doesn't mean you don't know the combination.
COBB: That's right.
COBB: Then I start to panic.
COBB: They say we only use a fraction of our brain's true potential.
COBB: This was our neighborhood.
COBB: What for? Here, I'll show you.
COBB: What is the most resilient parasite?
COBB: What's your problem with this Mr. Fischer?
COBB: You feel that? You've actually been trained for this. Mr. Fischer.
COBB: You never did like your office, did you?
COBB: You shouldn't be here.
COBB: You take Fischer with you, all right? You can't stay here to be with her.
COBB: You've got the basic layout. Bookstore, cafe.
Cobb! Cobb, did we miss it?
Cobb?
Cobb?
Cobb?
Cobb's drawing Fischer's attention to the strangeness of the dream...
Come back to reality, Dom.
Come back with me.
Come back.
Come back...
Come on, come on.
Come on.
Come on.
Come on.
Come on. Come on, a little lower.
Come on. Step back inside so we can talk about this.
Complete the job en route...
Converge?
Converge?
Couldn't someone have dreamt up a goddamn beach? Huh?
Dad?
Damn it.
Decades. It could be infinite. Ask him, he's the one who's been there.
Depends on the dream.
Design it yourself.
Destroying my whole inheritance?
Did Eames add any features?
Did she tell you? Or have you known all along?
Did you see that?
Different tail.
Do you need immigration forms?
Do you think he is?
Does this feel real?
Doesn't matter, I can get it here. Trust me.
Don't be silly.
Don't do this, Mal. Please. Those aren't my children.
Don't lose yourself! Find Saito and bring him back!
Don't worry about it. My people are already on it as we speak.
Downwards is the only way forwards.
Dream within a dream, huh? I'm impressed.
EAMES [OVER RADIO]: Well, what the hell do we do now?
EAMES: He hasn't got any surgery scheduled, no dental, nothing.
EAMES: On the top level, we open up his relationship with his father...
EAMES: That's where we come in.
EAMES: The vultures are circling.
EAMES: This, Ariadne, would be a kick.
EAMES: What happened? Mal killed Fischer.
EAMES: Who's Mr. Charles? Bad idea.
Eames?
Eames? No, he's in Mombasa. It's Cobol's back yard.
Eames? Phillipa?
Eames. I am impressed.
Elephants.
Enjoy your evening, gentlemen, as I consider your proposal.
Exactly.
Excellent. But you learned a lot, right?
Excuse me. I think this is yours? You must have dropped it.
Extradition between France and the United States...
Filled with regret?
Filled with regret.
Fischer is on the porch.
Fischer Morrow has been my entire life. I can't let you destroy it.
Fischer Senior's right hand man. Fischer Junior's godfather.
FISCHER: In his own way.
FISCHER: Man.
FISCHER: We're worth more to you alive. You hear me?
FISCHER: You all right?
FISCHER: You're not coming in?
FISCHER: You're not coming in?
Fischer's okay, unless he gets carsick.
Five minutes in the real world gives you an hour in the dream.
Five, two It was something, it was a long number.
Five, two, eight, four, nine, one.
Five.
FLIGHT ATTENDANT: Would you care for a drink?
For me. Quick, give me a kiss.
For not asking whether I did.
For sleep stable enough to create three layers of dreaming...
For someone like you to steal?
Forgive me for wanting a little specificity, Eames.
Freddy. Freddy Simmonds.
Funny way to make friends, someone stealing your wallet like that.
Genuine inspiration, right?
Get him!
Get out on a different floor, keep moving.
Get ready.
Get us another seat on the plane.
Give me the first six numbers that come to your head right now.
Give me the gun.
Go check he's alive right now. Do it.
Go, go, go!
Go!
God, why is it so hard to remember?
Goddamn it. The wallet alone is worth at least 500
Good looking fellow, I'm sure.
Good night.
Great.
Guilt.
He added an air duct system that can cut through the maze.
He is good at what he does, right?
He knows.
He looked right at it when I mentioned secrets.
He loved you, Robert.
He must be flying private, then.
He pulled me close.
He sold you out. Thought to come to me and bargain for his life.
He thinks it's safer if he doesn't know the layouts.
He was close. Very close.
He was my father.
He won't tell me. But I think it's Mal.
He won't wake.
He, uh, formulates his own versions of the compounds.
He's digging for something, maybe a worm.
He's gonna help us break into his own subconscious.
He's here! And it's time, but you have to come now!
He's hiding something, and we need to find out what that is.
He's in agony. I'm waking him up.
Hello.
Hello.
Here.
Here. let me take a look.
Hey, are you okay?
Hey, hey, hey. Look at me. You're okay. You're okay.
Hey, I see you've changed.
Hey.
Hey. Mr. Cobb.
Hey. You ready?
Highly contagious.
His security is gonna get worse as we go deeper.
His son will soon inherit control of the corporation.
Hmm, Arthur. You still working with that stick in the mud?
Hold on a second.
Hopefully, the truth we want Fischer to learn.
Hot towel, sir?
How about a lovely lady that I've used before?
How are the mazes coming along?
How can it not matter to you where that train will take you?
How can you do that?
How could I ever acquire enough detail to make them think that it's reality?
How could you stand it?
How could you understand?
How do I drop you without gravity?
How do you know that?
How do you translate business strategy into emotion?
How else do you do it?
How is Robert Fischer's relationship with his father?
How long were you stuck there?
How would you like to go home?
How you've threatened to kill me.
I am here to protect you.
I am sitting this one out on this level.
I bought the airline.
I can lie low there, maybe sniff out a job when things quiet down. You?
I can tell the difference.
I can't stay with her anymore, because she doesn't exist.
I couldn't shoot her.
I customized the sedative to leave inner ear function unimpaired.
I didn't know he was gonna rub his cheek on it!
I do hope you understand the gravity of that request.
I don't know any safe.
I don't know if he can't, but he won't.
I don't know if you can't see what's going on, or if you just don't want to...
I don't know, some meaningful combination of numbers...
I don't think I should tell you.
I don't want to bother him Unnecessarily, but
I first noticed it about 20 minutes ago. I thought it was the wind up here.
