A cassone I got in Italy. No, I mean why are we eating off of it?
A cassone I got in Italy. No, I mean why are we eating off of it? from Rope (1948)
A flick of the knife, madam,
A flick of the knife, madam, from Rope (1948)
A little atmospheric music goes a long way.
A little atmospheric music goes a long way. from Rope (1948)
A little of both on this for Mrs. Atwater.
A little of both on this for Mrs. Atwater. from Rope (1948)
A party. Yes, but a rather peculiar party.
A party. Yes, but a rather peculiar party. from Rope (1948)
A privilege for the few? from Rope (1948)
A privilege for the few. Yes.
A privilege for the few. Yes. from Rope (1948)
A short one? No, I'd prefer a long one if you don't mind.
A short one? No, I'd prefer a long one if you don't mind. from Rope (1948)
A stupid display like that in front of somebody else will be just as good as a confession.
A stupid display like that in front of somebody else will be just as good as a confession. from Rope (1948)
About a year ago, I was up at the farm. Remember?
About a year ago, I was up at the farm. Remember? from Rope (1948)
About what, strangling I can't play with that thing!
About what, strangling I can't play with that thing! from Rope (1948)
Absolutely. He was thrilling in that new thing with Bergman.
Absolutely. He was thrilling in that new thing with Bergman. from Rope (1948)
After all, murder is, or should be, an art;
After all, murder is, or should be, an art; from Rope (1948)
After all, they are David's mother and father.
After all, they are David's mother and father. from Rope (1948)
After I have this cleaned off,
After I have this cleaned off, from Rope (1948)
After me came Kenneth and now it's David.
After me came Kenneth and now it's David. from Rope (1948)
Ah, you'd find a way. How?
Ah, you'd find a way. How? from Rope (1948)
All except one guest, who must be gotten rid of.
All except one guest, who must be gotten rid of. from Rope (1948)
All fascist supermen were brainless murderers. I'd hang any who were left.
All fascist supermen were brainless murderers. I'd hang any who were left. from Rope (1948)
All right, all right. Let me think.
All right, all right. Let me think. from Rope (1948)
All right, easy. I'll take care of it. No, you won't.
All right, easy. I'll take care of it. No, you won't. from Rope (1948)
All right! Go ahead and look.
All right! Go ahead and look. from Rope (1948)
All right! You're perfect.
All right! You're perfect. from Rope (1948)
All the better. It's much more dangerous. The lock's old, it won't work.
All the better. It's much more dangerous. The lock's old, it won't work. from Rope (1948)
Along with bird lovers, small children, and tap dancers.
Along with bird lovers, small children, and tap dancers. from Rope (1948)
Am I the first? You are. from Rope (1948)
An ordinary household article, why hide it?
An ordinary household article, why hide it? from Rope (1948)
And a pair of seats in the first row is yours for the shooting.
And a pair of seats in the first row is yours for the shooting. from Rope (1948)
And Bergman! She's the Virgo type!
And Bergman! She's the Virgo type! from Rope (1948)
And David will be too. Good.
And David will be too. Good. from Rope (1948)
And don't you let them gobble up that pate before you have any.
And don't you let them gobble up that pate before you have any. from Rope (1948)
And for the standards of a world that I believe is civilized.
And for the standards of a world that I believe is civilized. from Rope (1948)
And Henry is forever cataloging his library.
And Henry is forever cataloging his library. from Rope (1948)
And I can help. You're going to die, Brandon, both of you!
And I can help. You're going to die, Brandon, both of you! from Rope (1948)
And I knew it was over. And then?
And I knew it was over. And then? from Rope (1948)
And I'm sure you wouldn't want the poor old man to have to get down on his knees to see them.
And I'm sure you wouldn't want the poor old man to have to get down on his knees to see them. from Rope (1948)
And I've tried to clear my way with logic...
And I've tried to clear my way with logic... from Rope (1948)
And if you'll kindly step this way
And if you'll kindly step this way from Rope (1948)
And if you'll think back carefully, you'll realize that I know he didn't.
And if you'll think back carefully, you'll realize that I know he didn't. from Rope (1948)
And in a way, I'm frightened too, but I don't want to fence any more.
And in a way, I'm frightened too, but I don't want to fence any more. from Rope (1948)
And just as childish as you were before when you called me a liar.
And just as childish as you were before when you called me a liar. from Rope (1948)
And mind your P's and Q's. Mm hm.
And mind your P's and Q's. Mm hm. from Rope (1948)
And not a single thing has gone wrong. It was perfect.
And not a single thing has gone wrong. It was perfect. from Rope (1948)
And now, Henry, she thinks he may have had an accident.
