Singin' in the Rain Edit

A beautiful girl Is like a great work of art.

A beautiful sunset.

A flat.

A little late. The picture's finished.

A man records it on a big record in wax...

A million hearts beat quicker there.

A million lights.

A mose is a mose.

A plaintive melody.

A real lady.

A rose is a rose Is a rose is a rose is.

A rose is a rose.

A rose is what Moses Supposes his toes is.

A sandbag hits his head.

A soft summer breeze.

A string of pearls with a suit of tweed.

A talking picture.

A toes is a toes.

Absolutely nothing.

Acting means great parts, wonderful lines, glorious words.

ACTOR: Pierre is Miles away, you witch.

ACTOR: Yes, yes, yes.

ACTOR: Yes, yes, yes.

Add songs and dances, trim bad scenes, add new ones.

Again!

Ain't been in vain for nothing.

All I do the whole day through Is dream of you.

All I do the whole day through Is dream of you.

All right, all right.

All right, everybody! Save it!

All right, go ahead.

All right, open that screen.

All right, sit down, sit down.

All the ladies of the court wish they were in your shoes.

All the theaters are putting in sound equipment.

ALL: Ooh.

Always dignity."

And at all times...

And dancin' in the rain.

And her new husband, the Baron de la Bonnet de la Toulon.

And here comes that exotic star, Olga Mara!

And I can't stand him.

And I can't stand him.

And I control my publicity, not you.

And I just won't do it.

And I know what you've been busy at. Looking for that girl.

And I was meant for you.

And I...

And I'm gonna for a long time.

And I'm ready for love.

And I'm ready for love.

And I'm ready for love.

And I'm sure you and Lina will continue making movie history tonight...

And if the girl were I.

And if the girl were I.

And if you must wear fox to the opera.

And in summertime, it's organdy.

And of course, all through those pictures...

And remember, Lockwood, you might be trading that fiddle in for a harp.

And she also is smart.

And she's getting full screen credit for it too.

And singin' Just singin' in the rain

And singin' Just singin' in the rain.

And singin'.

And then you get A great big custard pie in the face.

And there was a girl. Lina Lamont.

And they meant you.

And they meant you.

And they were only friends.

And were there more than Twenty four hours a day.

And whatever you say goes through the wire onto the record.

And when she was done.

And with him, I used to perform for Mum and Dad's society friends.

And would you dare to say.

And you and you and you.

And you could charm the critics And have nothing to eat.

And you got it.

And you want to be well dressed.

And you'd never dream the things That you could hide.

And you'll give her a bigger one in the next.

And you'll knock 'em dead at dinner.

And you're over sweet 16.

And...

Anyone for tennis?

Are my.

Are synchronized together...

Are you doing anything tonight, Miss Lamont?

Are you speaking for Lina also?

As far as I can see, she's the only one who's finished.

As he was being led To the guillotine

As long as I work for Monumental, you're the greatest.

As Moses supposes his toeses to be.

As Moses supposes his toeses to be.

As they.

Ask me a riddle I'm happy to say.

At first glance, yes.

At the Conservatory of Fine Arts.

Beaming.

Beautiful girl Let me call a preacher.

Beautiful girl What a gorgeous creature.

Beautiful girl You're a gorgeous mixture.

Beautiful girl.

Beautiful girl.

Because you liked her. I could tell.

Before Mr. Lockwood refreshes your memory, you may as well know...

Believe me, I don't like her half as much as I hate you.

Believe me, it'll be a sensation.

Better go in separate cars to break up the mobs. Come on, honey.

Big people have little humor Little people have no humor at all

Black is best when you're in court.

Bless you all.

BOTH SINGING: Moses supposes his toeses are roses.

Boys, this is great.

Broadway rhythm It's got me.

Broadway rhythm It's got me.

Broadway rhythm It's got me.

But are we? No.

But before...

But came the dawn, the show goes on And I don't wanna say good night.

But give my heart to you?

But I never want to see you again...

But I'm content.

But I'm content.

But in the dream, we can still use the costumes.

But into the bush!

But it was understandable, under the circumstances. I knew I'd seen you.

But Moses supposes erroneously.

But Moses supposes erroneously.

But Moses supposes erroneously.

But Moses supposes erroneously."

But most important of all, I continue living up to my motto:

But the night is full of our enemies.

But the personalities on the screen don't impress me.

But wait a second.

But we're really lonely.

