💬 Suspiria (2018)

A bolt of love, in fact.

Actual rooms that are secret.

After all that has happened. But we can try.

After lunch? It's alright for you?

All right, one moment.

All right?

Allez.

Alright, so for today's rehearsal, I want to pick up exactly where we left off with Volk.

Alright. Clear your head. I want you to start over. Have you stretched?

An internal division.

An occasional collapse is a vocational hazard I'm afraid.

An officer, and now he run's the German employer's association.

And be gone.

And because you're tired.

And I just thought, that includes me now, I live in Berlin.

And I never understood why.

And I think you should put this back.

And if you are going to be a dancer you must learn French.

And in the meantime you must take care of yourself. Perhaps you should leave.

And is going to pack her things and get the fuck out of this box of rabies.

And morphos. Here, not so close to the face.

And Mother Suspiriorum.

And now you.

And one, and two, and three, and one, and two, and three

And one, and two, and three, and one, and two, and three...

And one, and two, and three.

And six, and seven, and eight..

And the Lord shall raise him up. And if he has committed sins

And this is Miss Vendegast, she acts as house mother.

And Viva Blanc? I was told she would be here.

And who won't be heartbroken if she's shot by police.

And you think they can hear you now?

And, Sara, I'd like you to dance Olga's part.

And...

Anointing him with oil in the name of the Lord.

Are you all right?

Are you not comfortable talking about these things?

Are you sure no one's coming?

Art!

At the beginning they gave me things. Perfect balance, perfect sleep.

At this point, the jumps are opposing the pull of the structure but...

Bedrooms are on the second floor.

BLANC: And...

BLANC: I'm sorry about that.

Bravo. Bravo, Susie.

But here you are.

But I do know you're living with dangerous people.

But I felt I had to see you.

But I hope you don't come again.

But she wasn't afraid.

But there is disent amongst them. She wrote about Markosites and Blancites.

But they took my hair.

But we must aim upwards.

But you really shouldn't be here at all.

But you seem to have an aversion to them and I don't quite see why.

Call Olga a cab. She's had enough.

Caroline?

Caroline. Could you come and do a series for us, please?

Chopin and Brahms.

Come in, Susie.

Come on.

Come over here! Come.

Come to me.

Dance. Dance. Keep dancing.

Danke shoen.

Darkness, Tears and Sighs.

Death to any other mother.

Delusions are lies that tell the truth.

Did her makeup and left.

Did something happen?

Did you feel something there?

Did you... did you...

Do they believe they're witches?

Do you have an umbrella?

Do you know Patricia?

Do you understand?

Do you understand? Yeah? Good.

Do you want to do the jumps?

Don't you know what's happening here?

Double caposhi.

Eat.

Elbows up. And one...

Every arrow that flies feels the pull of the earth.

Every leap into the air must be a coup de foudre.

Expel her.

For a change?

For her parents.

For ten months before we performed it.

For three weeks before I got a decent night of sleep here.

For whom were you anointed, which of the three mothers?

Four minutes!

Fraulein Bannion. Kommen Sie.

Get up.

Get up. Get up.

GIRL (WHISPERING): Mother. Mother.

Girls, Vier Minuten!

Go.

God, Susie, I'm sorry, everything was a mess at the company today.

Good morning.

Good night.

Good. Good.

Gravity, remember. And everyone from here, please? And Tanner

Guten Morgen.

Guten tag.

Have you called your family yet, to tell them?

Her final thoughts were of her birthday when you took her to a concert as a surprise.

Here kitty, kitty, kitty. Here kitty, kitty, kitty, kitty.

Herr Doctor.

Herr Doktor.

Hey, let me know if she needs a Valium.

Hi, I'm Sara, and we're going to have to take our chances on the street.

Higher!

Higher! Higher!

Higher! Higher! Higher!

Higher. Higher! Higher!

Higher... Higher! Higher!

Higher... Higher... Higher...

Hmm?

Hours and hours passed.

How can you know what they're going to ask you in return?

How delusion is made.

How did your journey towards us begin?

How odd.

How's your knee? Okay?

Huh?

Hypnos. Here we have the line between the elbows. Face forward. Perfect.

I am a friend from Patricia.

I am she.

I am the mother.

I believe you deserve to know the truth.

I came here for this.

I can ask him to come back later, please.

I can do it.

I can feel her.

I definitely drank too much wine.

I didn't think it was going to be like this.

