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The Hustler Title: The Hustler: A Timeless Classic that Transcends Generations Year: 1961 "The Hustler," directed by Robert

The Hustler

Title: The Hustler: A Timeless Classic that Transcends Generations

Year: 1961

"The Hustler," directed by Robert Rossen, is an iconic American drama film that was released in 1961. Starring Paul Newman, Jackie Gleason, Piper Laurie, and George C. Scott, this masterpiece explores the world of professional pool players and their intense psychological battles.

Paul Newman delivers a captivating performance as "Fast" Eddie Felson, a young and ambitious pool hustler aiming to defeat the legendary Minnesota Fats, portrayed flawlessly by Jackie Gleason. Gleason's portrayal of the calm and composed Fats perfectly contrasts with Newman's fiery and determined Eddie.

Piper Laurie plays the role of Sarah Packard, a troubled and complex character who becomes entangled in Eddie's life. Her deep portrayal brings a sense of vulnerability and emotional depth to the story, providing a meaningful counterpoint to the fierce competition.

George C. Scott, known for his powerful acting, brings a mesmerizing presence to the character of Bert Gordon, a shrewd and manipulative gambler. Scott's performance adds an extra layer of intensity to the psychological mind games within the film.

The Hustler delves into the harsh realities of the pool hustling world, unveiling the destructive power of ambition and the sacrifices one must make for personal success. The film delves deep into the psyche of its characters, exploring themes of redemption, self-destruction, and personal growth.

The film's success lies not only in its outstanding performances but also in its impeccable direction and cinematography. Robert Rossen's ability to capture the harsh and gritty atmosphere of dimly-lit pool halls adds an extra layer of authenticity to the story. The cinematography beautifully captures the tension during each high-stakes match, emphasizing the psychological warfare between Eddie and his opponents.

The score of The Hustler, composed by Kenyon Hopkins, perfectly complements the film's tone. The haunting soundscapes and jazz-infused melodies enhance the emotional impact of each scene. From the melancholic piano melodies to the lively jazz tunes, the score helps to create an immersive experience for the audience.

If you are intrigued by the themes explored in The Hustler, you can immerse yourself in this timeless classic by watching the film or listening to the mesmerizing soundtrack. You can play and download these sounds on various digital platforms, such as iTunes, Spotify, or Amazon Music.

"The Hustler" continues to resonate with audiences even after six decades, as its themes remain relevant today. The human desire for success and the price one pays for it are timeless concepts that continue to captivate us. Whether you are a fan of the original film or a newcomer looking to explore the world of pool hustling, "The Hustler" is undoubtedly a cinematic masterpiece that should not be missed.

In conclusion, "The Hustler" is a testament to the power of stellar performances, gripping storytelling, and flawless direction. Paul Newman, Jackie Gleason, Piper Laurie, and George C. Scott deliver performances that have stood the test of time. The film confronts viewers with the dark aspects of ambition, redemption, and sacrifice. With its unforgettable characters, intense psychological battles, and immersive soundtrack, "The Hustler" remains a must-watch for anyone seeking a thought-provoking and emotionally gripping cinematic experience. So, grab your popcorn, sit back, and prepare to be transported to a world where the stakes are high and the battles are fought with cues and balls.