But white is right when you're a bride.

But you have to talk into the Mike first.

But you're such big stars, we might get by.

By the way. You know the scene coming up where I say:

Can't a girl get a word in edgewise? They're my public too!

Can't that girl take a gentle hint?

Can't!

Can't.

Can't. Can't.

Captured by Rouge Noir of the Purple Terror?

CHORUS SINGS: You.

Colored lights in a garden.

Come here, Kathy. Come here. Now, sing.

Come here.

Come on with the rain I've a smile on my face.

Come on with the rain.

Come on, come on.

Come on, my little starlets.

Come on, now. Snap out of it.

Come on. Knock him down!

Come out from behind that screen, Mr. Simpson.

Come to my office. We'll discuss a contract.

Contract dated June 8, 1925, paragraph 34, subdivision letter A.

Contract?

Cos, tell me the truth. Am I a good actor?

Cosmo is Don's best friend.

Cosmo, mood music.

COSMO: All right, Kathy. Go ahead.

COSMO: All set in there?

COSMO: Good morning.

COSMO: That's great! Perfect. Cut.

Couldn't be a lily Or a Taffy daffy dilly.

Cut the talk, Lina. Sing!

Cut!

Cut!

Cut!

Cut!

Cut!

Dame Fashion says, "Dye it".

DANCERS SINGING: When I hear that happy beat.

Dancin' in the rain.

Darn tooting she did. I arranged it.

Definitely, no.

Despite the threats of Madame Guillotine.

DEXTER: All right, here we go.

DEXTER: Camera!

DEXTER: Hey, Don.

DEXTER: It's Lina.

Dexter: Lina, you hate him. Resist him. Keep that mood music going.

Dexter: Well! Here comes our lovely leading lady now.

Did somebody get paid for writing that?

Did you ever see anything as idiotic as me on that screen?

Did you read Variety today?

Did you say all my pictures?

Did you send this stuff out?

DIRECTOR 1: Keep that action going. More steam in the kettle!

DIRECTOR 2: Keep the background moving. Hit him.

Do you really think you can get me in the movies?

Don Lockwood and Lina Lamont!

Don Lockwood, but the fellas call me "Donald."

Don, keep your eyes riveted on my face.

Don, tell me confidentially, are these rumors true...

Don, you're a genius.

DON: Audiences everywhere adored us.

DON: Finally we decided to come to sunny California.

DON: Hey, Kathy!

DON: Hey! You're playing rough here! You're tearing my...!

DON: I got an idea. Come here.

DON: Lina and I have had the same wonderful relationship ever since.

DON: My roles in these films were urbane...

DON: Oh, thank you.

DON: They used to make such a fuss over me.

DON: This is the proper setting.

DON: What's the matter?

Don! Don't you dare call him Don!

Don's a smash too.

Don't get any fancy ideas about the future. Tell her!

Don't let Lina know about it.

Don't make any quick movements or you might disconnect it.

Don't stand there. Tell them!

Don't tell me what to do, Lina.

Don't tell me. It's a flat tire.

Don't ya... All the...

Don't you get it?

Don't you know everyone wants to laugh, ha, ha.

Don't you know everyone wants to laugh?

Don't you know everyone...

Don't you think she ought to go on doing just that?

Donnie, how can you let him talk to me like that, your fiancée?

Donnie?

DORA OVER PA: This is Dora Bailey, ladies and gentlemen...

Dora, not in front of all these people!

DORA: Her new red hot pash, J. Cumberland Spendrill III...

Eight or nine.

Enchanted, Miss Selden.

Enchanting. What?

Ever since I met him, I can't get him out of my mind.

Every star in Hollywood is here to make Monumental Pictures' premiere...

Every studio's jumping on the bandwagon.

Everybody dance.

Everybody dance.

Everybody sing and dance.

Everybody wore them.

Everybody, I've got a few surprises for you.

Everybody. Why do you think Zelda's in such a sweat?

Everybody's picking on me.

Everyone from the place.

Everyone from the place.

Everyone is breathlessly awaiting...

Everything you said about me is true.

Exactly how I feel

Excuse me. Where'd Miss Selden go?

Farewell, Ethel Barrymore.

Fear not, sweet lady. I will not molest you.

Feel like dancin' down the street.

Feel like dancin' down the street.

Feel like dancin' down the street.

Feelin' like a feather That's floatin' on air.

Fine. Fine. Looks great.

First, we set the stage with a song.

