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Blowup (1966) Blowup is a cult classic movie directed by Michelangelo Antonioni in 1966. This iconic film follows Thomas, a

Blowup (1966)

Blowup is a cult classic movie directed by Michelangelo Antonioni in 1966. This iconic film follows Thomas, a fashion photographer, as he unintentionally captures a murder in one of his photographs. Starring David Hemmings as Thomas, the cast includes Vanessa Redgrave, Sarah Miles, John Castle, and Jane Birkin. Blowup encapsulates the atmosphere of the swinging '60s in London, exploring themes of existentialism and the blurred lines between reality and illusion. The movie's intriguing plot and mesmerizing cinematography have made it a timeless masterpiece. You can immerse yourself in the sounds and visuals of Blowup by playing and downloading it here.

Afterwards, I find something to hang on to, like that...
All right, change position.
All right, one more.
Already there are queers and poodles in the area.
And again around this way. Touch the face again.
And again. Go on. Go. Go.
And I'm not a fool, love.
And I'm stuck with them all day long.
And let's smile now. Come on.
And not on my floor.
And stay like that.
And the rest of the book will be pretty violent, so it's best to end it like that.
Anyway, I need them.
Are you sure?
As fast as you can, give it to me. Come on, right forward.
Blue 439, message passed. The number stored. Your caller doesn't like it.
Blue 439.
Blue 439. Blue 439. Go ahead, echo.
Blue 439. Blue 439. Oer.
Blue 439. Blue 439. Over.
But even the with beautiful girls...
Can I have some water?
Can I have the photographs?
Can we come back this afternoon?
Can't what?
Close your eyes.
Close your eyes.
Close your eyes.
Come here.
Come on. work, work, work!
Couldn't you give us just a couple of minutes?
Do I see you again?
Do you ever think of leaving him?
Do you live here?
Doesn't speak.
Don't ask me about this one. I don't know yet.
Don't go.
Don't let's spoil everything. We've only just met.
Don't stop, it's lovely.
Drink?
Easy to live with.
Expecting him?
Fashion stuff, I mean.
Forget it. What's the use of her name?
Free like him?
Free to do what?
Get dressed.
Get me Flaxton 2 249. Mr. walker. Mr. Peter walker.
Get off where?
Get rid of that bag. it's diabolical.
Give me a minute, will you?
Give me those. You can't photograph people like that.
Give me your money. Do it.
Give them the song again.
Go on, whack her. Go on, give her the left hook.
Go on.
God.
Good.
Good. Now the hair. Marvelous. That's great.
Good. Yes, that's great. That's good. Yes. And again. And again.
Good. Yes, the hair. Much more. Much more.
Great. Great. And again. Go on. Back. Back. Arms up.
Have a listen to this.
Have you ever done any modeling?
Have you forgotten what a smile is?
He won't float me one of his crappy paintings.
He's a man with a cigar.
He's still there.
Hello, Ron? Oh, hello, love. ls Ron there?
Hello, this is....
Hello?
Hello?
Hello?
Hello?
Hello? Knightsbridge 1 239.
Hello. Could you get me Frobershire 3 229, please? L've only got a sixpence.
Hello. it's me.
Here I am.
Here. Have a drag.
Here. You can burn that lot.
Hey?!
Hold her legs!
Hold that.
How about the leg a little further forward?
How did it happen?
How did you manage to find me?
Hunch. Hunch more.
I always keep my word.
I am in Paris.
I am.
I asked you to smile.
I can't see your eyeballs anymore. They're just slits.
I can't stand it. I'm nervous enough as it is.
I didn't ask.
I don't know what to do.
I expect I remember him.
I haven't even got a couple of minutes to have my appendix out.
I must.
I must.
I only go to bed to sleep.
I overcharge.
I probably asked for too much money.
I promise.
I saved his life.
I saw a man killed this morning.
I saw some in the couple of minutes I was there.
I send you the photographs.
I thought you were supposed to be in Paris.
I want you to see the corpse.
I wish I had tons of money.
I wonder why they shot him.
I'm a photographer.