A 25% slice of something big is better than a 100% slice of nothing.
A big creep broke my thumbs.
A bottle of beer.
A couple of bucks.
A day like any other.
A fact is a fact.
A fifth of Scotch.
A guy told me, in the big city I'd need a machine gun. So I bought one.
A high class con man. He can charm anybody into anything.
A little, but I'm afraid I generally lose.
A long wait for a bus?
A loser?
A man named Turk?
A poolroom and a little handbook on the side.
A present.
A real great feeling, when you're right and you know it.
A son.
A three. That's enough for me.
A week, a year?
About $60, $70.
About even.
Ace in the corner.
Ace, in the side.
After they'd left, I'd say, "They weren't real, I made them up."
All I want is the money.
All right, $500.
All right, that's what I want,
All right.
All right.
All right. Thanks.
All you got to do is get the feel of it.
Also there's something in it for me.
And beat.
And for the same reason, because he hates you for what you are.
And he'll beat the pants off you.
And I sure got character now.
And I, you.
And I'm going to get him.
And if he can make it come off.
And if you don't want to start right away, we won't start right away.
And so help me God, Bert,
And that stroke,
And the aristocratic pleasure of seeing him fall apart.
And then again at Arthur's...
And then you'll go away again.
And today at the track I've $540.
And under them they're perverted, twisted, crippled!
And you just want in real friendly
And you play that game the way nobody's ever played it before.
And you're a wreck on the track, a horse that finished last.
And you've got it, but don't get off me now.
And your fingers.
Another one for me and the lady.
Another round, one for him and yourself.
Another way he gets his kicks.
Answer my first question. For whom?
Any table?
Any table.
Approximately $1,000.
Are you being cute?
Are you chicken, Charlie?
Are you Eddie Felson?
Are you going out?
Are you kidding?
Are you looking for action?
Are you okay?
Are you quitting, too?
Are you sure you don't want anything?
Are you sure?
Are you waiting for me to cry?
Aren't you going to talk to him?
Around.
As if you've just taken his money and now you want his pride?
As soon as I've finished my coffee.
At school. It's Thursday.
At that hour, you haven't got much choice.
At the end of the game, you count your money
BARTENDER: Sure.
Be right back.
Beat me the first game, and I'm on my way back to Oakland.
Beautiful shot!
Because I know what guys like you and him will do.
Because you spit it out like everything else!
Because you're dead inside, and you can't live
Because, you see, twice, once at Ames with Fats
Becauseifthey just bust me up,
Been there myself.
Ben?
Bert, he only beat me by a point.
Bert, let me play him.
BERT: Eddie?
BERT: Fats knew the game was in the clutch,
BERT: L don't.
BERT: Play him, Eddie.
BERT: She closed the door, I told you, she closed the door.
BERT: The bank is closed.
BERT: Wait, Miss Packard.
Besides, I only live three blocks from there.
Besides, like I say, you've got talent.
Better get some dry things on.
Big John, do you think this boy is a hustler?
Billy, how are you?
Bourbon. J.T.S. Brown.
BOY
Bricklaying can be great if a guy knows.
Broke my thumbs.
But I don't want to ask.
But it sticks in mine.
But not if you want to give it to Fats.
But winning,
But you let him off.
But you, Eddie, I wanted you to be real.
By all means.
By the night. In advance.
California. Is your name Felson? Eddie Felson?
California. Oakland.
Call it.
Can I buy you another drink?
Can I buy you fellows a drink?
Can I get you something?
Can we get you a drink?
Cash me in.
Cash.
Character.
Charles, call a cab for these gentlemen, please.
CHARLIE: He thinks I care about the money. I care about you.
CHARLIE: Hello, Eddie.
CHARLIE: How much will it cost?
CHARLIE: Quiet.
CHARLIE: Quiet.
CHARLIE: Twenty five hours.
CHARLIE: You don't need a drink.
CHARLIE: You wanted $10,000, you got it.
Check.
Check.
CLERK: Right this way, Mr. Gordon.
Combed his hair, and came back all ready to go.
Come here.
Come here.
Come here.
Come here.
Come on in.
Come on now. Give it to me. It is mine!
Come on, Charlie. Who's going to beat me?
Come on, give me my key.
Come on, I got my money on the table.
Come on, it'll be a lot of laughs. Findley's parties are famous.
Come on, pay up, Þay Up, Sucker!
Come on, put it up.
Come on, set them up again.
Come on, stop stalling. Grab yourself a cue.