And now, Henry, she thinks he may have had an accident. from Rope (1948)
And superior intellect. from Rope (1948)
And that bears a curious resemblance to champagne.
And that bears a curious resemblance to champagne. from Rope (1948)
And the victims, inferior beings whose lives are unimportant anyway.
And the victims, inferior beings whose lives are unimportant anyway. from Rope (1948)
And then he'd sit down. Yes?
And then he'd sit down. Yes? from Rope (1948)
And then what? from Rope (1948)
And then... I felt tremendously exhilarated.
And then... I felt tremendously exhilarated. from Rope (1948)
And would never let me be a party to it now. What do you mean?
And would never let me be a party to it now. What do you mean? from Rope (1948)
And you can't make them that.
And you can't make them that. from Rope (1948)
And you? Me? I'm hungry. from Rope (1948)
And you've thrown my own words right back in my face, Brandon.
And you've thrown my own words right back in my face, Brandon. from Rope (1948)
And you've tried to twist them...
And you've tried to twist them... from Rope (1948)
And, uh, take his hat. from Rope (1948)
Any idea where you left the case? No, none at all.
Any idea where you left the case? No, none at all. from Rope (1948)
Are you crazy? I hope so. With all my heart, I hope I'm crazy.
Are you crazy? I hope so. With all my heart, I hope I'm crazy. from Rope (1948)
Are you going to play? How lovely.
Are you going to play? How lovely. from Rope (1948)
Aren't we all? from Rope (1948)
Aren't you ready for another? I will be.
Aren't you ready for another? I will be. from Rope (1948)
As a blonde, a mattress full of dollar bills,
As a blonde, a mattress full of dollar bills, from Rope (1948)
As a matter of fact, I'm beginning to miss him myself.
As a matter of fact, I'm beginning to miss him myself. from Rope (1948)
As for Rupert, I once thought of inviting him to join us.
As for Rupert, I once thought of inviting him to join us. from Rope (1948)
As I remember, you have a very funny reason.
As I remember, you have a very funny reason. from Rope (1948)
As ready as we'll ever be.
As ready as we'll ever be. from Rope (1948)
As such, the privilege of committing it should be reserved...
As such, the privilege of committing it should be reserved... from Rope (1948)
As, uh, as soon as I finish my drink.
As, uh, as soon as I finish my drink. from Rope (1948)
At least if I have a hangover, it'll be all mine.
At least if I have a hangover, it'll be all mine. from Rope (1948)
At the appointed time, David would arrive.
At the appointed time, David would arrive. from Rope (1948)
At times, your sense of humor is a little too malicious, chum.
At times, your sense of humor is a little too malicious, chum. from Rope (1948)
Be careful of my hair, it took hours. You smell dreamy.
Be careful of my hair, it took hours. You smell dreamy. from Rope (1948)
Be quiet. Mrs. Wilson's still here.
Be quiet. Mrs. Wilson's still here. from Rope (1948)
Because from Rope (1948)
Because I'm embarrassed at being here with you.
Because I'm embarrassed at being here with you. from Rope (1948)
Because of you or anyone else.
Because of you or anyone else. from Rope (1948)
Because one of the subjects suddenly rebelled.
Because one of the subjects suddenly rebelled. from Rope (1948)
Been up to much lately? Oh, nothing to speak of. You?
Been up to much lately? Oh, nothing to speak of. You? from Rope (1948)
Both of them must have got up out of the wrong side of the bed.
Both of them must have got up out of the wrong side of the bed. from Rope (1948)
Brandon from Rope (1948)
Brandon and his atmospheric music.
Brandon and his atmospheric music. from Rope (1948)
Brandon at someone's feet! Who is this Rupert?
Brandon at someone's feet! Who is this Rupert? from Rope (1948)
Brandon made a crack when I got here. He implied I'd have a chance...
Brandon made a crack when I got here. He implied I'd have a chance... from Rope (1948)
Brandon spoke of you. Did he do me justice?
Brandon spoke of you. Did he do me justice? from Rope (1948)
Brandon would sit up till all hours at the master's feet.
Brandon would sit up till all hours at the master's feet. from Rope (1948)
Brandon, exactly what is this?
Brandon, exactly what is this? from Rope (1948)
Brandon, how did you feel? When?
Brandon, how did you feel? When? from Rope (1948)
Brandon, I think I'd better go home. My wife needs me.
Brandon, I think I'd better go home. My wife needs me. from Rope (1948)
Brandon, it's not loaded, is it?
Brandon, it's not loaded, is it? from Rope (1948)
Brandon, Janet and I are all washed up. Didn't you know?