I got somebody in your father's office right now ready to tap in the combination.
I guess I thought that the dream space would be all about the visual...
I guess, yeah.
I have a test for you.
I have to let you go.
I hope you're ready.
I just didn't understand the concept that hours could turn into years down there...
I kept pushing things.
I know I did.
I know this bridge. This place is real, isn't it?
I know what this is.
I know where to find her. She'll have Fischer.
I know who you are, What are you doing here?
I know who you are, What are you doing here?
I know you were disappointed...
I mean, what's down there for you?
I miss you more than I can bear...
I need an architect who's as good as I was.
I need him to decide to break up his father's empire.
I need to get home. That's all I care about right now.
I need to know my way around your thoughts better than your wife...
I need you to do the same thing to him that he was going to do to you.
I need you to draw the security away from the complex. Understand?
I need you to focus and try and remember what that is.
I need you to take care of Fischer while I go set some charges, okay?
I never taught you to be a thief.
I put it beside his bed. He hasn't even noticed.
I realize I'm gonna regret this moment...
I said, right now! Right now!
I say. ''Don't think about elephants.'' What are you thinking about?
I think I found a way home.
I think they might find a way to make it work in your case.
I thought about calling out to them...
I thought you might be missing me.
I told him it was Browning's so he'd be a part of our team.
I trusted him.
I want to know the name of your employer.
I wanted to go deeper and deeper, I wanted to go further.
I was 11, Uncle Peter.
I was dis
I was dis Disa
I was disappointed...
I was sent here to protect you in the event...
I was supposed to have all night to crack this.
I was telling you my story. I guess it wasn't to your liking.
I will!
I wish more than anything, but...
I wish.
I would not be standing here if I knew any other way.
I wouldn't do that if I were you, Mr. Fischer.
I'd like you to meet Mr. Cobb.
I'll come back for you. I promise.
I'll come back.
I'll play the music to let you know it's coming. The rest is on you.
I'll tell you a riddle.
I'm afraid that it doesn't
I'm an old man.
I'm gonna improvise.
I'm hoping you have something more elegant than shooting me in the head.
I'm insured against kidnapping for up to 10 million.
I'm just doing what I know. I'm doing what you taught me.
I'm not gonna throw away my inheritance.
I'm not. Saito's dead by now.
I'm sorry, Robert.
I'm sorry?
I'm still dreaming.
I'm the head of your security down here.
I'm the only thing you do believe in anymore.
I'm waiting for someone.
I've come back for you.
I've done it before.
I've freed you from the guilt of choosing to leave them.
I've had ample opportunity to observe Browning...
I've seen one before. Many, many years ago.
If I know the route, everything could be compromised.
If I were to do this, if I even could do it...
If I'm ever gonna see their faces again, I've gotta get back home.
If it's just a dream, then why are you ?
If it's too soon, we won't get pulled out.
If this is a dream, and you have a safe full of secrets...
If this is a dream, I should just kill myself to wake up, right?
If this is my dream, why can't I control this?
If you are not back before the kick, I am gone with or without you.
If you can steal an idea from someone's mind...
If you have a few moments, Mr. Cobb has a job offer he'd like to discuss with you.
If you jump, you're not gonna wake up, remember? You're gonna die.
If you want my help, you have to remain calm.
Impossible.
In a dream, you can cheat architecture into impossible shapes.
In case one of us brings in our projections.
In case you get bored.
In dream time?
In effect, they become a new superpower.
In his own way.
In my dreams, we're still together.
In order for this all to work, you need to completely let me in.
In order to find out the truth about your father...
In the real world, we'd have to choose, but not here.
In there, now. Go, go, go.
Inception.
Inception's not about being specific.
Interesting. Because Arthur keeps telling me it can't be done.
Is it safe for you to be here?
It belonged to a man I met in a half remembered dream.
It can grow to define...
It can represent anything. We're in a hotel right now.
It can represent anything. We're in a hotel right now.
It could be anything from the floor of a building to an entire city.
It had something to do with, um....
It is possible. You just have to add a sedative.
It made it impossible for me to try to explain the nature of her madness.
It may come to change....
It needs to be more unique than that. Like, this is a loaded die.
It seemed neater.
It should be possible, if you can get the right references.
It should've shown in the research.
It splits up the component businesses of Fischer Morrow.
It was Mal's, actually. This....
It'd be the end of the entire empire as we know it.
It'll take more than the occasional stuffed animal...
It's a gambit designed to turn Fischer against his own subconscious.
It's a job for some very, very powerful people.
It's a necessary risk.
It's a week, the first level down.
It's all over.
It's designed as a labyrinth.
It's difficult for a man of your position to keep a love nest like this secret...
It's just...
It's like trying to remember a dream after you've woken up.
It's my subconscious. Remember? I can't control it.
It's not me that doesn't get back to my family, is it?
It's not the way I deal with things.
It's only when we wake up that we realize something was actually strange.
It's really at the mercy of your subject's prejudice, you see?
It's something, isn't it?
It's stained and frayed in such distinctive ways.
It's that feeling of falling you get that jolts you awake.
It's three dreams, that's 10 hours times 20
It's worth a shot, if Saito can hold the guards off while I set the charges.
James and Phillipa are waiting for you!
James, we talked about this.
JAMES: Daddy! COBB: How are you?
JAMES: Let's go. PHILLIPA: Come on, Daddy!
JAMES: ls Mommy with you?
JAMES: Where?
JAMES: Yeah. When are you coming home, Dad?
Jeez, mind telling your subconscious to take it easy?
Jesus Christ!
Jesus Christ! What are you doing?
Jesus.
Just Just step back inside. All right? Just step back inside now, come on.
Just buy us more time, all right?
Just getting some fresh air.
Just head back to the room, All right? I'll take care of this.
Just let me talk to him and I'll find out.
Just make them stop.
Just spin and spin.
Just wanted to see what kind of tests you're doing on your own every night.
Killing him would just wake him up.
L knew something was wrong with her. She just wouldn't admit it.
L knew we needed to escape, but she wouldn't accept it.
L went deep into the recess of her mind and found that secret place.