Come on.
Coming in or going out?
Compliments of the house.
Could be.
Could I have another drink?
Cramped.
Cross corner.
Cut it out!
Cut.
Deal the cards.
Deal.
DETECTIVE: Now, let's go over this again.
Did he tell you how well we did on the road?
Did somebody step on your hand?
Did that ever happen to you? Suddenly you feel like you can't miss?
Did you ever play billiards before?
Did you go out?
Did you have a nice trip?
Did you hold out on me, Charlie?
Did you read all those books?
Did you see that big car parked outside?
Do we need words?
Do what he says, come on, upstairs.
Do you always ask so many questions?
Do you always drink like this so early in the morning?
Do you care about me, Eddie?
Do you gentlemen care for a drink?
Do you intend to play Fats again at Ames? Is that what's on your mind?
Do you know what you were doing?
Do you need the words?
Do you shoot straight pool, mister?
Do you think I care about the dough or the car? I care about you.
Do you want a drink?
Do you want in, friend?
Do you want me to go?
Do you want me to sit and wait?
Do you want to go out for a while? To a movie?
Do you want to go with me?
Do you want to raise the bet?
Does it bother you, what he said?
Doesn't all this come through to you?
Doesn't it mean anything to you?
Doesn't your lighter work, Mr. Gordon?
Don't be a chump. Don't bet any more money on that damn fool shot!
Don't beg him.
Don't ever walk into a big time pool hall again.
Don't get off me, please!
Don't hustle me.
Don't make trouble, Miss Ladybird. Live and let live!
Don't play it small. It don't look good on you.
Don't wear a mask. You don't have to.
Don't worry, I'll raise the money.
Don't you ever cook anything?
Don't you trust me, Mac?
Don't you want to know where I'm going?
Drugger supplies. He is going to get an award.
Eddie,
Eddie, let's go.
Eddie, she came in here!
Eddie, the name is Eddie.
Eddie, what's in that case?
Eddie, where do you go when you go out?
Eddie, you're a born loser.
EDDIE: And those fingers, them chubby fingers,
EDDIE: For whom, Mr. Findley?
EDDIE: Get me a drink, will you?
EDDIE: I made it, boy! I finally made it!
EDDIE: I'll connect. I'll get your money back.
EDDIE: I'm broke.
EDDIE: I'm sorry, Charlie.
EDDIE: It's me, Eddie.
EDDIE: One ball in the corner pocket.
EDDIE: That's five.
EDDIE: Who is he?
EDDIE: You have great Confidence in me.
Eddie!
Eddie?
Eddie?
Eddie?
Eddie.
Eddie.
Eddie...
Eggs. How do you like them?
Eight ball.
Eight.
Eleven ball.
Eleven.
Especially the born losers.
Even if you beat me I'm still the best.
Evening.
Every night on the road.
Everybody wants a piece of me!
Everybody who can hurt me or help me. It pays.
Everyone's here. It's like a hustlers' Convention!
Excuse me.
Fair.
Faithful little Sarah. Pull the shades down and sit.
Fast and loose, man.
Fast Eddie Fe/son, Hustler.
Fast Eddie, let's play some pool.
Fastest boy in the territory.
Fat Man,
Fats went to the john.
Fats, come on.
Fats, I got about $200 here. You can't run out on me.
Fats, let's shoot for $1,000 a game.
FATS: Ace in the corner.
FATS: Call it. EDDIE: Heads.
FATS: Fifteen, in the corner.
FATS: Five ball.
FATS: Safe.
FATS: Ten ball.
FATS: Thirteen.
FATS: Two in the corner.
FATS: Your shot.
Feel the roll of those balls. You don't have to look, you just know.
Feeling sorry for yourself, and enjoyed by all.
Fifteen ball.
Fifteen.
Findley is rich.
FINDLEY: That's unfortunate, Mr. Felson.
FINDLEY: Yeah.
Findley.
Findley's here. Where?
Fine.
Fine.
Five ball.
Five ball.
Five ball.
Five.
Fnend, I'm not trying to hustle.
For a little while.
For God's sake, what are you doing to me?
For me, for you, and worst of all for Eddie.
For me.
For that I get 75% return, if you win.
For the same reason you went.
For twenty five hours you've been playing straight.
For what you have and he hasn't.
For who?
For whom and for what?
Four ball.
Four ball.
Four ball.
Four long.
Fourteen ball.
From the rich old man who used to be my lover.
Game!
Game!
Game!
Get it at Johnny's.
Get me some White Tavern whiskey, a glass and some ice.
Get off my back, once and for all!
Get on me, Bert, I can%lose!
Get the $3,000, play Fats again.
Get with it, will you, Charlie?
Get with what?
Give it back to me!
Give it to me.
Give it to me.
Give me $10 worth of chips.
Give me a beer.
Give me a bottle of beer.
Give me a drag.
Give me a towel, will you?
Give me another drink.
Give me my key, please. Room 57.