I don't care what happened. I just wanted a call.

I don't know how aware you are

I don't know what to make of any of this.

I don't know what you're talking about.

I don't know why we are.

I don't know.

I don't want to be disrespectful. I don't.

I feel like I'm not even here yet, I don't know.

I have to tell Sara to get out of there.

I heard it. I hope...

I I've seen it a hundred times at the library.

I imagine you will need to return home to settle things and make arrangements for moving to Berlin.

I just need a number.

I know it. It's in the documentary.

I know that's a vain question. Let me ask you another.

I know the kind of thing she was involved with, but I can't see how any of this woud be happening inside the company.

I know who I am!

I let it happen.

I live there. I have friends there. I don't see any evidence of this at all.

I need to see you dance at this level time and time again.

I prefer dancing without music. Danke shoen. (LAUGHS)

I regret what my daughters did to you.

I said no.

I saw images of that last night in porcelain and these very fine things.

I saw you there three times.

I should warn Olga, too.

I think it would be wrong, though.

I tried to call you at your hotel this morning to ask you if you could reschedule.

I want this to be pure.

I want to be this company's hands.

I want to die.

I want to start work on a new piece, a piece about rebirths.

I was just thinking about what Olga said in rehearsal... about Patricia.

I was privileged to witness her audition yesterday, we are very lucky to have her.

I was trying not to throw up in your studio.

I wasn't in a position to prevent it.

I went once by bus and I hitchhiked the other two.

I went to New York, to the Martha Graham Center.

I will leave you.

I... I didn't... I didn't collapse.

I'll figure it out.

I'm fine. I was just...

I'm going to ask Caroline to work on your jumps with you.

I'm interested in your instincts here.

I'm just worried about my friend.

I'm looking for a dancer from your company.

I'm not usually dizzy.

I'm ready, Madame.

I'm really worried.

I'm relieved she's gone.

I'm sorry, um, when you said Berlin a second ago you said everyone in Berlin

I'm sorry.

I'm surprised it took this long.

I'm tired. I need the bathroom.

I've got a dress you can wear.

I've just spoken with Madame Blanc.

I've only ever slept in bed with my sister.

I've spoken with Olga, and she's going to dance Patricia's part.

If I asked you for a favor tomorrow would you do it?

If I leave without her they may pick her next.

If I stay close to the ground now, and go straight into the jumps where you have them later

If they find out I was here they won't hesitate.

In the woods just outside of Glashütte.

In this company we fully understand the importance of a woman's financial autonomy.

In two days you've auditioned, been accepted and danced a lead.

Inside you, inside your body?

Insignia. Esoteric ritual.

Is anyone among you sick? Let him call for the elders of the church, and let them pray over him

Is everyone happy with that? Ok, good.

Is it the head? The spine? The sex? The heart?

Is she all right?

Is someone to get kicked in the ribs.

It felt like what I think it must feel like to fuck.

It is happening!

It is happening.

It was the first time you held her hand.

It'll pass.

It's a bomb! I can smell it.

It's a dance company. We're not talking about anything else.

It's a hot thing we do.

It's a series of energetic shapes written in the air like words forming sentences.

It's all a mess, isn't it? The one out there...

It's all over now. I'll get you out.

It's all right. It's OK.

It's beautiful.

It's bizarre.

It's difficult not to be curious about you.

It's just a nightmare.

It's odd... It's the...

Leave her, leave her, leave her!

Let's face this.

Let's get changed or Sonia will leave without us.

Like poems.

Like prayers.

Louder!

Love and manipulations, they share houses very often. They're frequent bedfellows.

MADAME BLANC (TELEPATHICALLY): This can't happen again. You're only just starting to understand, Susie.

Madame Blanc wants me to dance the protagonist in Volk.

Madame Blanc's involved in this?

Markos company special.

Markos!

Markos?

Markos.

Maybe Patricia's fantasies about witches

Maybe she's seeing somebody.

Maybe the police, they missed something.

Miss Blanc came into my audition.

Miss Marks, no music.

Miss Millius and Miss Mandel are the company's apetitas.

More like you're holding a bird or something.

Morning, pastor.

Mother death.

Mother Markos, mother Meinhof

Mother Suspiriorum.

Mother, we're so tired.

Mother. Mother.

Move over.

Movement is never mute. It is a language.

My god, what a night.

My last one.

No no no no no. It's ok.