Leave that.
Let me ask you a question.
Let me ask you something. Have you done it before?
Let's follow him and see how he behaves.
Let's hope Fischer likes what he finds in there.
Let's set the charges.
Like I told you, we had lots of time.
Limbo became her reality.
Limbo is gonna become your reality.
Listen to me. You drive carefully, all right?
Listen to yourself. These are our children.
Listen, if you're gonna perform inception, you need imagination.
Listen, it takes years of practice.
Listen, there's something you should know about me. About inception.
Listen. Every man for himself.
Listen. I'm gonna send some presents with Grandpa. All right?
Look, I told you. I'm away because I'm working, right?
Look, I, uh, brought these for you to give to the kids when you have a chance.
Look, I'm, uh, sorry about your leg. Won't happen again.
Look, if you want my help, you're gonna have to be completely open with me.
Look, you get him in there.
Look. I know how much you wanna go home.
Looks like I'm gonna have to do this a little more simply.
Mal won't let me.
MAL: How could you bring her here, Dom? What is this place?
MAL: I'm their mother! COBB: Calm down.
MAL: Looks like Arthur's taste.
MAL: Tell me...
Mal. what are you doing here?
Mal's gonna be down there.
MAN: Get him!
MAN: Right now, or never, Cobb.
Math was never my strong subject. How much time is that?
Maurice always said it was his most precious gift to you.
Maurice Fischer just died in Sydney.
Maurice told me that when he passed, you were the only one able to open it.
MAURICE: Robert. I told you keep out the damn Wait. So do it. Get
May he rest in peace, huh?
Maybe not. Can you pull over and get this ?
Maybe.
MILEs: James? Phillipa?
Mine and Mal's, yes.
Mm hm.
Move!
Mr. Charles.
Mr. Fischer, right?
Mr. Fischer? He's lying.
Mr. Fischer. I'm here to protect you in the event...
Mr. Saito, can I have a moment?
Mr. Saito, this isn't your typical corporate espionage.
Mr. Saito. we can train your subconscious to defend itself...
Must've blown you off.
My God, it's you, isn't it?
My name is Mr. Charles. You remember me, don't you?
My question is what happens when you start messing with the physics of it all?
Never re create places from your memory. Always imagine new places.
Never, never. Never do the same as I asked.
No creeping doubts?
No idea is simple when you need to plant it in somebody else's mind.
No one likes to feel someone else messing around in their mind.
No one said it's getting worse.
No room for tourists on these jobs.
No space to think in that broom cupboard.
No, because I think positive emotion trumps negative emotion every time.
No, but there will be enough time down there.
No, he never gave me any combination.
No, he'll be alright.
No, I can't. You know I can't do that.
No, I'm a projection of your subconscious.
No, I'm not.
No, it's much closer.
No, it's perfectly possible. It's just bloody difficult.
No, it's too soon.
No, no, no!
No, no, no.
No, no, no. Don't show me specifics. Only the dreamer should know the layout.
No, no, no. That's Fischer's projection of Browning.
No, she is not real.
No, she's dead.
No, there's still another way.
No.
No.
No.
No.
No. His whole share. Besides, he said he'd done it before.
No. I can't let you touch it. That would defeat the purpose.
No. I rarely go into the field. Mr. Cobb.
No. I'm going to jump, and you're coming with me.
No. it isn't you.
No. It won't wake him up.
None of this is real. You're in a dream.
Not dreaming now, are you?
Not even my head of security knows this apartment. How did you find it?
Not exactly.
Not feeling persecuted, Dom?
Not from this.
Not like you.
Not possible. That many dreams within dreams is too unstable.
Not sure that's necessary.
Nothing is down there, except for what might have been left behind...
Now the envelope, Mr. Cobb.
Now, before you bother telling me it's impossible, let me
Now, in a dream, our mind continuously does this.
Now, just step back inside.
Now, the easiest way for you to test yourself...
Now, the seed that we plant in this man's mind will grow into an idea.
Now, this is obviously an idea that Robert himself would choose to reject...
Now, this is where I need you.
Now, this is where I need you.
Now, you listen to me.
NURSE: Mr. Fischer. MAURICE: Put it through.
Of course I do.
Oh, he's the best, but he has no imagination.
Oh, I'm sorry, I mistook you for a friend.
Oh, no, no, no. Mal, you listen to me, all right? Mal, look at me, please?
Oh, um, same, please.
Oh, well, he was bad with emotion.
Oh.
Oh. Water, please.
Okay, make sure you do. We're here to work.
Okay? Who's just okay? Is that you, James?
Okay.
Okay.
Okay. That's the antechamber outside the strong room.
On a 747. the pilot's up top...
Once an idea has taken hold of the brain, it's almost impossible to eradicate.
Once you've lost your tail. The man at the bar.
Once you've lost your tail. The man at the bar.
One cafe.
One cafe.
One cafe.
One of the longest flights in the world. He makes it every two weeks.
Only use details. A streetlamp or a phone booth. Never entire areas.
Or do you think he's as lost as I was?
Or tipping.
Our children are here.
Pain is in the mind.
Paradox.
Paradox.
Pay attention to the strangeness of the weather, the shift in gravity.
People who I believe can fix my charges permanently.
Perhaps after your mother died.
Perhaps you will not want to see.
PHILLIPA: Good. JAMES: Okay, l guess.
PHILLIPA: Grandma says you're never coming back.
PHILLIPA: Hi, Daddy. JAMES: Hi, Dad.
Places from our past.
Please, have a seat.
Please.
Please. I need you to stay here just for now!
Pleasure to see you again, Rod Green from marketing. I
Put Grandma on the phone for me, will you?
Put him out his misery.
Reality's not gonna be enough for her now. and when she comes back....
Relationship with his father is worse than we imagined.
Remember what I said to you.
Remember, you are the dreamer. You build this world.
Resilient. Highly contagious.
Right away. Follow me.
Right in there somewhere.
Right now...
Right there you have various political motivations...
Right. But it's not your idea, because you know I gave it to you.
Right. Okay, well, there's a man here, Yusuf.
Right. So, what happens when we die?