Give me some bourbon, J.T.S. Brown.
Give me that money!
Give me the money!
Give us a couple of drinks.
Give us a nice quiet table.
Glad to meet you.
Go ahead. Set them up.
Go back to the hotel.
Go back to the hotel. Take a cab, go back!
Go home. Just leave me the money.
Go to hell!
God!
Going in, to a sales Convention tomorrow.
Good evening, sir.
Good thing he can afford it.
Good.
Good. I'd hate to put my money on a cripple.
Got a match?
Got any straight pool shooters here?
Got it all in your head?
Got nothing else to do on Tuesdays and Thursdays.
Grow up.
H ow?
Half and a dollar.
Half!
Have a few laughs, a few weeks in the sun.
Have a nice trip.
Have you noticed, Bert,
Haven't you opened it?
He drank as much whiskey as you did.
He drinks eight year old bourbon, smokes cork tipped cigarettes.
He has more character in one finger than you have in your body.
He invites everybody from high society to every tramp in town.
He is great! That old fat man.
He just feels when to let it go, and how much.
He knows a lot.
He knows how to drink.
He might be scared of you.
He owns things.
He played it smart.
He said there are people who always look for an excuse to lose.
He sends a check every month
He sold $17,000 worth last month.
He suckered me, I didn't think he knew how to hustle.
He told me to give you some money.
He walked out on us when I was seven.
He was like a...
He washed his face, cleaned his fingernails, made his mind a blank,
He went off somewhere.
He won't break your thumbs, he'll break your heart, your guts,
He'll beat you five times or more, depending on your nerves.
He'll start at $500 a game,
He's a gambler.
He's a gentleman, a gentleman gambler
He's coming into the stretch, the pressure's on and he knows.
He's coming into the stretch, the pressure's on and he knows.
He's got an old Southern mansion, with a pool table.
He's got everything working for him. Timing, touch.
He's my partner.
He's right.
He's the best in the country.
Heads.
Hello and goodbye.
Hello, Charlie.
Hello, Eddie.
Hello, Eddie's girl.
Hello. I haven't seen you in a long time.
Here you are, Mr. Gordon, Suite 56.
Here, it's half.
Here, you hold it. Why?
Here.
Here. Be a damn fool!
Here's your share: $3,000.
Hey, Bert, wait.
Hey, Fats.
Hey, let him come in.
Hey, mister, is it okay if I grab a cue?
Hey, mister.
Hi.
Hi.
Hi.
His grandfather left him 20% of a tobacco company.
Hmm?
Hold tight and push hard.
How are the hands?
How can I lose?
How come you didn't catch your bus?
How did you find me?
How did you make out in the poker game?
How did you make out?
How do we stand?
How do you do?
How do you feel?
How do you know my name was Sarah?
How do you know what he was thinking?
How do you know when nobody knows that much?
How do you want me to play? I'm broke.
How good is he?
How is that?
How is your hand?
How long have you been waiting?
How long have you been waiting?
How much am I going to win tonight?
How much are we ahead?
How much are you ahead?
How much are you playing for?
How much do I owe you?
How much do I owe you?
How much do you think you are worth these days?
How much we got?
How much will you need?
How much?
How much?
How much?
How much?
How much?
How should I play that one, Bert?
How's business?
I am already rich, but I like action.
I asked around.
I asked him, will he? That's two different things.
I began it when I first got here,
I believe Mr. Felson is making a proposition.
I believe you when you say you go to school.
I bet you do, Mr. Felson. I just bet you do.
I came to play pool, Fats.
I can beat him, Bert.
I can beat him.
I can feel it right down in the bottom of my shoes.
I can outplay and beat him!
I can remember hustling an old man for a dime a game.
I can't beat you.
I could always get us a bottle.
I could have beat that guy cold. He never would've known.
I couldn't? Okay, set them up the way they were before.
I cut my finger.
I didn't ask him, can he beat you, I already know he can.
I didn't know you were here.
I didn't leave you much.
I didn't mean that. Whatever that means.
I do! I want two suites.
I don't believe you, Eddie. I think you're still a loser.
I don't know when it was.
I don't know, whatever you like it to be.
I don't know.
I don't know.
I don't know.
I don't know.
I don't mean the thumbs. You already told me.
I don't play pool, I play billiards.
I don't rattle, kid. But just for that, I'm going to beat you flat!
I don't recall.
I don't want it.