I'm catching a plane for Paris at 11, so I can't...
I'm fed up with antiques.
I'm fed up with those bloody bitches.
I'm going off London this week.
I'm not a photographer.
I'm only doing my job. Some people are bullfighters...
Just go. Mouth open. Yes, good. Good.
Just let your arms go up and down.
L'd like to try something different.
L'll creep down one night and knock it off.
L'll cut out the negatives you want.
L'll pay you.
L've been all night in a doss house.
L've come for the photographs.
L've come....
Later.
Let go of me.
Let him ring her right away, then...
Lf I had a big room like this, l'd hang it from the ceiling like a fan.
Listen and keep still.
Listen, Ron, there was a girl.
Listen, stay where you are. Call me soon at home.
Listen. Those pictures I took in the park...
Ln a park. I only took them this morning. You'll get them later today.
Ln some sort of park.
Look at all these clothes.
Look, hang on, will you, Ron? There's somebody at the door.
Looks like one of Bill's paintings.
Ls it for me?
Ls it?
Lt doesn't do anything for me.
Lt doesn't matter.
Lt would be the same with men.
Lt's good for you.
Lt's like finding a clue in a detective story.
Lt's my wife.
Lt's not my fault if there's no peace.
Lt's Peter.
Lt's very peaceful, very still.
Lt's your own faults.
Money's always a problem, isn't it?
My private life's already in a mess. Lt would be a disaster if....
Nepal is all antiques.
No chewing gum. Get rid of it.
No kids. Not even kids.
No, I don't think so.
No, I just wanted to take him somewhere. Where is he?
No, I want them now.
No, I'm sorry.
No, no, head up. Head up.
No, she isn't.
No, we haven't met. You've never seen me.
No, you're all wrong. Start again. Rethink it. Rethink it.
No!
No! No!
No! No! No!
No.
No.
No.
No.
No.
No. All together.
No. Keep still. Keep still.
Nobody else will get it.
None of this lot. L've got something fab for the end.
Not many girls can stand as well as that.
Nothing like a little disaster for sorting things out.
Nothing.
Nothing. it's beautiful.
Now give it to me. Really give it to me. Come on, now.
Now! Now! Yes! Yes! Yes!
Of course.
Oh, hold that. Hold the hair back. Again. Good.
Oh, yes.
Oh, yes. That's right. Hold on a second.
Okay, I'll fetch him there. Bye bye, love.
Okay, I'll fetch him there. Bye bye, love.
Okay, Reg, 50.
Okay.
Okay.
On your back. On your back. Go on.
Park 1 296.
Perhaps I better try Morocco.
Perhaps I'll put it there like a piece of sculpture.
Phone weston 0 21 9. Tell him I'm on my way, will you?
Put the head up.
Quite like that leg.
Ready?
Reg, let's have some noise, can we?
Reg, take down the address of that bloody junk shop, would you?
Reg!
Reg.
Reg.
Right, come on.
Right, let's move. Out.
Right.
Right.
Rings truer.
Roger Wilco. Stand by.
Roger Wilco. Stand by.
Ron, will you listen?
Ron?
Ron.
Ron.
She isn't beautiful. She's...
She isn't my wife, really.
Shot.
Shouldn't you call the police?
Show me how you sit.
Six millimeter.
Slowly. Slowly.
Smile.
Smile.
So what?
Some people are politicians.
Somebody was trying to kill somebody else.
Someone we know?
Someone.
Something fantastic's happened.
Something will turn up.
Sometimes, though, it feels as if we had kids.
Sorry, love. The bird I'm with won't talk to you.
Spread through the book?
Stop it! Stop it!
Stretch yourself, little lady. Great.
Stripes, let the dress just fall down. Keep the stripes straight.
Tell him I saw the junk shop. it's pricey, but the kid will come down.
Tell him to come back.
Tell him to get stuffed.
Tell them to shut them again.
Terrible.
Thank you.
That must be five or six years old.
That'll be all right.
That'll teach you to fall in love with heavy things on Saturday mornings.
That's best.