No one has ever approached me or any of the other girls as far as I know.

No one knows where she is really, if she's all right.

No, elbows higher.

No, I heard some girls talking about her in the hall.

No, I... was thinking of an animal.

No, it's, um...

No, Miss Tanner!

No, no no, music off please! One moment.

No, no, I can start right now.

No, Susie. We have to study America.

No! No!

No.

No. I looked.

Nobody comes here during the weekend.

Normally we would be full at this time of year, but we have had a room open.

Not a mark.

Not good for them to know that you have it.

Not this time. They saw her dance.

Nothing's wrong.

Now she can see me.

Now that you're one of us, I won't be coy. Patricia has just left the company under sad circumstances.

Of all the women of your undoing...

Of Anke Meier...

Of what times we lived through here 40 years ago.

Oh, I thought I wanted it.

Oh, I'm sure. Don't worry.

Oh, she wants to get inside of me.

Oh, Susie!

Oh, when you weren't here by 6, I had to take the room for another night.

Ohio.

Ok, so, and one and two and three. You pull it from the ground, alright?

Ok, so, who will dance the protagonist?

Ok, stop. Stop, stop.

Ok, why don't we all break for ten minutes.

Okay, well, let's meet soon.

Okay.

Olga made Volk seem like such heavy lifting.

Olga's already figured out things.

On the 11th of November, 1943

One and two and three. And one and two and three (CONTINUES COUNTING IN GERMAN)

One angle in one mirror or on film is not enough.

One, two, three, four, one, two, three, four...

One, two, three, four... (COUNTING CONTINUES)

One.

Only space... for me.

Only...

Or are you this pale all the time?

Or better still, you leave it here.

Or just something.

Or Olga

Or someone who can tell me for sure she is or isn't in Berlin.

Ordered all 40,000 detained there

Our Patricia, she did spoke of whole hidden areas of the building.

Out of which this piece was made.

Part of the issue always is not being able to see your body in the space.

PATRICIA (WHISPERS): Sara. Sara.

Patricia didn't trust the matrons.

Patricia is gone, Olga. We don't know where. If she's gone into hiding, she wouldn't have told us, would she?

Patricia said that Markos claims to be one of the three.

Patricia wrote about three mothers, lost in time, predating all Christian invention.

Patricia, get up!

Patricia, I knew it! Sorry it took me so long. I'm so sorry.

PATRICIA: Mother Markos.

Patricia!

Patricia.

Patricia. Patricia.

Patricia's isn't here.

Please!

Pre god, pre devil. Mother Tenebrarum, Mother Lachrymarum

Reject her.

Remember you start on one with the music, and if you feel ill at any time, just stop. You start here.

Right?

SARA (ECHOING): Is it true?

Sara, could you take her to her room please?

Sara, hurry up.

Sara, lie still.

Sara, whatever you have in your mind, nothing is wrong.

SARA: Olga...

SARA: She was active in some political groups.

Sara!

Sara. Please, only look closer.

She came early in the morning

She lacked conviction.

She lived there for 20 days.

She never understood the heart of Vol.

She saw how they groomed me. (CHUCKLES)

She was apprehended by border guards

She was cold when she died.

She was then taken to Theresienstadt camp.

She was thinking only of you.

She's afraid for you.

She's my sin... She's what I smear on the world.

She's right. I dreamt of hairballs and toilets

She's so kind. (LAUGHS)

She's the only girl I actually give a damn about.

She's tough. She kept the company alive through the war.

Shhshhshh. She wanted to live her beliefs. Who doesn't admire that?

So ready to think the worst is over?

So that I can dance the protagonist when you perform it.

So this this could echo that.

So, I have a patient that is coming in five minutes.

Some hundreds died of exposure.

Sometimes I only need to be told twice.

Sorry, I don't see this.

Spells?

Stand outside in the cold for a census.

Susie, it's fine. It was wonderful.

Susie, part of the jump is muscle, and that will develop as you condition

SUSIE: I'll dance.

SUSIE: Mmm...

SUSIE: What do you mean?

Susie!

Sweet girl.

Sweetheart, we rehearsed this piece

TANNER: Just dance as if she's with you.

TANNER: Nah?

Thank you for caring for Patricia

Thank you for your help with that.

Thank you.

Thank you. (SPEAKING IN ANOTHER LANGUAGE)

That was the Reich.

That's all.

That's beautiful.