Robert Fischer, heir to the Fischer Morrow energy conglomerate.
Robert should accompany the body no later than Tuesday. We should move.
Robert.
Robert...
Rub them together all you want, they're not gonna breed.
Rumor is the relationship is quite complicated.
Run interference. I'll meet you downstairs in the bar in, say, uh, half an hour?
Saito knows. He's playing with us.
Saito will never make it, will he?
Saito: Are you all right, Mr. Cobb?
SAITO: Have you come to kill me?
Saito: I could do it.
Saito: I've always hated this carpet.
Saito: It's time.
Saito: Not if there were unexpected maintenance with his plane.
Saito: Six.
Saito: Turn around.
Saito?
Saito. Saito.
Security, huh?
See, only I know the balance and the weight of this particular loaded die.
Shall we take a look at some paradoxical architecture?
Shame, I wanted to know what was gonna happen in there. I swear we had this.
Sharp, no?
She had herself declared sane by three different psychiatrists.
She had locked something away, something deep inside.
She is just a projection. Fischer. Fischer is real.
She is just a projection. Fischer. Fischer is real.
She loved me too much, so she came up with a plan on our anniversary.
She wanted to do it, but she could not do it alone.
She wants me back down there with her.
She was lovely.
She was possessed by an idea.
She'll be back. I've never seen anyone pick it up that quickly before.
She's already gone.
She's right. She's right. Come on. Let's go.
Shh.
Shh.
Simple little thought that changes everything.
Sink him.
Six months the second level down, and the third level
So a closed loop like that...
So certain of your world. Of what's real.
So choose.
So do you want to take a leap of faith...
So he gives himself the idea.
So how did we end up here?
So I offer you the satisfaction.
So l decided to search for it.
So l ran.
So now in the first layer of the dream, I can impersonate Browning.
So now we're trapped in Fischer's mind, battling his own private army.
So now you've noticed how much time...
So once we've made the plant, how do we get out?
So that's it, then? We failed?
So we get a nice synchronized kick.
So what?
So you really think that that's gonna contain her?
So you think you can just build a prison of memories to lock her in?
So you want me to let someone else follow you into your fantasy?
So you're learning. huh?
So, what do we do?
So, what is this idea that you need to plant?
SOLDIER: Run! Turn around! Move to base! Move to base!
SOLDIER: There he is.
Something for you.
Something like 50 years.
Something to do with a safe.
Something you can have on you that no one else knows.
Something you once knew.
Soon, they'll control the energy supply of half the world.
Specificity?
Stateside.
Stay where you are, Mal.
Stop.
Strange weather, isn't it?
Strange weather, isn't it?
Subconscious security.
Such as?
Sweet dreams.
Sweetheart! Look at me! Mal, no!
Take a second, think about our children.
Tell the crew where you want to go.
Tell us what it is.
Tell us what you know! Tell us what you know, now!
Ten hours of flight time is a week at this level.
Thank you for your contribution. Arthur.
Thank you very much.
Thank you, sir.
Thank you.
Thank you.
Thank you.
Thank you.
That allows us to get right in the middle of that process.
That corporation that hired us, they won't accept failure.
That death was the only escape.
That death was the only escape.
That depends on what you're threatening.
That even after you came back to reality...
That her world wasn't real.
That is, unless her phone number really is only six digits.
That lets you create closed loops, like the Penrose Steps.
That means each and every one of us will be killed. That I can guarantee you.
That means he's down here somewhere. That means I have to find him.
That might work.
That our world wasn't real.
That she needed to wake up to come back to reality...
That the idea that caused you to question your reality came from me.
That this world is not real.
That was our first apartment.
That way, however deep the sleep, the sleeper still feels falling.
That way, when you look at your totem...
That we'd grow old together.
That you're here to steal from me, or that we are actually asleep?
That's 10 years.
That's an alternate.
That's enough.
That's good. We can start there. Fifth floor.
That's his last insult.
That's more like it.
That's my son, James.
That's not your concern.
That's one of the ways we extract information from the subject.
That's Phillipa.
That's some subconscious you've got on you. Cobb!
That's some subconscious you've got on you. Cobb!
That's the house Mal grew up in.
That's the kick. Ariadne! You have to go now!
That's what I'm gonna do, Uncle Peter.
That's what we're here to figure out. Robert's relationship with his father...
That's Yusuf's driving.
The dream has become their reality.
The infinite staircase.
The information is in the safe.
The kidnappers are working for you?
The mind automatically fills it with information it's trying to protect.
The more you change things, the quicker the projections start to converge on you.
The more you change things, the quicker the projections start to converge on you.
The only way to know you've done the job is if I go in with you.
The problem was knowing that none of it was real.
The real world.
The reason I knew inception was possible was because I did it to her first.
The relationship with the father.
The stronger the issues, the more powerful the catharsis.
The subconscious is motivated by emotion, right? Not reason.
The subject realized he was dreaming and his subconscious tore us to pieces.
The subject's mind can always trace the genesis of the idea.
The team needs someone who understands what you're struggling with.
The trick is to synchronize a kick that can penetrate all three levels.
The truth that Mal is bursting through your subconscious.
The truth that, at any minute, you might bring a freight train through the wall.
The windows on that upper floor are big enough for me to cover you from that tower.
The world needs Robert Fischer to change his mind.
Then I choose to leave, sir.
Then they need a new route, a more direct route.
Then we moved to that building right there.
Then we started in on the memories.
Then you do have a choice.
Then, by the time we hit the bottom level, we bring out the big guns.
Then, when we take him a level deeper...
There goes Mr. Charles.
There is a way out. We continue on with the job, and we do it as fast as possible...
There must be access routes that cut through the maze.
There was still time on the clock.
There was, um, a lot of gunfire.
There's $500 in there. The wallet's worth more than that.
There's an entire army headed your way.
There's no room for tourists on a job like this. Mr. Saito.
There's no use in reviving him. His mind's already trapped down there.
There's no use in reviving him. His mind's already trapped down there.
There's something wrong.
There's something wrong.
These are memories. And you said never to use memories.
These aren't just dreams.