That's good. And the hair back. And the hair back.
That's good. That's good. Hold that.
That's good. This side. This side. Lean right forward. Hand up.
That's great.
That's great. Just touch the face. That's very good.
That's great. That's great! That's good. More of that.
That's it.
That's it. Keep it up. Lovely.
That's it. That's good.
That's my business.
That's the body.
That's why I don't live with her.
That's why they always end up by....
The coffee!
The light was very beautiful in the park this morning.
The propeller.
Then it sorts itself out and adds up.
Then l'd be free.
There are no cheap bargains here. You're wasting your time.
There are other things I want on the reel.
They don't mean anything when I do them. Just a mess.
They say they've been asked to come here.
They'll go.
They'll go.
They're great.
They're not going.
They're printing some snaps for me upstairs. Go and fetch them.
This is a public place. Everyone has the right to be left in peace.
Those photographs in the park, fantastic!
Those shots should be very good.
Throws ash everywhere.
Tight faced bastard.
To Nepal.
Tomorrow.
Wake up!
We just have some kids.
We'll put you in the ring together.
We'll use three or four.
We've got to get a shot of it.
Well, at least tell me your name or your telephone number.
Well, I'll just have a look.
Were you looking for something just now?
Weren't you supposed to be going off to Hurley?
What about all the buildings going up around the place?
What about you? Help yourself.
What are you doing?
What are you looking for?
What did you see in that park?
What do they call you in bed?
What do we do then?
What is it?
What kind of pictures?
What makes it so fantastic...
What?
What's happening?
What's it for?
What's so important about my bloody pictures?
What's the matter with him?
What's the matter?
What's the rush?
What's your name?
Where?
Which one last?
Who is it?
Who says I can't?
Who the hell were you with last night?
Why are you selling?
Why didn't you say what you want?
Why didn't you say what you want?
Why should I speak to her?
Why, they're fabulous. Go on.
Why?
Will you give it to me?
Will you help me?
Yeah, hold on.
Yeah, hold on.
Yeah, l've got it somewhere. I know I have.
Yeah, make it come. Great.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah. Great.
Yep.
Yes, very tasty. Yes, I like it. I like it. Go on.
Yes.
Yes.
Yes.
Yes.
Yes. All right, but it better turn up today.
Yes. Now really give it to me. Come on.
You bought a propeller this morning, right?
You can have it for...
You can smoke if you like.
You can thank your lucky stars you're working with me, can't you?
You can't treat it like that. it's not a delivery van.
You didn't see.
You know, most girls would pay me to photograph them.
You look at them, and that's that.
You look tired.
You weren't expecting us, were you?
You, arm down.
You'll get your pictures.
You'll have to give us a hand with it.
You've got it.
Your boyfriend's a bit past it.
439, go ahead, please. Oer.
...8 pounds. Right. You're in business.
All right? Fine. Yeah.
And a pint. Yes, sir.
Are you going? it's late.
Blue 439. Over. Blue 439, go ahead, please. Oer.
But you haven't taken any photos. No, I'm too whacked.
Can I buy it? No.
Can you manage to make a cup of coffee? I can make an lrish coffee, if you'd like.
Do you live on your own? No.
Get that stuff developed, will you? Yeah.
Get the birds down, will you? Okay.
Have you bought a propeller? What?
Have you got a van? You can't take it now.
Hello, love. Hello.
Hello. Hello.
Hold her legs! No!
How much? What?
I can't live without it. Hard luck.
l've been ready for nearly an hour. Good.
l've knocked up a few captions. Yeah?
ls that it? That's it.
lt'll go like a bomb. Over. Blue 439. What is in the area? Oer.
My agent saw you about this shop. Did he?
Pictures. No pictures.
She always like that? Like what?
So long. we'll see you again. Goodbye.
Splendid. Thank you.
The others still waiting with their eyes shut? Yes, they're waiting, but their eyes are open.
well, when can we come then? Don't.
what do you want? Just looking around.
what's the matter? She's got a better figure than me!
who cares? Leave it to me.
You the owner? No, the owner is out.