That's religion.

That's risky.

That's wonderful.

The Amish split from the Mennonites in the 17th century.

The commandant of the camp, a man named Burger...

The company's a family. There's a lot of love there.

The dance rehearsal, polital action

The floor work is is keeping the other dancers pushed down...

The hands.

The hijackers are negotiating the release of the prisoners tonight.

The inevitable pull that they exert, and our efforts to escape them.

The last thing we need

The one that's coming.

The performance is starting upstairs. Everyone will be looking the other way.

The piece will be called Wieder Offnen, Open Again.

The RAF. Baader Meinhoff.

The Reich had these things.

The resistance is more emphatic.

The sort of thing Patricia would say. Bizarre.

The way she transmits her work, her energy. When it shines on you it's addictive is the word for it.

Then that's more to the point.

There are two things that dance can never be again: beautiful and cheerful.

There was Blanc.

There will be nothing of you left inside.

There's a bank that way.

There's a yield before the push which I don't think you're quite understanding.

There's more in that building than what you can see.

There's nothing. Come on.

There's so much to change in the world. If she wants to live in a cellar filling bottles with petrol, that's her choice.

There's something wrong here. Can you not feel it? This isn't right. We have to stop this now.

These mothers, yeah, they could be codenames for founding members with metaphoric histories, I don't know.

These two areas in Patricia's life were of equal importance.

They are her way of processing some other form of intrigue.

They could be holding her in the building.

They just put her things in shipping boxes.

They kidnapped an executive, during war, the Nazi SS

They need to see you from the very back row.

They took my urine. They took my eyes!

They were worried the Mennonites were becoming too liberal.

They will melt away in the sun

They're going to try and keep her alive after all.

They've been underground since the war.

Think of that false mother now.

This is how transformation happens.

This is Miss Boutaher, our technical director.

This is my room. And here... is yours!

This is no joke.

This is Patricia's diary.

This is Susie Bannion, who is joining us from America.

This isn't for vanity. This isn't

This morning we turn our instincts inward. Miss Milius, Miss Mandel, can you close the mirrors please?

This song, it's stuck in my head, and it's so loud.

Tired.

To Teplice.

Today we need to break the nose of every beautiful thing.

Try looking for Olga's.

Two, one.

Um, I don't know.

Very well. We'll manage. I suggest that we all take it from the top.

Vier Minuten!

Was it true... what Olga said?

We all know what you want.

We brought Sara back upstairs to try to complete the performance in time.

We don't want to put the others at risk.

We have some happier company business today, we have a new dancer.

We learn it now, but Susie, you will improvise freely at its heart.

We learned a great cost through those years, the value of the balance of things.

We need to get you in the air.

We offer dormatory style homes, rent free.

We operate as sort of a cooperative, as we cannot pay our dancers a lot of money.

We think she won't be back, so there's room if you want.

We'll have to build you up.

We'll send you one of our girls to help you with your luggage.

We've been on two sides of this for too long now.

Well done, Miss Bannion.

Well, I can not promise that your searches will come back to inspect a cabinet full of porcelain

Well, of course. That's because you're mistaking physical weakness with artistic preference.

Well, read this.

Well, she describes something like a revolutionary organization and a crisis of leadership.

Were you punished?

What did it feel today to dance Volk in front of the one who made it?

What do you ask?

What I really want is to be on the floor right now anyway.

What is this?

What made you say that?

What? Was that French?

What's the matter with you?

When the right just wanted women to shut off their minds and keep their uteruses open.

When you dance the dance of another, you make yourself in the image of its creator.

When you were dancing what did it feel like

Whenever it rains, everyone jumps in a cab and like an idiot I just let ours go.

Where do you come from?

Where is Sara?

Who are you looking for?

Who made her feel that she was not alone.

Why don't you try speaking to me like you love me? Hm?

Why is everyone

With Markos very ill...

WOMAN (WHISPERING): Susanna.

WOMAN: Herr Klemperer?

WOMAN: Olga.

WOMAN: She hasn't come back yet?

WOMAN: Sit down.

WOMAN: Susanna.

Women she had befriended

Would you like to say something, Susie?

Yeah.

Yeah. Patricia's.

Yes, congrats. I heard you were a sensation today.

Yes! It's all... yes. It's perfect.

Yes.

Yes. May I help you?

You are Sara.

You can forget everything.

You can give someone your delusion, Sara.

