Find a sound
Funny sounds
Topics

Text to Speech voices
Make your own Favorites board
Mobile Apps
Song Makers
AI Sound Generator
The Famous TikTok Voice
Help
Support the site
Audio bot for Discord
Sounds playing now
Most Popular boards
Viral boards

Main Content

Sound added

Error adding sound to your favorites.

Sound reported and our moderators will review it shortly.

Error reporting sound. Please use the Contact page.

Title:

Description:

The clamor of a 1978 New York City can be faintly heard at the outset of her acting journey, as she made her Broadway debut in the play "Leader of the Pack." Here, the rhythmic tapping of shoes on wooden stages and the applause of the audience were surely her first taste of professional limelight. Her breakthrough in Hollywood came swiftly thereafter with her role as Marty Maraschino in "Grease" (1978), where the syncopated beats of '50s rock and roll music constituted a considerable part of her character's universe, intertwining with the softer nuances of high school drama.

By the 1980s, Dinah Manoff was a staple on American television, as the soundscapes of sitcoms echoed her unique voice and timing. Her character, Carol Weston, on the series "Empty Nest" (1988-1995) brought with it the laugh tracks and studio ambience typical of the genre, resonating with a homely warmth as audiences tuned in weekly. In "Soap" (1977-1981), the background chatter of a busy studio added a comedic rhythm to the rapid-fire dialogues and eccentric storylines, highlighting her ability to play off comedic beats.

Throughout her career, Dinah was frequently heard on the big screen in an eclectic mix of genres. The 1988 horror-comedy "Child’s Play" brought with it a distinct, eerie tension marked by sinister whisperings and unsettling cues, a stark contrast to the lively hum of ensemble pieces like "Backfire" (1987) and "The Amati Girls" (2000). Her spellbinding performance in "Ordinary People" (1980) was draped in a soundtrack of raw emotion, with silence often playing an evocative role alongside the subdued musical notes, which enhanced the film's somber themes.

Off-screen, her directorial aspirations materialized into directing plays, often underscored by the rehearsed intonations of stage actors and the intermittent sounds of a director at work. These auditory dimensions reveal a variegated career enveloped in myriad sounds, from the bright resonance of musical theater to the textured stillness of poignant cinematic moments. Dinah Manoff's journey through the aural landscapes of film, television, and theater exemplifies a harmonized pursuit of storytelling, each sound, echo, and note contributing to her enduring legacy.

Dinah Manoff Type your text to hear it in the voice of Dinah Manoff. Dinah Manoff's name resonates with a multitude of

Dinah Manoff TTS Computer AI Voice

Type your text to hear it in the voice of Dinah Manoff. Dinah Manoff's name resonates with a multitude of cinematic and theatrical sounds that mark her illustrious career, a symphony of roles embraced with dexterity over the years. Born into an artistic family, her mother a renowned actress and father a screenwriter, the ambient sounds of storytelling and performance must have filled her childhood home, harmonizing into her future endeavors.

The clamor of a 1978 New York City can be faintly heard at the outset of her acting journey, as she made her Broadway debut in the play "Leader of the Pack." Here, the rhythmic tapping of shoes on wooden stages and the applause of the audience were surely her first taste of professional limelight. Her breakthrough in Hollywood came swiftly thereafter with her role as Marty Maraschino in "Grease" (1978), where the syncopated beats of '50s rock and roll music constituted a considerable part of her character's universe, intertwining with the softer nuances of high school drama.

By the 1980s, Dinah Manoff was a staple on American television, as the soundscapes of sitcoms echoed her unique voice and timing. Her character, Carol Weston, on the series "Empty Nest" (1988-1995) brought with it the laugh tracks and studio ambience typical of the genre, resonating with a homely warmth as audiences tuned in weekly. In "Soap" (1977-1981), the background chatter of a busy studio added a comedic rhythm to the rapid-fire dialogues and eccentric storylines, highlighting her ability to play off comedic beats.

Throughout her career, Dinah was frequently heard on the big screen in an eclectic mix of genres. The 1988 horror-comedy "Child’s Play" brought with it a distinct, eerie tension marked by sinister whisperings and unsettling cues, a stark contrast to the lively hum of ensemble pieces like "Backfire" (1987) and "The Amati Girls" (2000). Her spellbinding performance in "Ordinary People" (1980) was draped in a soundtrack of raw emotion, with silence often playing an evocative role alongside the subdued musical notes, which enhanced the film's somber themes.