These men were sent here to abduct you, all right?
They attack, like white blood cells fighting an infection.
They come every day to share the dream.
They come to be woken up.
They don't actually come into the dream.
They have to be complicated enough that we can hide from the projections.
They just design the levels and teach them to the dreamers. That's all.
They sense the foreign nature of the dreamer.
They thought I'd know the combination, but I don't know it.
They were trying to put you under.
They're coming for you.
They're heading your way, like they know something.
They're with me. Go on.
Think about it. Ariadne. How did you get here?
Think about it. Ariadne. How did you get here?
Think about James.
Think about Phillipa, now.
Think. Mr. Fischer, think.
This can't be done.
This has nothing to do with me, understand?
This helps us how?
This idea will define him.
This is a hotel suite where we used to spend our anniversary.
This is great, but I'm telling you, if you keep changing things like this....
This is your first lesson in shared dreaming. Stay calm.
This isn't gonna work. Wake him up.
This one very simple idea that changed everything.
This one was hers. She would spin it in the dream and it would never topple.
This was not a part of the plan! He's dying.
This was the only way to go three layers deep.
This was your job, goddamn it! This was your responsibility!
This way.
This way.
This would supersede the other if you want it to.
This, I think, is a good place to start. I use it every day.
Those kids, your grandchildren...
Those were not normal projections. They'd been trained, for God's sakes.
Three layers down, the dreams are gonna collapse with the slightest disturbance.
Three.
To be half of a whole?
To be half of a whole?
To convince me to honor our arrangement?
To formulate compounds for a job?
To remind you of something.
To your father.
Try and remember for me. This is very important.
Turbulence on the plane?
Uh huh.
Um, I have a lot on my mind.
Um, I'm sorry. Who did you say you were?
Um....
Uncle Peter.
Uncle Peter.
Useful?
Very impressive.
Waiting to die alone.
Waiting to die alone.
Watch.
We all yearn for reconciliation, for catharsis.
We both wanted to live in a house, but we loved this type of building.
We bring the subject into that dream, and they fill it with their subconscious.
We built for years.
We built our own world.
We can give him his own kick down below.
We can still be together, right here...
We could use a musical countdown to synchronize the different kicks.
We create and perceive our world simultaneously.
We created. We built the world for ourselves.
We did that for years.
We didn't have very many, uh, meaningful experiences together.
We don't have time for this. I'm getting off at Kyoto.
We don't want them knowing the details of the maze.
We extracted every bit of information you had in there.
We finish the job before the next kick.
We gotta break out of here before we're totally boxed in.
We have it on good authority you do know.
We have no other choice but to continue on and do it as fast as possible.
We know he's gonna be looking for a taxi in this weather.
We move fast.
We need a forger.
We need at least a good 10 hours.
We need Robert Fischer to have a positive emotional reaction to all this.
We need the heir of a major corporation to dissolve his father's empire.
We need to find a way to translate this into an emotional concept.
We run with Mr. Charles like on the Stein job.
We should charge Fischer a lot more than Saito for this job.
We should probably get out of here.
We should try hotel rooms. What was the number, Mr. Fischer?
We suggest breaking up his father's company as a ''screw you'' to the old man.
We were exploring the concept of a dream within a dream.
We were lost in here.
We were supposed to deliver Saito's expansion plans...
We were working together.
We won't last two days.
We'll be landing in Los Angeles in about 20 minutes.
We'll be more careful and we're gonna be fine!
We'll enter his subconscious and find out what he doesn't want you to know.
We're done. I'm sorry.
We're dreaming?
We're going home to our real children.
We're going into Fischer's.
We're gonna have to come up with some kind of a kick.
We're gonna need a new architect.
We're gonna talk about this.
We're in mine.
We're not in your dream.
We're the last company standing between them and total energy dominance.
We've talked enough.
Welcome.
Well, down in the dream, Mal showing up.
Well, dreams, they feel real while we're in them, right?
Well, he was a very inspiring figure. I'm sorry for your loss.
Well, I can't, sweetheart, I can't. Not for a while, remember?
Well, it may come to change everything about him.
Well, just hope she's wrong about that.
Well, not exactly. They already had him. They were torturing him.
Well, shall we voice your concerns with Maurice directly?
Well, she'd sabotage the whole operation.
Well, to wake up from that after years, after decades...
Well, we can't work based solely on rumor, can we?
Well, we can't work based solely on rumor, can we?
Well, we just came from the. uh....
Well, we'd need you there to tailor compounds specific to our needs.
Well, what's down there that you regret?
Well....
Were you going under on your own?
What ? We were talking for, like, at least an hour.
What are you doing here, Dom?
What are you doing here?
What are you doing?
What do you feel?
What do you mean, a dream within a dream?
What do you mean, it won't wake him up? When we die in a dream, we wake up.
What happened here?
What happened when you woke up?
What if I'm what's real?
What is it, Mr. Fischer? Think!
What is she talking about?
What Mr. Cobb is trying to say
What the hell is going on?
What truth?
What was she like in real life?
What you have to do is start at the absolute basic.
What you have to do is start at the absolute basic.
What you see in there is just his projection of her.
What, with Mal? Because that worked so good?
What?
What?
What'd you get?
What's happening?
What's she doing here?
When she comes back, you're gonna have her building mazes.
When we get down to the lower levels, the pain will be less intense.
When we get inside his mind, we're gonna have to work with what we find.
When we're asleep, our mind can do almost anything.
Where are you right now?
Where is she?
Which is what?
Which means I'm not lying on my carpet, in my apartment.
While you're all asleep in 528, I wait for Yusuf's kick.
Who are you to say otherwise, sir?
Who or what is Mr. Charles?
Who'd wanna be stuck in a dream for 10 years?
Who'd you do it to?
Why are we going to Paris?
Why can't you go home?
Why did ? Why would you do this to me?
Why did ? Why would you do this to me?
Why don't you give us another five minutes?
Why don't you take me there?
Why is it so important to dream?
Why is that so important?
Why put a train in a downtown intersection?
Why the hell were we ambushed?
Why?
With a clean dive, perhaps.