Brandon, Janet and I are all washed up. Didn't you know? from Rope (1948)
Brandon, till this very moment,
Brandon, till this very moment, from Rope (1948)
Brandon, we've got to have an excuse for the others.
Brandon, we've got to have an excuse for the others. from Rope (1948)
Brandon, will you step over there, please?
Brandon, will you step over there, please? from Rope (1948)
Brandon, you don't think the party's a mistake, do you?
Brandon, you don't think the party's a mistake, do you? from Rope (1948)
Brandon! from Rope (1948)
Brandon? Yes? from Rope (1948)
Brandon. from Rope (1948)
Brandon. Brandon, I'm tired.
Brandon. Brandon, I'm tired. from Rope (1948)
Brandon... Brandon, it's Rupert. What?
Brandon... Brandon, it's Rupert. What? from Rope (1948)
Bring them here, put them back in the chest, which is where they were in the first place.
Bring them here, put them back in the chest, which is where they were in the first place. from Rope (1948)
But a man's honor was at stake.
But a man's honor was at stake. from Rope (1948)
But driving with you and Phillip now...
But driving with you and Phillip now... from Rope (1948)
But get hold of yourself and keep your mouth shut.
But get hold of yourself and keep your mouth shut. from Rope (1948)
But he's a too fastidious. He could've invented, he could've admired.
But he's a too fastidious. He could've invented, he could've admired. from Rope (1948)
But he's too busy maneuvering the other two points of the triangle.
But he's too busy maneuvering the other two points of the triangle. from Rope (1948)
But I can't understand this.
But I can't understand this. from Rope (1948)
But I tell ya, the next time we give a party, I'm only going
But I tell ya, the next time we give a party, I'm only going from Rope (1948)
But I thank you for that shame, because now I know...
But I thank you for that shame, because now I know... from Rope (1948)
But I want both of you to come back in tip top shape. We will.
But I want both of you to come back in tip top shape. We will. from Rope (1948)
But I'm going to find out once and for all!
But I'm going to find out once and for all! from Rope (1948)
But I'm gonna look inside that chest.
But I'm gonna look inside that chest. from Rope (1948)
But I'm on a visit. This is just my second party.
But I'm on a visit. This is just my second party. from Rope (1948)
But if David was home, I think he'd be calling instead of Mrs. Kentley.
But if David was home, I think he'd be calling instead of Mrs. Kentley. from Rope (1948)
But not just yet. from Rope (1948)
But of course, Henry doesn't like it.
But of course, Henry doesn't like it. from Rope (1948)
But the prices huh! I couldn't see any reason for throwing away our good money.
But the prices huh! I couldn't see any reason for throwing away our good money. from Rope (1948)
But the stars confirm it. Wonderful.
But the stars confirm it. Wonderful. from Rope (1948)
But then we'd all be murdering each other. Oh, no.
But then we'd all be murdering each other. Oh, no. from Rope (1948)
But then, you see, I'd hang them first for being stupid.
But then, you see, I'd hang them first for being stupid. from Rope (1948)
But there's always been something deep inside me that would never let me do it...
But there's always been something deep inside me that would never let me do it... from Rope (1948)
But when I came back, he and Mr. Phillip were going at it hammer and tongs.
But when I came back, he and Mr. Phillip were going at it hammer and tongs. from Rope (1948)
But with an obligation to the society we live in.
But with an obligation to the society we live in. from Rope (1948)
But you see, Mr. Kentley is coming to look at these old books I had in the chest.
But you see, Mr. Kentley is coming to look at these old books I had in the chest. from Rope (1948)
But you've given my words a meaning that I never dreamed of!
But you've given my words a meaning that I never dreamed of! from Rope (1948)
But, uh, why should I want to come back?
But, uh, why should I want to come back? from Rope (1948)
By all means. This is an occasion. It calls for champagne.
By all means. This is an occasion. It calls for champagne. from Rope (1948)
By what right did you dare decide...
By what right did you dare decide... from Rope (1948)
By what right do you dare say...
By what right do you dare say... from Rope (1948)
By what right do you dare say...
By what right do you dare say... from Rope (1948)
Call me the moment you hear from David? I will.
Call me the moment you hear from David? I will. from Rope (1948)
Calories. Come on, don't be polite.
Calories. Come on, don't be polite. from Rope (1948)
Can I use your phone? from Rope (1948)
Capricorn, the goat. He leaps divine!
Capricorn, the goat. He leaps divine! from Rope (1948)
Cat and mouse! Cat and mouse! Phillip.