Fit as a fiddle And ready for love

Fit as a fiddle And ready for love.

Fit as a fiddle and ready for love.

Fit as a fiddle And ready for love.

Flooded with moonlight.

For Broadway always wears a smile.

For lounging in her boudoir.

For Moses knowses His toeses aren't roses.

For The Dancing Cavalier, our first musical picture together.

For those old honky tonk monkeyshines

For those old honky tonk monkeyshines.

For you I've got a passion.

From afar.

From now on, as far as I'm concerned, I'm running things.

From now on, there's only one fan I'm worried about.

From what I've read in all those articles in the fan magazines.

From where I stand, the sun is shining all over the place.

Gee, this is dumb.

Get enough, boys?

Get this guy into Bert's suit!

Get up there and hit him again. Hurry up!

GIRL 1: Hey, there's Don Lockwood!

GIRL 2: I want a souvenir too!

Give me a raise.

Give me pictures like The Jazz Singer.

Go home until further notice! What is this?

Good mornin' Good mornin' to you.

Good mornin' Good mornin' to you.

Good mornin' Good mornin' to you.

Good mornin' Good mornin' to you.

Good mornin' Good mornin' to you.

Good mornin' Good mornin'.

Good mornin' Good mornin'.

Good mornin' to you

Good mornin' to you.

Good mornin'.

Good mornin'.

Good mornin'.

Good night, Don. Take care of that throat.

Good night, Kathy. See you tomorrow.

Good night, officer.

Goodbye.

Goodbye. I'm sorry. I should've told you.

Got any more little chores you want done?

Gotta dance

Gotta dance Gotta dance.

Gotta dance, gotta dance.

Gotta dance.

Gotta dance.

Gotta dance.

Gotta dance.

Gotta dance.

Gotta dance.

Gotta dance.

Gotta dance.

Great! Cut!

Ha, ha. Now look, Lina. Try and understand this.

Have Selden re record all of Lina's dialogue.

Haven't a worry Haven't a care.

Haven't you heard? She's irresistible. She told me so.

He dreams he's back during the French Revolution.

He plays the piano on the set for Don and Lina...

He said they were all you. I'm putting you and Lina together in a picture.

He sings and he dances.

He tells her of her charms.

He'll kiss her with a sigh.

He's been looking for her!

Heh. I ran her a close second.

Hello, Lina.

Hello, Miss Lamont. I'm Don Lockwood, the stuntman.

Hello.

Her cloak is trimmed with monkey fur.

Here is a good one.

Here on earth for this poor mortal.

Here we are, Sunset and Camden.

Here's one thing I've learned from the movies!

Here's the Mike.

Hey, Cos, do something! Call me a cab!

Hey, give me an autograph!

Hey, I think it'll work.

Hey, Kathy!

Hey, we can't make this a musical.

Hey!

Hey! The Duelling Mammy.

Hi diddle diddle My baby's okay.

Hi, Don.

Hold it a second.

Honest?

Honest?

Honest.

How the church bells will be ringin'.

How thrilled we are at your reception...

I ain't people.

I am a...

I am but a humble Jester. And you? You are too far above me.

I am just about to be brilliant.

I am the noblest lady of the court, second only to the queen.

I buy four or five a month.

I can jump over The moon up above.

I can start suffering and write that symphony.

I can sue.

I can't get her out of my hair. This romance for publicity...

I can't tell you...

I can't visualize it. I'll have to see it on film first.

I can't wait till this picture's finished.

I could brush up on my English or bring an interpreter.

I could sue you for the whole studio.

I did say some awful things that night, didn't I?

I do hope you'll favor us with something special. Say, Hamlet's soliloquy...

I don't go to the movies much.

I don't like those lines. Is it all right if I say what I always do?

I don't remember.

I doubt it. Warners is making a picture with it, The Jazz Singer.

I featured her before, in lots of nightclub shows.

I gave an exclusive story to every paper in town.

I get the go by When you are done foolin' with me.

I got a feeling you're fooling I got a feeling you're

I got a feeling You're havin' fun.

I got no money. But I've got...

I gotta get out of here.

I guess I'm not able to without the proper setting.

I guess we have to take the little heartaches that go with it.

I had my lawyer go over my contract.

I just saw some rushes and asked Dexter who the stuntmen were.

I know that now.

I liked her best when the sound went off and she said:

I liked it.

I looked for you at Wally Ray's party. Where were you?