With this compound? About 40 hours, each and every day.
WOMAN [ON RECORDING]: lf you'd like to make a call, please hang up and try again.
WOMAN: Am I boring you?
WOMAN: Eames! Phillipa! Come on in! Come on!
WOMAN: James! Phillipa! Come on in!
WOMAN: That's enough, kids. Say bye bye.
Work faster. The projections are closing in quick.
Worst case scenario?
Yeah, I'm okay, I'm okay.
Yeah, like I'm discovering it.
Yeah, we missed it.
Yeah, we missed it.
Yeah, yeah, everything's just fine.
Yeah. I cross it every day to get to the college.
Yeah. I was just I was working on my totem, actually.
Yeah. I....
Yeah. James?
Yeah. So a totem. You need a small object, potentially heavy.
Yeah. well. I don't like trains.
Yeah. Yeah. I'm fine. Why?
Yep.
Yes, but I'm gonna see them up above, Mal.
Yes, he, um....
Yes, hello?
Yes, it can. Just have to go deep enough.
Yes, it is.
Yes.
Yes. In the dream state. your conscious defenses are lowered...
Yes. Yes, I'm fine. I'm ready.
Yet it doesn't matter.
You always wind up right in the middle of what's going on.
You and Browning have been pulled into this dream...
You and Browning have been pulled into this dream...
You betrayed me.
You came prepared, hmm?
You can build a better company than he ever did.
You can literally talk to my subconscious.
You can't fix that. No one can.
You can't have him.
You can't imagine.
You can't keep her out, can you?
You can't wake up from within the dream unless you die.
You don't know that.
You don't know you're dreaming!
You don't understand. These are moments I regret.
You feel that?
You have lived up to your reputation. Mr. Cobb.
You have one hour. Start talking.
You have two minutes to design a maze that it takes one minute to solve.
You keep telling yourself that, but you don't believe it.
You keep telling yourself what you know.
You keep this live. I'll be listening in the whole time.
You knew about this and went along with it?
You know how to find me.
You know what I have to do.
You know what I'm offering. Let them decide for themselves.
You know what you have to do.
You know where you hope this train will take you, but you can't know for sure.
You know where you hope this train will take you...
You know where you hope this train will take you...
You know. IΓ³Actually, I have a question about this layout.
You led us into a war zone with no way out?
You look a bit perkier.
You may go into a further dream state. Now, you know what I'm talking about.
You mean in case you bring Mal in.
You might at least drop me at my stop.
You mustn't be afraid to dream a little bigger, darling.
You need the simplest version of the idea...
You never know.
You never really remember the beginning of a dream, do you?
You okay?
You planted the idea in my mind?
You reconstructed all of this from memory?
You remember the training.
You remember when you asked me to marry you?
You remember when you asked me to marry you?
You said we'd be together! You said we'd grow old together!
You said you dreamt that we'd grow old together.
You said you had a dream.
You see? Very stable.
You were meant to check Fischer's background!
You, come on. Let's go shake him up.
You. What the hell was all that?
You'd have to buy out the entire cabin and the first class flight attendant.
You'll have to do better than that.
You're buying.
You're confused.
You're gonna be lost down there so long that you're gonna become an old man.
You're gonna have to do better than that.
You're here to corrupt one of my brightest and best.
You're in the back of a van. Keep going.
You're in the middle of the workshop, sleeping.
You're just a shade. You're just a shade of my real wife.
You're not gonna tell me anything first?
You're not safe here.
You're on. You've got an hour.
You're talking about dreams?
You're trying to get that safe open? To get the alternate will?
You're trying to keep her alive. You can't let her go.
You're waiting for a train.
You're waiting for a train.
You're waiting for a train.
You've got one hour. now get us something useful, please.
You've gotta warn them if this is getting worse.
Your condescension, as always, is much appreciated, Arthur. Thank you.
Your guilt defines her. It's what powers her.
YUSUF: That's the clever part.
YUSUF: You are seeking a chemist? COBB: Yes.
Yusuf's 10 seconds from the jump.
...is stressed, to say the least. Can we run with that?
...or I'll jump right now. Okay.
...trying to escape until the sedation How long?
...whilst accelerating brain function. In other words, more time on each level.
''My father doesn't want me to be him.'' EAMES: Exactly.
A kick. What's a kick?
A maze? Right, a maze.
A will. Maurice's will is with Port and Dunn.
An audition for what? Doesn't matter. You failed.
And you must be? Leaving.
Are you destroying parts of his mind? No. They're just projections.
Asshole! Hey, man, why don't you try ? Walk away.
Back here? This is the last place they'd suspect.
Can they make that route in an hour? They have to climb to the terrace.
Can you do it? Are you offering me a choice?
Cobb stayed. With Mal?
Cobb, come on. We've gotta try this. Go for it.
Cobb, do the others know? No. No. they don't.
Cobb, I'm coming with you. I promised Miles. No.
Cobb, we should walk away from this. Hold on.
Cobb! Cobb! Get off of her!
Come on! On my way.
Couldn't have peed before you went under? Sorry.
Cover him! EAMES: Down! Down now!
Destroy his one positive relationship? No, repair his relationship with his father...
Didn't Cobb say never to do that? Hmm.
Do leave me and go. You don't seem to understand, Mr. Saito.
Fischer, you'll be going with him. All right. What about you?
Five hundred dollars, this cost. EAMES: What's inside it?
Go check he's alive, Ariadne. Cobb, you can't do this.
Here you go. Thank you.
Hey, guys! Hey! How are you? PHILLIPA: Daddy! Daddy!
Hey! That's him!
Hey! That's him!
Hey. Why wouldn't I wake up?
His ex wife? No. not his ex.
How are we gonna reconcile them? I'm working on that.
How complex is the idea? Simple enough.
How could he be trained? Fischer's had an extractor...
How do I know you can deliver? You don't.
How do you know? Because she wants me to come after him.
How do you know? Trust me, it's what I do.
How long could we be stuck? YUSUF: Can't even think about...
How long do they dream for? YUSUF: Three, four hours, each day.
How many team members? Five.
How? By taking over the creating part.
How'd it go? Not good.