Cat and mouse! Cat and mouse! Phillip. from Rope (1948)
Champagne? I put some in the icebox.
Champagne? I put some in the icebox. from Rope (1948)
Cheer up. I have the feeling your chances with the young lady are better than you think.
Cheer up. I have the feeling your chances with the young lady are better than you think. from Rope (1948)
Civilization is hypocrisy. Perhaps.
Civilization is hypocrisy. Perhaps. from Rope (1948)
Civilized? Yes. from Rope (1948)
Colds can be very dangerous this time of the year.
Colds can be very dangerous this time of the year. from Rope (1948)
Colds dangerous, in this heat? I don't understand that.
Colds dangerous, in this heat? I don't understand that. from Rope (1948)
Come on, have another drink if you must,
Come on, have another drink if you must, from Rope (1948)
Completely unlike me to forget it, isn't it?
Completely unlike me to forget it, isn't it? from Rope (1948)
Considerate, aren't we? from Rope (1948)
Couldn't we pretend we're not home?
Couldn't we pretend we're not home? from Rope (1948)
Curious fellow, but I like him. You always did.
Curious fellow, but I like him. You always did. from Rope (1948)
Cut a Throat Week. Oh. from Rope (1948)
Daddy used to have a glass every morning at 11:00.
Daddy used to have a glass every morning at 11:00. from Rope (1948)
David never had trouble taking care of himself.
David never had trouble taking care of himself. from Rope (1948)
David took me for a walk.
David took me for a walk. from Rope (1948)
David! from Rope (1948)
David? Yes, David. from Rope (1948)
Delighted to have you. Delighted to come.
Delighted to have you. Delighted to come. from Rope (1948)
Delighted. Thank you. from Rope (1948)
Determined to get drunk, aren't you? I am drunk.
Determined to get drunk, aren't you? I am drunk. from Rope (1948)
Did anyone hear any shots fired?
Did anyone hear any shots fired? from Rope (1948)
Did I say strange, Brandon?
Did I say strange, Brandon? from Rope (1948)
Did I say strange, Brandon?
Did I say strange, Brandon? from Rope (1948)
Did I? Yeah. from Rope (1948)
Did you forget to borrow her key? I might've known better than to
Did you forget to borrow her key? I might've known better than to from Rope (1948)
Did you hear that phrase? I hear myself saying things like that and
Did you hear that phrase? I hear myself saying things like that and from Rope (1948)
Did you hear what Rupert said about the gun?
Did you hear what Rupert said about the gun? from Rope (1948)
Did you think you were God, Brandon?
Did you think you were God, Brandon? from Rope (1948)
Did you, Brandon? Oh, you probably did.
Did you, Brandon? Oh, you probably did. from Rope (1948)
Do you care what he thinks? I know what he thinks!
Do you care what he thinks? I know what he thinks! from Rope (1948)
Do you deserve justice? Well!
Do you deserve justice? Well! from Rope (1948)
Do you know how busy he was questioning me? About what?
Do you know how busy he was questioning me? About what? from Rope (1948)
Do you know that he selects his books on the assumption...
Do you know that he selects his books on the assumption... from Rope (1948)
Do you know, when I was a girl, I used to read quite a bit.
Do you know, when I was a girl, I used to read quite a bit. from Rope (1948)
Do you think I, uh, kidnapped David?
Do you think I, uh, kidnapped David? from Rope (1948)
Do you use this? Sometimes.
Do you use this? Sometimes. from Rope (1948)
Do you? No, somehow, I don't.
Do you? No, somehow, I don't. from Rope (1948)
Does he? Not that I know of. Doesn't he?
Does he? Not that I know of. Doesn't he? from Rope (1948)
Doesn't he, Brandon? Yes.
Doesn't he, Brandon? Yes. from Rope (1948)
Don't hold for the intellectually superior.
Don't hold for the intellectually superior. from Rope (1948)
Don't let it get you. He's always doing something like this.
Don't let it get you. He's always doing something like this. from Rope (1948)
Don't look so worried, Kenneth. It's really almost the opposite.
Don't look so worried, Kenneth. It's really almost the opposite. from Rope (1948)
Don't mind me. Very pleased to see you again.
Don't mind me. Very pleased to see you again. from Rope (1948)
Don't stop. I'd like a drink.
Don't stop. I'd like a drink. from Rope (1948)
Don't worry. Janet'll be buttering them up, poor girl.
Don't worry. Janet'll be buttering them up, poor girl. from Rope (1948)
Don't you be so busy at that piano that you don't eat anything. Getting too thin.