I love you, I love you, I love you, I love you, I love you.

I love you, I love you, I love you, I love you!

I love you.

I love you.

I mean she's gonna go right on singing for me.

I mean... You were kissing him!

I must fly to her side!

I must tear myself from your side.

I never heard of anything so low.

I never said that.

I never was. Just a lot of dumb show.

I once gave you a cigar. Can I have it back?

I pick them up in the beauty parlor or the dentist's office...

I really can't tell you how sorry I am about taking you for a criminal.

I said talking pictures were a menace, but no one would listen.

I saw one once.

I saw you.

I think I'll kill myself.

I thought something was cooking beneath those bleached curls.

I want that girl off the lot at once! She ain't gonna be my voice.

I want you kiddies to have the first piece.

I was calling him Don before you were born.

I was getting a little too much love from my fans.

I was kissing her. I happen to be in love with her.

I was starstruck.

I was talking. Wasn't I, Miss Dinsmore?

I would.

I would.

I would.

I wouldn't do that if I were you.

I wouldn't do that to her in a million years.

I'd like to break every bone in your body.

I'd like to get out of this suit if you're going by Camden and Sunset.

I'd like to know whose hospitality I'm enjoying.

I'd like to see you. What're you in now?

I'd say to you.

I'll do it, Don.

I'll lead the cheering section in the balcony. Good luck.

I'll say a few words. I'm still running the studio.

I'll try.

I'll walk down the Lane With a happy refrain.

I'll walk down the Lane.

I'm a museum piece.

I'm an actress. On the stage.

I'm busy.

I'm confused. This thing is so big...

I'm dancin'.

I'm driving to Beverly Hills. Can I drop you someplace?

I'm glad you thought of it.

I'm glad you turned up. We've been looking inside every cake in town.

I'm going to marry her.

I'm gonna give her a big buildup.

I'm happy again.

I'm happy again.

I'm in a whirl.

I'm laughin' at clouds So dark up above.

I'm laughin' at clouds So dark up above.

I'm laughin' at clouds.

I'm lucky.

I'm no actor.

I'm not in a play now. But I'm going to New York...

I'm not so sure!

I'm now Count Pierre de Bataille, known as the Duelling Cavalier.

I'm signin'.

I'm singin' in the rain Just singin' in the rain.

I'm so downhearted, Theresa.

I'm sorry I frightened you.

I'm sorry, I was just thinking.

I'm still more important to the studio than she is.

I'm such a ham.

I'm sure we should all Be as happy as...

I'm the girl who hit Miss Lamont with a cake. It was meant for Mr. Lockwood.

I'm the one who got the whipped cream in the kisser.

I'm trying to say something to you, but I...

I've a smile on my face.

I've been busy.

I've been worried about her.

I've got it.

I've laid awake the whole night through.

I've seen her there.

I've seen your picture in the paper or in the post office.

If I but dared.

If I don't like it, I can sue.

If I was very good, I was allowed to accompany Mum and Dad to the theater.

If she weren't in it, you'd be finished too.

If she's done such a grand job doubling for my voice...

If this happens, get a new boy. I won't stand for it.

If we bring a little joy into your humdrum lives...

If you tell the papers about Kathy Selden...

If you've seen one, you've seen them all.

If your gown just drips with fringe.

Imperious princess of the night...

In a few years, we were ready to embark on a dance concert tour.

In A flat.

In perfect unison.

In the bush!

In the mornin' In the mornin'.

In the rain.

In the words of that immortal bard Samuel J. Snodgrass.

In what key?

In your arms.

In your greatest picture, The Royal Rascal.

Is a big fat liar.

Is it all right for you to be seen with me?

It goes like this.

It happens to me five or six times a day.

It has nothing to do with my career. It's only for this picture.

It is terrible.

It makes us feel as though our hard work...

It may be crazy, but we'll do it.

It says so...

It seems to me I remember someone saying:

It was a thrill working with you, Miss Lamont.

It would be "detrimental and deleterious" to my career.

It'll be up for auction in the morning.

It'll catch whatever you say.

It'll say on the screen that I don't talk and sing for myself?

It'll take hours to get a new one from Central Casting.

It's 1:30 already. It's morning!

It's a holiday Today's The Wedding.

It's a jolly day The news is spreading.

It's a new one. It's for the modern part.

It's called "Broadway Melody."

It's gotta be a rose 'Cause it rhymes with "mose".