Off-screen, her directorial aspirations materialized into directing plays, often underscored by the rehearsed intonations of stage actors and the intermittent sounds of a director at work. These auditory dimensions reveal a variegated career enveloped in myriad sounds, from the bright resonance of musical theater to the textured stillness of poignant cinematic moments. Dinah Manoff's journey through the aural landscapes of film, television, and theater exemplifies a harmonized pursuit of storytelling, each sound, echo, and note contributing to her enduring legacy.

This is a TTS (Text to Speech) You can make the voice say anything, and it will be added to this board. Responsible AI
By using this feature, you agree to our Terms of Service. TTS voices are synthetic creations and do not imply any affiliation with the person whose name or likeness may be associated with it.

76,357 More Voices Manage My Phrases Average Wait: Less than 10 seconds Less than 30 seconds Less than one minute {{ ttsAverageWaitingTimeHumanReadable }} {{ ttsAverageWaitingTimeHumanReadable }}

Words have the power to heal or hurt.

There may be a temporary problem or delay with this voice

You are filtering only this board. To search all boards, use the search bar at the top of the page.

Dinah Manoff TTS Computer AI Voice
Type your text to hear it in the voice of Dinah Manoff. Dinah Manoff's name resonates with a multitude of cinematic and theatrical sounds that mark her illustrious career, a symphony of roles embraced with dexterity over the years. Born into an artistic family, her mother a renowned actress and father a screenwriter, the ambient sounds of storytelling and performance must have filled her childhood home, harmonizing into her future endeavors. The clamor of a 1978 New York City can be faintly heard at the outset of her acting journey, as she made her Broadway debut in the play "Leader of the Pack." Here, the rhythmic tapping of shoes on wooden stages and the applause of the audience were surely her first taste of professional limelight. Her breakthrough in Hollywood came swiftly thereafter with her role as Marty Maraschino in "Grease" (1978), where the syncopated beats of '50s rock and roll music constituted a considerable part of her character's universe, intertwining with the softer nuances of high school drama. By the 1980s, Dinah Manoff was a staple on American television, as the soundscapes of sitcoms echoed her unique voice and timing. Her character, Carol Weston, on the series "Empty Nest" (1988-1995) brought with it the laugh tracks and studio ambience typical of the genre, resonating with a homely warmth as audiences tuned in weekly. In "Soap" (1977-1981), the background chatter of a busy studio added a comedic rhythm to the rapid-fire dialogues and eccentric storylines, highlighting her ability to play off comedic beats. Throughout her career, Dinah was frequently heard on the big screen in an eclectic mix of genres. The 1988 horror-comedy "Child’s Play" brought with it a distinct, eerie tension marked by sinister whisperings and unsettling cues, a stark contrast to the lively hum of ensemble pieces like "Backfire" (1987) and "The Amati Girls" (2000). Her spellbinding performance in "Ordinary People" (1980) was draped in a soundtrack of raw emotion, with silence often playing an evocative role alongside the subdued musical notes, which enhanced the film's somber themes. Off-screen, her directorial aspirations materialized into directing plays, often underscored by the rehearsed intonations of stage actors and the intermittent sounds of a director at work. These auditory dimensions reveal a variegated career enveloped in myriad sounds, from the bright resonance of musical theater to the textured stillness of poignant cinematic moments. Dinah Manoff's journey through the aural landscapes of film, television, and theater exemplifies a harmonized pursuit of storytelling, each sound, echo, and note contributing to her enduring legacy.
List of sound clips on this page:

To get the most from this site, please enable JavaScript.

You Might Also Like:

Dina Pires Western SFX Dina okba 💬 Dinah Jane [ex Fifth Harmony] SQ TTS Com… Prison Play Erotic Audio Clips Dina The Last Of Us Part 2 Dinah Xenosaga Episode III: Also Sprach… Dinh Le Canh Fun And Fancy Free Anna Kendrick Fifth Harmony Dina matos Fifth Harmony Worth It ft. Kid Ink DIYAH Fifth Harmony Work from Home ft. Ty Doll…

Viral

TTS

Funny

Popular

Updated

Random

Hot