You can keep time in your head, yes?

You can knock on the wall if you ever need anything.

You can rest for the rest of the day.

You can tell they have money.

You come here.

You don't be so afraid about the white, Susie.

You don't charge anything at all?

You don't get how awful that is, do you?

You don't look better.

You don't think she had to go underground, do you?

You empty yourself so that her work can live within you.

You have somewhere you can go?

You have the only mother you need here. Death to any other mother. Say it.

You join in whenever you feel ready, but there's no rush. Welcome to our little family.

You just haven't seen the bill yet.

You look afraid.

You looked...

You mean to fuck a man.

You must have no doubts, Susie. If you do, I can take you back. I can take all of this from your head.

You must put down the woman who bore you.

You're in a company now. You have to find your right place. You have to decide what you want to be for this company.

You're making some kind of deal with them.

You're not the first dancer who lost the room.

You're on the floor and that's not where the dance ends.

You've all waited long enough.

You've left religious thinking behind you then?

Your insistence to audition happened to catch Madame Blanc on a good day.

Your wife did try to make it south

Your wife had two women with her as she died.

Yours are nowhere near good enough yet.

10, 9, 8, 7, 6...

23, 22, 21.

55, 56, 57, 58, 59

60, 61, 62, 63.

65, 64, 63, 62.

1949.

1955.

1961.

(BELL RINGING) (QUIET CHATTER)

(CHATTER AND LAUGHTER CONTINUE IN OTHER ROOMS) We're neighbors

(CRUNCHING) (GASPS, SCREAMS)

(DOOR OPENS) (GIGGLING)

(DOOR OPENS) (LAUGHTER CONTINUES)

(GASPS) (WIND WHISTLING)

(GRUNTING, PANTING) Higher.

(GRUNTING) (HUMMING A TUNE)

(GRUNTS) (WHEEZING WEAKLY)

(GRUNTS) We might get caught.

(INDISTINCT CHATTER) (CHUCKLING)

(INDISTINCT SPEECH) ..or something. They did it when we were in morning rehearsal.

(LAUGHS) Why are you smiling?

(LAUGHTER STOPS) Olga.

(MUSIC STOPS) (PEOPLE GASPING)

(PANTING, GASPING) (SCREAMING)

(THUNDER CRASHES) (KNOCKING AT DOOR)

(WHEEZING QUIETLY) (INDISTINCT WHISPERING)

(WHISTLING) (SHOUTING IN GERMAN)

(WHOOSHING, WHISPERING STOP) (LAUGHTER RESUMES)

♪ Under my wings. ♪ SUSIE: Yes.

Am I confusing you? (CHUCKLING)

Are you so happy to be stuck to the earth? (LAUGHS)

But she left right after. She's incredible.

But then you derailed it. Did I hurt those people?

But you're asking me and I'm telling you. Oh, please.

Good morning. Good morning. Hello. Good morning.

Good night, Doll. Good night.

Good night. Good night.

Guten Morgen. Guten Morgen.

Hello (LAUGHTER)

Hello, hi, I'm sorry I'm late. It's the rain. Hi.

Hmm? To you, during it?

How unlikely. OK, come on girls. Let's go.

I don't know. Is she upstairs?

I don't understand. A strike of lightning.

I'll see you soon. Marketa.

I'm Susie. Hi.

I've seen it in person too. First do it alone, then.

Ja? Ja.

Marketa, come on. I'll see you soon.

No! (GASPING) Sara.

Patricia could still be in (DOOR OPENS)

She didn't trust you because you are hypocrites!

Someone? (LAUGHS)

Sonja? I can't. Not yet.

Thank you. (QUIET CHATTER)

This is shit. Such shit. Ok.

This says "witches." Mmm.

We know there was another bomb in Kreuzberg last night. She wouldn't do that.

What did they do to you? They would come here every day.

What do you ask? To die.

Why? Company business. It's not a good time just today.

Will you take Olga to her room, please, Tanner?

You can't even be bothered to respect your lies Miss Ivanova!

You're Miss Tanner. Yes, come in.

...every memory will vanish.

...for our dancers who reside here.

...in there.

...of Patricia Hingle...

...of Sara Simms...

...of Susanna Bannion...

...on on a slightly higher point of elevation.

...they shall be forgiven him.

"They", not "we"?

(AGONIZED SCREAMING)

(ALARM RINGING)

(ANKE WHIMPERS)

(ANNOUNCEMENT IN GERMAN OVER P.A.)