How's he doing? He's in a lot of pain.
I designed the place. COBB: No. you're with me.
I did it to my own wife. Why?
I didn't know we'd be dealing with gunfire. You had no right.
I didn't. ARTHUR: Where'd it come from?
I have it under control. I'd hate to see you out of control.
I have no idea. Right now!
I know this is hard, but it's imperative Not now. Uncle Peter.
I know. Dad. Dis
I need some kind of distraction. EAMES: No problem.
I see you met Mrs. Cobb. She's his wife?
I think we run with Mr. Charles. No.
I tried not to come, but.... But there's nothing quite like it.
I'm already under. Under again.
I'm asking you to take a leap of faith. No. honey.
I'm sorry, but.... MAN: Hold on! Wait!
If I stay here, will you let him go? What are you talking about?
Is that what happened to you? Listen to me.
It wasn't my fault. You're the architect.
It's getting worse, isn't it? One apology's all you're getting, all right?
It's versatile. Good.
Just be back before the kick. Go to sleep, Mr. Eames.
Let me go! Let me go! Mal!
Limbo? ARTHUR: Unconstructed dream space.
Mal, goddamn it! Mal, listen to me! Because you'll be together.
Mal, look at me! But it doesn't matter.
Mal, no! No! Wake me up!
Mal! Cobb! Wake me up!
Mal. Come out onto the ledge...
Mal. goddamn it, don't do this! A train that will take you far away.
Money. Not just money.
No, don't do that! Don't do that. Cobb, hey, hey.
No. Do you need immigration forms?
No. I know it. What if you're wrong?
No. you're not.... I'm doing it for the others.
Not consciously, anyway. COBB: How about instinctively, huh?
Now, tell me why! Because you'll be together!
Oh, my God, we've been kidnapped. Where were they holding you?
Okay. We need to buy Cobb a little more time.
Our ride's on the roof. Right.
Please. Reality.
Question is, why'd you let us in at all? An audition.
Right. You can't build...
She would never.... Yet here we are.
She'll need a totem. ARIADNE: What?
She's a real charmer. Oh.
So do you use a timer? No, I have to judge it for myself.
So you have a chemist? No. not yet.
So you know what that is. Mr. Fischer? Yeah, I think so.
Sound the alarm! Sound the alarm! Go, go, go!
Sweetheart, what are you doing? Join me.
Thank you. For what?
The combination. I don't know it.
There's someone in there. Fischer, it's a trap. Get out.
They come here every day to sleep? MAN: No.
They had us in the back of a van. That explains the gravity shifts.
They just wanna ransom us. I heard them.
They're still looking at us. Yeah, it was worth a shot.
They're still together? No.
They're trying to open his safe. Yeah.
This has nothing to do with you. This has everything to do with me.
This is your world? It was.
This room should be directly below 528? Yeah.
This should be very simple. COBB: Shut up! It won't be.
True inspiration's impossible to fake. That's not true.
Uncle Peter. You said you were kidnapped together?
Was it your idea? No. it wasm uh....
We are not prepared for this! We have dealt with sub security before!
We drop into limbo. Are you serious?
We have to follow Fischer down there. Not enough time.
We have to follow Fischer down there. Not enough time.
We're here. You're clear, but hurry.
Well, how will you know? His music warns me.
Well, there's plenty of good thieves. We don't just need a thief.
Well, why not? Because the van will be in freefall.
Well, will she be in there? No.
What about your children? She thought they were projections...
What are you building? JAMES: We're building a house on the cliff!
What are you doing in Mombasa? I'm here to protect my investment.
What are you doing? Improvising.
What are you doing? Sorry. I thought it was free.
What are you doing? It's too soon. But the dream's collapsing.
What does that mean? I filed a letter with our attorney...
What next kick? When the van hits the water.
What taunt? The will, Robert. That will?
What, but that he was, um, disappointed? I'm sorry.
What, they're gonna attack us? No. no.
What's that? Good authority.
When's the funeral? Thursday. In Los Angeles.
Where are you gonna be? I gotta go visit Eames.
Where you gonna go? Buenos Aires.
Where's Nash? He hasn't shown. You wanna wait?
Which are? Great depth.
Which gives us what? Sixty minutes.
Who guides Fischer in? COBB: Not me.
Why did you do this? I love you, Dom.
Why did you do this? I love you, Dom.
Why do they do it? YUSUF: Tell him. Mr. Cobb.
Why does Browning say you do? I don't know.
Why not? Building a dream from your memory...
Why would he suggest such a thing? I just don't know.
Why? Because how he acts will tell us...
Why? It's not, strictly speaking, legal.
With a dilemma. They're getting closer.
Yeah, well, neither do I, so.... What?
You didn't plant it deep enough? No. it's not just about depth.
You got what you came for. COBB: Well, that's not true.
You infected my mind. I was trying to save you.
You ready? Ready!
You understand? Then you break in and steal it?
You work for the hotel? No. no.
You're not real? No.
You've asked me to share dreams with you. Not these. These are my dreams.
You've done it before? ARTHUR: Yeah, and it didn't work.
Your spelling hasn't improved. Piss off.
Yours? Yes.
...all your perfection, all your imperfection.
...and adopt his physical presence, study his mannerisms, and so on and so forth.
...and anti monopolistic sentiments and so forth.
...and l planted an idea.
...and say, ''I will not follow in my father's footsteps.''
...and that makes your thoughts vulnerable to theft.
...and then wake up.
...and we get out using the kick, just like before.
...because if you know the maze, then she knows it.
...because they're trying to steal something from your mind.
...because they're trying to steal something from your mind.
...but Cobb has some serious problems that he's tried to bury down there.
...but it's more about the feel of it.
...but then you have to show Arthur what I just saw.
...but we had our time together.
...but you can't know for sure.
...but you don't know for sure.
...but you wouldn't happen to be related to the Maurice Fischer, would you?
...by anonymous corporations and police forces...
...by anyone sharing the dream who's been trapped there before.
...by telling you you're not worthy of his accomplishments.
...Cobb spends doing things he says never to do.
...creates a clear connection between dreamers...