I don't want to be no bother.
I drink.
I feel pretty.
I figured that. How much?
I forgot all about it.
I gave her one.
I get a new one every year,
I got a little grease in this lining.
I got beat up.
I got beat up.
I got drunk.
I got drunk.
I got it.
I got something in my bag.
I got time, Bert.
I guess it is, boy. Just you and me.
I had an accident. A place called Arthur's.
I had to show those punks how great the game can be when it's great.
I have a hunch, Fat Man, it's me from here on in.
I have no stomach for that kind of life anymore.
I haven't been here for a long time.
I haven't finished the first chapter.
I hear you've been looking for me.
I just had to show him.
I know when to quit. You don't. Win or lose, you don't know!
I know where you live.
I know.
I lie. When I'm drunk I lie.
I like it to be what it is, Sarah.
I like it. It's good for you.
I lost $20.
I love you, Eddie.
I love you.
I love you.
I loved her.
I made a few bucks.
I made enough off you the other night to pay for it twice over.
I made you up like everything else.
I made you up, didn't I, Eddie?
I mean you just don't look young enough.
I mean, how can I lose? Because you were right, Bert.
I mean, liquor and the groceries and the rent.
I met this guy, Bert Gordon. He said I was a born loser.
I need the action and I need the money.
I never hustle people that bring in leather satchels.
I never saw him play. I hear he's great. I'm ready.
I picked it up in a hotel room in Louisville.
I quit, Eddie.
I said we're leaving.
I saw you play at Ames the other night.
I tell you what, take her along.
I think I've heard about you, Mr. Felson.
I think so.
I thought this game was over when Fats said it was.
I thought you only drank milk.
I told you I'd be back.
I traded her in on a pool game.
I used to be an actress.
I want to know, to keep the score.
I want to stop them and say, "Listen, I've got a fellow!"
I want to talk to you.
I want to walk.
I want you to come back on the road with me.
I wanted to see what kind of day it is.
I was never an actress.
I wasn't waiting for a bus.
I went out for a couple of hours.
I win sometimes.
I wired ahead for two suites adjoining.
I won $200 from that jockey last night,
I'd know it.
I'd know it.
I'd show you to the door, but...
I'll be alive when I get out.
I'll be back later.
I'll be leaving town for a little while.
I'll be up later.
I'll be up later.
I'll beat him the next game.
I'll beat him, mister. I beat him all night and I'll beat him all day.
I'll bet you $20 that I make that shot the same way again.
I'll break.
I'll come back and I'll kill you.
I'll leave early in the morning.
I'll make it up to you.
I'll meet you in the car, chump!
I'll play a couple of games, just for kicks.
I'll play him on my own money!
I'll play you a game and keep one hand in my pocket.
I'll put the pieces together
I'll see what I can do.
I'll take a piece of that action.
I'll take a piece of that action.
I'll take it out of the till.
I'll take it out of the till.
I'll take you home.
I'll try you.
I'm a businessman, kid.
I'm a college girl, two days a week.
I'm Eddie Felson. I shoot straight pool.
I'm finished. I got it.
I'm getting old.
I'm getting sleepy. Thank you very much, Mr...
I'm getting treatment right here.
I'm going there to play pool with a guy named Findley.
I'm going to Kentucky, to Louisville with a friend.
I'm going to take him!
I'm going to try to make some money. Ineedit
I'm going with him all the way.
I'm having some people for drinks right after the races.
I'm here.
I'm hungry
I'm not sure.
I'm not sure.
I'm not.
I'm scared.
I'm shooting pool, Fats. When I miss, you can shoot.
I'm so scared!
I'm sorry, we're filled up, this is Derby week.
I'm sure he knows what he's doing.
I'm sure Mr. Gordon meant no offense.
I'm the best you've ever seen, Fats.
I'm the emancipated type, real emancipated.
I'm tired.
I've been thinking. Thinking about what?
I've Confidence in Findley.
I've dreamed about this game, Fat Man,
I've got no idea of love.
I've got troubles and I think maybe you've got troubles.
I've known him since he was 16.
I've never been to Louisville.
I've never seen you wear one before.
I've played that game in my head, too.
If he knows what he's doing and why,
If I want them to, they'll break your right arm in three or four places.
If it didn't happen in Louisville,
If Itakeit she never lived. She never died.
If not now, six months from now.