(BANGING, CREAKING)

(BELL RINGING)

(BIRD SQUAWKING)

(BIRDS CAWING)

(BIRDS CHIRPING)

(BIRDS SQUAWKING AND TWEETING)

(BREATHING RHYTHMICALLY)

(BREATHING WEAKLY)

(BUBBLING)

(BUZZING, DOOR OPENS)

(CHANTING CONTINUES)

(CHANTING)

(CHANTING): Markos! Markos! Markos! Markos!

(CHATTER CONTINUES IN FRENCH)

(CHATTER CONTINUES IN GERMAN)

(CHATTER CONTINUES) Yeah, right across from...

(CHATTER IN GERMAN)

(CHATTER)

(CHEERING, APPLAUSE, INDISTINCT CHATTER)

(CHOKING, GASPING)

(CHOKING, SHUDDERING)

(CHORAL SINGING CONTINUES)

(CHORAL SINGING)

(CHORUS SINGING IN GERMAN)

(CHORUS VOCALIZING)

(CHUCKLES QUIETLY)

(CHUCKLES SOFTLY)

(CHUCKLES)

(CHUCKLING)

(CLATTERING)

(CLEARS THROAT QUIETLY)

(CLEARS THROAT)

(CLUNKING)

(CONTINUES BREATHING DEEPLY)

(CONTINUES HUMMING)

(CONTINUES SINGING INDISTINCTLY)

(COUNTING CONTINUES)

(CREAKING)

(CROWD CHANTING IN GERMAN)

(CROWD SHOUTING AND CHANTING IN GERMAN)

(DANCERS MURMURING QUIETLY)

(DANCERS WHISPERING INDISTINCTLY)

(DEEP GROWL)

(DISH SHATTERS)

(DISTANT BANGING)

(DISTANT BARKING CONTINUES)

(DISTANT CLATTERING, FOOTSTEPS)

(DISTANT COUNTING)

(DISTANT FOOTSTEPS, MUFFLED CHATTER)

(DISTANT LAUGHING)

(DISTANT SQUEALING)

(DISTANT WHIMPER)

(DISTANT, MUFFLED CHATTER)

(DISTORTED SCREAMS AND ECHOING VOICES)

(DISTORTED SCREAMS)

(DISTORTED SHOUT)

(DISTORTED VOICES HISSING AND SCREAMING)

(DISTORTED VOICES SCREAMING AND GROANING)

(DISTORTED VOICES)

(DISTORTED, DISTANT SCREAMS CONTINUE)

(DISTORTED, DISTANT SCREAMS)

(DISTORTED, ECHOING BREATHS)

(DISTORTED, GRUFF GROAN)

(DOG BARKING IN DISTANCE)

(DOG BARKING)

(DOGS BARKING, DISTANT CHATTER)

(DOOR CLOSES)

(DOOR CREAKING OPEN)

(DOOR OPENS AND CLOSES)

(DOOR OPENS)

(DOOR SLAMS)

(ECHOING DEEP BREATHS)

(ECHOING FOOTSTEPS)

(ECHOING GASPS)

(EERIE VOICES LAUGHING, MOANING)

(EERIE VOICES WHISPERING INDISTINCTLY)

(EXHALES)

(FESTIVE CHATTER)

(FIRM TAP)

(FOOTSTEPS)

(FRANTIC CHATTER IN GERMAN)

(GASPING QUIETLY)

(GASPING WEAKLY)

(GASPING, CHOKING)

(GASPING, PANTING)

(GASPING, SHRIEKING)

(GASPING, SOBBING)

(GASPING)

(GASPS QUIETLY)

(GASPS SOFTLY)

(GASPS, COUGHS)

(GASPS, GRUNTS)

(GERMAN CHATTER AND MUSIC PLAYING OVER RADIO)

(GIGGLING AND SHOUTING)

(GROANING)

(GROANS QUIETLY)

(GROANS, GASPING)

(GROANS)

(GROWLING, SHRIEKING)

(GRUNTING, PANTING)

(GRUNTING, SNIFFING)

(GRUNTING)

(GRUNTS QUIETLY)

(GRUNTS)

(HEAVY BREATHING CONTINUES)

(HEAVY BREATHING)

(HEAVY RAIN AND QUIET CHATTER)

(HEAVY, RAPID PANTING)