It's great to stay up late.

It's great to stay up late.

It's great to stay up late.

It's great, Don. Just great.

It's no wonder they're a household name all over the world.

It's not your fault she lost her job.

It's picking up her heartbeat.

It's Saturday. No bank will foreclose until Monday.

It's simple to work the numbers.

It's started quite a riot.

It's that famous "zip" girl of the screen...

It's the cat's meow!

It's the story of a young hoofer who comes to New York.

It's those pearls, Mr. Simpson.

Joe, bring me a tarantula. Now listen...

Just a lift. My car broke down. I got surrounded by...

Just dance around Lina and teach her how to take a bow.

Just for me.

Just for me.

Just in case it doesn't come off. I'm worried about Lina.

Just like anybody.

Just singin' in the rain.

Just singin'.

Just slip on a banana peel The world's at your feet.

Kathy has her own career. She only did this for this picture.

Kathy nearly stole the picture from her.

Kathy Selden as Juliet, as Lady MacBeth, as King Lear!

KATHY SINGING ON RECORDING: And would you dare to say.

KATHY SINGS: Good mornin' Good mornin' to you.

KATHY SINGS: Good mornin' Good mornin'.

KATHY SINGS: I'm singin' in the rain Just singin' in the rain.

Kathy, come here.

Kathy, come here. Kathy will stand back of there and sing.

Kathy, look, I...

Kathy, seeing you again now that I...

KATHY: A flat.

Kathy: Is this R.F. Simpson's house? I'm one of the Coconut Grove girls.

KATHY: Nothing can keep us apart.

KATHY: Oh, Cosmo.

Kathy!

Kathy.

Kathy...

Keep away from me! Just because you're a big movie star...

Keep telling me from time to time. I feel a little shaken.

Ladies and gentlemen, when you look at this gorgeous couple...

Ladies and gentlemen.

Laugh if you want, but the stage is a dignified profession.

Let the stormy clouds chase.

Let the stormy clouds chase.

Let the stormy clouds chase.

Let's do the same

Let's do the same as they.

Let's do the same.

Let's get into the set.

Let's get on with the show. Okay, boys.

Let's just get this premiere over with.

Like "bacon and eggs."

Like that.

Lina and I have made a number of pictures together...

Lina and I have no statement to make at the present time.

Lina moves her mouth and Kathy sings and talks for her.

LINA SINGS ALONG TO KATHY: ..the story ends.

Lina was, as always, an inspiration to me.

Lina won't even know she's on the lot.

Lina, you looked pretty good for a girl.

Lina, you've been reading those fan magazines again.

LINA: No, no, no.

LINA: No, no, no.

LINA: Nothing.

LINA: Oh, Pierre, you shouldn't have come. You're flirting with danger.

LINA: Pierre will save me. Pierre!

LINA: What am I gonna do?

Lina.

Lina's probably waiting right inside the door.

Listen, Lina.

Listen, you boa constrictor.

Listen! I'm an avalanche! Selden, you're stuck.

Lockwood's a sensation.

Long people have short faces.

Look at me. I got no glory. I got no fame. I got no mansions.

Look who's arriving now.

Look, Don and I...

Look, Kathy. All that stuff about Lina and me is sheer publicity.

Look, Lina, don't you remember? I told you.

Look, you shouldn't believe all that banana oil...

Lucky star

Make 'em laugh

Make 'em laugh

Make 'em laugh

Make 'em laugh Make 'em laugh.

Make 'em laugh Make 'em laugh.

Make 'em laugh Make 'em laugh.

Make 'em laugh Make 'em laugh.

Make 'em laugh.

Make 'em laugh.

Make 'em laugh.

Make 'em laugh.

Make 'em laugh.

Make 'em roar Make 'em scream.

Make...?

MAN 1: Sing us a song, Lina. Sing to us.

MAN: Get out of here!

Maybe it was a photo finish. I'm through.

Meet the producer of the picture, R.F. Simpson.

Meet the world's greatest actor. I'd rather kiss a tarantula!

Melody.

Melody.

MEN SINGING: I got a feeling You're fooling.

Might be just as zippy If we was in Mississippi.

Milady is standing on her balcony, in a rose trellised bower...

Mist from the distant mountains.

Molière, the finest of the classics.

More action, boys. A little more rhythm.

More steam and more water.

Morning, noon and nighttime too.

Moses supposes his toeses are roses.