If that's all you got, that's all we got left.
If that's his best game, I can beat him.
If we saw it coming down the street.
If you don't mind, I think I will stay at the hotel.
If you ever say them, I'll never let you take them back.
If you want to come back on the road, the money is yours,
If you were returning,
If you're gambling, whiskey gives you an excuse for losing.
Igotenough so we won't have to leave the house till Tuesday.
Ilooked all over for you.
In a couple more years, with me playing in those little towns,
In a little while. It's what you want, isn't it?
In a locker in a bus station.
In Louisville, it was 75%.
In that case, you owe me another drink.
In the following race:
In the gut, I mean?
In which case I sleep very well indeed.
Is Fats the best in the country just because he has talent?
Is he a winner?
Is it open?
Is that a fact?
Is that how you look at a man you've just beaten?
Is that the way they were before?
Is that what makes a winner?
Is that what you think?
Is that when you say goodbye to me?
Is that your idea of love?
Is this all we have left?
It bothers me a lot.
It doesn't stick in your throat
It don't have to be 50%. It can be 30%, 25%.
It excites him to be around the criminal type. Some men are like that.
It looks like a morgue to me.
It seems you might have modeled for the artist.
It sure has.
It takes me a while to memorize a name.
It was a figure of speech.
It was paid for by the lady.
It was the first time I'd ever seen Fats hooked, really hooked.
It would happen someplace else.
It'll cost you money. Always does.
It'll take a half hour to check it.
It's a great feeling.
It's a long walk.
It's a machine gun.
It's a nice joint. You look very pretty.
It's a piece of wood with nerves.
It's a story. A story I'm making up.
It's all right.
It's all right. I'm not drunk, I'm lame.
It's all right. She drank too much.
It's been an interesting evening.
It's just you and me.
It's my house, my game. You don't have to play if you don't want to.
It's not bad.
It's not enough to have talent,
It's one of the best indoor sports,
It's open.
It's possible.
It's Sarah.
It's the lights and the Scotch.
It's too bad he can't hold his liquor.
It's what Eddie wants.
J.T.S. Brown, no ice, no glass.
J.T.S. Brown.
Just a cup of black coffee, please.
Just for luck.
Just get me a drink!
Just how do you figure that, Bert?
Just like a baby, all pink and powdered up.
Just like that.
Keep them coming. J.T.S. Brown.
Kiss off.
Knock your eyes out.
Late afternoon is better. You have plenty of time.
Later.
Lay down and die by yourself. Don't take me with you.
Leave now.
Lefsleave.
Let her sleep it off.
Let's cut out the small stuff. $100 freeze out.
Let's give this boy his money.
Let's go home.
Let's go, Eddie.
Let's go.
Let's make it $3,000 a game, Fats.
Let's make it $200 a game.
Let's shoot a game of straight pool.
Level with me. Did you ever play billiards?
Like a jockey must feel sitting on his horse
Like he's playing a violin.
Like I told you, my thumbs.
Look how he moves. Like a dancer!
Look through your reservations.
Lots of action, lots of money, class.
Ma'am, wait a minute.
Mac, over there, has faith in me.
Make it $20.
MAN ON PA SYSTEM: There are three late scratches
Man, you're way out of our league.
MAN: Me, too.
MAN: Nice shot.
Mark that one up, too, Bert.
May I get personal?
May I sit down?
Maybe I'm not such a great piece of property right now.
Maybe that's it. I'm Chicken.
Maybe we should leave each other alone.
Maybe you'd like to come to my place sometime.
Maybe, by that time, I'll have developed some character.
Maybe, by that time, you'll die of old age.
Maybe. Want to play?
Miss Ladybird!
Miss Packard, Eddie Felson. James...
Mister!
Mmm hmm.
More like a week. I'll be back.
More relaxed.
Morning, Henry.
Museums, art galleries, Concerts.
My 25%. Approximately $1,500.
My things are at the hotel. I'll bring them over later. Come here.
Mygame is about 20% off, maybe more.
Name the place, boss, I'll be there.
Neither one of us would know what it was
Next game, $10.
Nice looking boy, clean cut.
Nice, clean pocket drop.
Nine ball.
No bar, no pinball machines, no bowling alleys, just pool. Nothing else.
No bar?
No goodbye, no nothing. Like a thief in the dark.
No more for me.
No more.
No one's beaten him in 15 years.
No pool player shoots better pool
No trouble losing when you have a good excuse.
No, do you?
No, heH, no.
No, I'll Walk.