(HISSING, CHATTERING)

(HOLLOW THUD)

(HUMMING QUIETLY)

(INAUDIBLE)

(INDISTINCT CHATTER AND LAUGHTER)

(INDISTINCT CHATTER, LAUGHTER)

(INDISTINCT CHATTER, RAIN IN BACKGROUND)

(INDISTINCT CHATTER)

(INDISTINCT VOICE)

(INDISTINCT VOICES, PANTING)

(INDISTINCT VOICES)

(INHALES DEEPLY)

(KLEMPERER SOBBING SOFTLY)

(KLEMPERER WHIMPERING)

(KNOCKING CONTINUES)

(KNOCKING, DOOR OPENS)

(LABORED BREATHING)

(LAUGHING)

(LAUGHS)

(LAUGHS) Good!

(LAUGHS) Oh dear, you have no formal training or references.

(LAUGHTER CONTINUES)

(LAUGHTER ECHOING)

(LAUGHTER, INDISTINCT CHATTER)

(LAUGHTER)

(LIGHTS BUZZ QUIETLY)

(LOUD BANG OUTSIDE, CROWD SHOUTING)

(LOUD BANG, RATTLING)

(MATRONS SHRIEKING)

(MID TEMPO PIANO MUSIC PLAYING)

(MOANS SOFTLY)

(MUFFLED BREATHING)

(MUFFLED, DISTORTED WHISPERING)

(MUFFLED, DISTORTED WHOOSHING)

(MUSIC PLAYING, LAUGHTER IN DISTANCE)

(MUSIC VOLUME INCREASES)

(OBJECT CLATTERS)

(OBJECT SHATTERS)

(OBJECTS CLATTERING QUIETLY)

(OBJECTS RATTLING AND BANGING)

(OLGA SOBBING)

(PAINED GASP)

(PAINED GASPING)

(PAINED GRUNT)

(PAINED SCREAM)

(PAINED WHIMPERING)

(PANTING CONTINUES IN DISTANCE)

(PANTING HEAVILY)

(PANTING QUIETLY)

(PANTING, WHIMPERING)

(PANTING)

(PANTS, GRUNTS)

(PATRICIA PANTING QUIETLY)

(PIANO MUSIC PLAYS)

(QUIET CHATTER CONTINUES)

(QUIET CHATTER IN DISTANCE)

(QUIET CHATTER IN GERMAN)

(QUIET CHATTER)

(QUIET CREAKING)

(QUIET, ECHOING WHEEZING)

(QUIET, INDISTINCT CHATTER)

(QUIET, SHUDDERING BREATHS)

(RADIO STATIC)

(RAIN PATTERING)

(RAPID PANTING)

(RASPY GROANING)

(RATTLING)

(RAUCOUS LAUGHTER)

(RHYTHMIC BREATHING AND GRUNTING)

(RHYTHMIC BREATHING CONTINUES)

(RHYTHMIC BREATHING)

(RHYTHMIC GRUNTING AND MOANING CONTINUE)

(RHYTHMIC GRUNTING)

(RINGING STOPS)

(RUMMAGING)

(SARA CONTINUES WHEEZING AND GASPING)

(SARA GASPING)

(SARA PANTING, WHEEZING)

(SARA SCREAMS)

(SCREAM)

(SCREAMING CONTINUES, MUFFLED)

(SCREAMING)

(SCREAMS, WHIMPERS)

(SCREAMS)

(SHARP EXHALE)

(SHOUT, GROAN NEARBY)

(SHOUTING AND CHANTING CONTINUE)

(SHOUTING)

(SHRIEKING CONTINUES)

(SHRIEKING LAUGHTER)

(SHRIEKING)

(SHRIEKS)

(SHUDDERING BREATHS)

(SIGHS)

(SINGING CONTINUES)

(SINGING IN GERMAN)

(SINGING)

(SOBBING, MOANING)

(SOBBING, SPEAKING INDISTINCTLY)

(SOBBING)

(SOBBING): You manipulate everything.

(SONG CONTINUES PLAYING IN FRENCH)

(SONG PLAYING IN FRENCH)

(SPEAKING FRENCH)

(SPEAKING GERMAN)

(SPEAKING IN GERMAN)

(SPEAKS GERMAN)

(SPOKEN ALOUD): The one in here.