...creates a clear connection between dreamers...
...do the children miss me?
...explaining how I'm fearful for my safety.
...from even the most skilled extractor.
...he called me in to his deathbed.
...I can't imagine you with all your complexity...
...I couldn't be you.
...I make one phone call from the plane...
...I need to know what's in that safe.
...I'm lying on polyester.
...I'm sorry, you're just not good enough.
...if Fischer is starting to suspect his motives the way we want him to.
...if you're gonna build three complete dream levels. Excuse me.
...in order for it to grow naturally in your subject's mind. It's a subtle art.
...in the world we built together.
...is a bureaucratic nightmare, you know that.
...is his personal safe. We need the combination.
...is the easiest way to lose your grasp on what's real and what is a dream.
...is to try and remember how you arrived at this hotel. Can you do that?
...Maurice Fischer's policy is always one of avoiding litigation.
...no matter how confused, that guilt is always there...
...no matter how much I begged, no matter how much I pleaded.
...not just to live for him.
...one word.
...or become an old man. filled with regret...
...or destroy you.
...particularly where there's a married woman involved.
...reminding me of the truth.
...so they'd turn and smile and I could see...
...teach his subconscious to defend itself, so his subconscious is militarized.
...that even after she woke....
...that extractors tried to pull you into a dream.
...that I need to see their faces one last time.
...that in order to get back home...
...that someone tries to access your mind through your dreams.
...that we are trying to access.
...that we could get trapped so deep...
...that when we wound up on the shore of our own subconscious...
...that you tried.
...that you'd continue to believe your world wasn't real.
...the way the projections persecute the dreamer?
...there weren't a whole lot of legitimate ways for me to use that skill.
...therefore time seems to feel more slow.
...they run away.
...they're waiting for their father to come back home. That's their reality.
...things that couldn't exist in the real world.
...things that never existed...
...those beautiful faces of theirs, but it's all too late.
...to become old souls thrown back into youth like that?
...to Cobol Engineering two hours ago.
...to convince those children they still have a father.
...we lost sight of what was real.
...we'll be lost in limbo till our brains turn to scrambled egg, hmm?
...we'll have to combine it with an extremely powerful sedative.
...we're also going deeper into you.
...when we land, I go to jail for the rest of my life.
...which involves attracting a lot of attention to us.
...which is making his subconscious look for the dreamer.
...which is why we need to plant it deep in his subconscious.
...whilst exposing his godfather's true nature.
...why can't you plant one there instead?
...will help you disguise the boundaries of the dream you create.
...you have to forgive yourself, and you're gonna have to confront her.
...you may not wake up.
...your defense is never down.
''Disappointed.''
''I will split up my father's empire.''
''My father accepts that I want to create for myself, not follow in his footsteps.''
''Robert, there's really nothing to be said.''
(Phillipa) She's shaking her head.
[''NON, JE NE REGRETTE RIEN'' PLAYING]
[''NON, JE NE REGRETTE RIEN'' PLAYING]
[ALARM BEEPING FASTER]
[ALARM BEEPING]
[ARIADNE GRUNTING]
[ARTHUR YELLS]
[BEEPS]
[BEEPS]
[BEEPS]
[BEEPS]
[BELLS TOLLING]
[BOTH GASPING]
[BOTH GRUNTING]
[BOTH GRUNTING]
[BOTH GRUNTING]
[BUZZER SOUNDING]
[CHATTERING STOPS]
[CHILDREN LAUGHING]
[CHUCKLES]
[COUGHING]
[COUGHING]
[COUGHS]
[CUP RATTLING]
[DIAL TONE]
[DOOR CLOSES]
[DOOR OPENS]
[EAMES GIGGLING]
[ëëNON, JE NE REGRETTE RIENíí PLAYING]
[ELEVATOR DINGS]
[EXPLOSION]
[FOOTSTEPS APPROACHING]
[GASPING]
[GLASS SHATTERS]
[GLASSES CLINKING]
[GROANING]
[GROANING]
[GRUNTS]
[GRUNTS]
[GRUNTS]
[GRUNTS]
[GRUNTS]
[GUN COCKS]
[GUNFIRE THEN YUSUF YELLS]
[GUNFIRE]
[GUNFIRE]
[GUNFIRE]
[GUNFIRE]
[GUNFIRE]
[GUNFIRE]
[HELICOPTER STARTING]
[HORN HONKS]
[LAUGHING]
[LAUGHS]
[MACHINE HISSING]
[MACHINE HISSING]
[MACHINE HISSING]
[MEN SHOUTING]
[MEN SHOUTING]
[MEN SHOUTING]
[METAL GROANING]
[MUSIC STOPS]
[NASH YELLS]
[PEOPLE CHATTERING]
[PHILLIPA SCREAMS]
[PHONE RINGS]
[RUMBLING THEN METAL GROANING]
[RUMBLING]
[RUMBLING]
[Saito COUGHING]
[Saito COUGHING]
[Saito COUGHING]
[Saito GROANS]
[Saito GRUNTING]
[SCOFFS]
[SCOFFS]
[SCREAMING]
[SCREAMS]
[SCREAMS]
[SECURITY GUARD GRUNTS]
[SECURITY GUARD SCREAMING]
[SHOUTS INDISTINCTLY]
[SIGHS]
[SILENCED GUNFIRE]
[SILENCED GUNSHOT THEN GUARD GRUNTS]
[SILENCED GUNSHOT]
[SILENCED GUNSHOT]
[SILENCES GUNSHOT]
[SIREN WAILING IN THE DISTANCE]
[SOBBING]
[SOFT SCREECHING]
[SONG ECHOING]
[SONG ECHOING]
[SPEAKING IN JAPANESE]
[TIRES SCREECH]
[TIRES SCREECHING]
[TRAIN APPROACHING]
[TURNS OFF RADIO]
[TURNS RADIO OFF]
[WAITER SHOUTING]
[WAITER SPEAKING IN FOREIGN LANGUAGE]
[WHISPERS] I'm in.
[WHISTLE]
[WHISTLE]
[WOOS GROANING]
[YELLING]
[YELLING]
[YELLS]
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