Moses supposes his toeses are roses...

Moses, he knowses His toeses aren't roses.

Moses.

Moses.

Moses.

Movies are entertaining for the masses...

Mr. Dexter, I can do that.

Mr. Simpson's thinking about casting you as Zelda's sister.

My beautiful girl.

My dad said, "Be an actor, my son".

My Dad...

My father has me betrothed to the Baron de Landsfield...

My fia...

My Grandpa said, "Go out and tell 'em a joke"

My heart belongs to another...

My heart cries.

My lucky charms.

My lucky star.

My own.

My voice has been recorded on a record.

Nature patterned you.

Never mind, R.F.! Listen to that applause.

Next time, write me out a speech. I could memorize it.

No kidding, Cosmo.

No kidding, folks, aren't they great?

No kidding! What's your name?

No kidding. You're my pal. You can tell me.

No more secrecy. I'm gonna let Lina and everyone know.

No offense.

No skies of gray On that Great White Way.

No, I deserved them.

No, I should think not. Good night.

No, it wasn't that.

No, it's just that Don's had so much more experience...

No, no, Miss Lamont...

No, no! That wasn't right!

No, no. "Rocks." "Rocks."

No.

No.

Nobody'd come to see me jump off the Woolworth Building into a damp rag.

Not exactly. But for lunch, don't you tear a pheasant with Miss Lamont?

Note how my lips and the sound issuing from them...

Nothing can keep us apart.

Nothing could be grander Than to be in Louisiana.

Notice, it is a picture of me and I am talking.

Now enter.

Now kiss her, Don.

Now let me hear you read your line.

Now let's hear how it sounds, Lina.

Now look at this flower, see?

Now that I know where you live, I'd like to see you home.

Now that I think of it, I've seen eight or nine of them.

Now that you have the proper setting, can you say it?

Now the milkman's on his way It's too late to say good night.

Now try it again.

Now you could study Shakespeare And be quite elite.

Now you do this. At least keep us informed.

Now you see her. Now here's the bit, Bert, where you get it on the jaw.

Now, come on, Lina.

Now, don't forget.

Now, here's where you get it right on the jaw.

Now, I was just thinking.

Now, let's see.

Now, Lina, look.

Now, listen.

Now, Phil, you come in. Keep on grinding.

Now, please, Lina, talk into the Mike.

Now, try to get this straight: There is nothing between us.

Now, what about the story?

Now, you talk towards it.

Now. "Sinful Caesar sipped his snifter..."

Now...

Of all that lies Under the big blue sky.

Of course, I must admit I was pretty much upset by them.

Of course. What do you think?

Of The Royal Rascal, the outstanding event of 1927.

Officer!

Oh, but he's such a catch.

Oh, folks, this is it. This is it!

Oh, Kathy, I love you.

Oh, no, no, Don. I want your story from the beginning.

Oh, no. I'm right here.

Oh, on the stage.

Oh, Pierre, hold me in your arms always.

Oh, Pierre, Pierre, my darling. At last, I've found you.

Oh, Pierre, you shouldn't have come.

Oh, Pierre!

Oh, Pierre.

Oh, Pierre.

Oh, Pierre. You shouldn't have come.

Oh, that Broadway rhythm.

Oh, that Broadway rhythm.

Oh, that's swell, just swell.

Oh, that's what you were running away from.

Oh? Certainly seems more than that...

Ohh, you read the fan magazines?

Ohh. Oh, my sword!

Okay, Bert? Bert!

Okay, Don.

Okay, fellas. Hold it.

Okay, let's go.

Okay, Lina.

Okay, quiet!

Okay.

Okay.

Olé!

On or off the screen.

Once they release The Duelling Cavalier, Lockwood and Lamont are through.

One night, backstage, he's reading The Tale of Two Cities.

Or a scene from Romeo and Juliet? Don't be shy.

Or go back into vaudeville.

ORCHESTRA LEADER: What are you gonna sing?

Orchestras play Taking your breath away.

Our love will last till the stars turn cold.

Our love will last till the stars turn cold.

Our love will last till the stars turn cold.

Out on that Gay White Way And each merry café.

Over.

Part of that choice is mine.

People think we lead lives of glamour and romance...

People?

Perfect! That Selden girl is great.

Phil, come in. Now you see him. That's it.

Pierre de Bataille.

Pierre, you shouldn't have come.

Pierre, you're hurt. Speak to me, speak to me.

Please!