(SQUISHING, CRUNCHING)

(STRAINING GRUNT)

(TAKES DEEP BREATH)

(TAKING DEEP BREATHS)

(TANNER LAUGHING)

(TEAKETTLE WHISTLING)

(TELEPATHICALLY): I could explain everything to you.

(TRAIN APPROACHING)

(TRAIN RUMBLING AND SCREECHING)

(TRAIN WHIRRING AND RATTLING)

(TRICKLING)

(TYPEWRITER CLACKING AND DINGING)

(VENDEGAST HUMMING A TUNE)

(VOICES SCREAMING, WHISPERING INDISTINCTLY)

(WAITER SPEAKING FRENCH)

(WATER SPLASHING GENTLY)

(WHEEZING CONTINUES)

(WHEEZING NEARBY)

(WHEEZING QUIETLY)

(WHEEZING WEAKLY)

(WHEEZING, GASPING)

(WHEEZING, RHYTHMIC BREATHING)

(WHEEZING, WHIMPERING)

(WHEEZING)

(WHIMPERING, SOBBING)

(WHIMPERING)

(WHIMPERS SOFTLY)

(WHIMPERS, SOBS)

(WHISPERING) Marketa, where is Sara?

(WHISPERING) Sara!

(WHISPERS): Come, come, come.

(WHISPERS): My daughter.

(WHISTLES BLOWING IN DISTANCE)

(YELLING IN DISTANCE)

(YELLING NEARBY)

(YELLS, COUGHS)

♪ 'Cause I'll be leaving in the fairest of the season ♪

♪ 'Cause I'll be leaving in the... ♪

♪ ♪

♪ Come under my wings ♪

♪ I swear that there's nothing ♪

♪ I swear there's nothing... ♪

♪ I'll be leaving... ♪

♪ Leaving... In the... ♪

♪ Should I stay or should I go ♪

♪ That I'll be leaving in the fairest of the season ♪

♪ Unmade ♪

Suspiria (2018)
Suspiria (2018) is a gripping and haunting movie that takes viewers on a chilling journey into the world of witchcraft and darkness. Directed by Luca Guadagnino, this film is a remake of the 1977 cult classic by Dario Argento, showcasing a reimagined storyline with an exceptional cast and a spine-tingling soundtrack. Suspiria balances visual brilliance with an eerie atmosphere, leaving audiences captivated and uneasy. The film stars Dakota Johnson as Susie Bannion, a young dancer who joins a prestigious dance academy in Berlin during the year 1977. Tilda Swinton delivers a phenomenal performance, portraying three different characters, including Madame Blanc, the head choreographer of the academy. Other noteworthy cast members include Mia Goth as Sara, Susie's closest friend at the academy, and Chloë Grace Moretz as Patricia, a former student who mysteriously disappears. Suspiria (2018) introduces elements of horror, supernatural entities, and psychological turmoil, blending them seamlessly into a dark and atmospheric narrative. The story delves into the disturbing history and secrets of the academy, revealing a covens-worth of witches intertwined with the dance school. As Susie's talent and potential become apparent, she becomes the vessel for a sinister force, leading to a climactic confrontation that will leave you breathless. One of the standout aspects of Suspiria is its remarkable soundtrack, composed by Thom Yorke, the lead singer of Radiohead. Yorke's eerie and atmospheric score perfectly captures the film's sinister tone. The haunting melodies and dissonant sounds create an atmosphere of tension and unease, enhancing every scene's emotional impact. The score's ability to evoke fear and anxiety is unparalleled, making it an integral part of the film's overall experience. To fully immerse yourself in the haunting sounds of Suspiria, you can play and download the soundtrack here. Whether you want to relive the spine-chilling moments or immerse yourself in its dark essence, the soundtrack is a must-have for any fan of the film or lover of atmospheric soundscapes. Yorke's genius shines through his compositions, creating a mesmerizing auditory experience that stands on its own. Suspiria (2018) is a true masterpiece that weaves together beautiful and unsettling visuals, a talented cast, and a haunting soundtrack. Luca Guadagnino's direction creates an oppressive and nightmarish atmosphere, immersing viewers into a world where evil lurks behind every corner. The performances of Dakota Johnson and Tilda Swinton are exceptional, capturing the inner turmoil and fragility of their characters. Step into the darkness and let Suspiria consume you. Experience the chilling atmosphere, stunning performances, and exceptional soundtrack that make this film a true work of art. Be warned; once you have entered the academy, you may never escape its clutches.
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