Don't you be so busy at that piano that you don't eat anything. Getting too thin. from Rope (1948)
Don't you ever again tell me what to do and what not to do.
Don't you ever again tell me what to do and what not to do. from Rope (1948)
Don't you kid with David too?
Don't you kid with David too? from Rope (1948)
Don't you want Mr. Kentley to have the books? No!
Don't you want Mr. Kentley to have the books? No! from Rope (1948)
Don't. from Rope (1948)
Down the back stairs, and the two of us would put him into the car.
Down the back stairs, and the two of us would put him into the car. from Rope (1948)
Down the hall to your left, dear. The first bedroom. Thank you.
Down the hall to your left, dear. The first bedroom. Thank you. from Rope (1948)
Driving at night always is,
Driving at night always is, from Rope (1948)
During it. from Rope (1948)
Especially when the evening has been unusually stimulating...
Especially when the evening has been unusually stimulating... from Rope (1948)
Even champagne isn't equal to us, or the occasion. I'll take it, though.
Even champagne isn't equal to us, or the occasion. I'll take it, though. from Rope (1948)
Exactly two years ago this summer I had one myself.
Exactly two years ago this summer I had one myself. from Rope (1948)
Except, it's such good crystal and I'd hate to break up the set.
Except, it's such good crystal and I'd hate to break up the set. from Rope (1948)
Excuse me. This way, Mrs. Atwater.
Excuse me. This way, Mrs. Atwater. from Rope (1948)
Fifty years later, they found her skeleton.
Fifty years later, they found her skeleton. from Rope (1948)
Fine. Just put your hat there. Thank you.
Fine. Just put your hat there. Thank you. from Rope (1948)
For David, even by people who aren't nearsighted.
For David, even by people who aren't nearsighted. from Rope (1948)
For example, he thinks murder is a crime for most men, but
For example, he thinks murder is a crime for most men, but from Rope (1948)
For the sake of a very unfunny joke. No, he didn't.
For the sake of a very unfunny joke. No, he didn't. from Rope (1948)
For those few who are really superior individuals.
For those few who are really superior individuals. from Rope (1948)
For whom this time? An untidy little magazine known as Allure.
For whom this time? An untidy little magazine known as Allure. from Rope (1948)
Forgive me, but it seemed very funny...
Forgive me, but it seemed very funny... from Rope (1948)
Four little dears. He tried to teach David too.
Four little dears. He tried to teach David too. from Rope (1948)
Frightful! A very simple matter.
Frightful! A very simple matter. from Rope (1948)
Gave me a D in conduct. from Rope (1948)
Gentlemen, I beg your pardon. I'm very sorry.
Gentlemen, I beg your pardon. I'm very sorry. from Rope (1948)
Gentlemen, I'm serious. So are we.
Gentlemen, I'm serious. So are we. from Rope (1948)
Get back to that phone. Brandon, I can't.
Get back to that phone. Brandon, I can't. from Rope (1948)
Get back to that phone. I won't.
Get back to that phone. I won't. from Rope (1948)
Getting tickets for that new musical, what's it called?
Getting tickets for that new musical, what's it called? from Rope (1948)
Go on. from Rope (1948)
Go on. from Rope (1948)
Good and evil, right and wrong were invented for the average man;
Good and evil, right and wrong were invented for the average man; from Rope (1948)
Good evening, Mrs. Wilson.
Good evening, Mrs. Wilson. from Rope (1948)
Good fingers. Strong, artistic.
Good fingers. Strong, artistic. from Rope (1948)
Good night, Mr. Kentley. from Rope (1948)
Good night. from Rope (1948)
Good night. Can I help you with those books, Mr. Kentley?
Good night. Can I help you with those books, Mr. Kentley? from Rope (1948)
H How did you feel? from Rope (1948)
Have always been dark and incomprehensible to me,
Have always been dark and incomprehensible to me, from Rope (1948)
Have you had any difficulty getting into our velvet rope restaurants?
Have you had any difficulty getting into our velvet rope restaurants? from Rope (1948)
Haven't been studying, have you? I've been tryin' to.
Haven't been studying, have you? I've been tryin' to. from Rope (1948)
He and I have lived what you and I have talked.
He and I have lived what you and I have talked. from Rope (1948)
He called and said that he'd meet us here. Where did he call from?
He called and said that he'd meet us here. Where did he call from? from Rope (1948)
He didn't know what he was doing, any more than he knew what he was saying.
He didn't know what he was doing, any more than he knew what he was saying. from Rope (1948)
He didn't. Neither Phillip nor I have talked to David...
He didn't. Neither Phillip nor I have talked to David... from Rope (1948)
He didn't. Neither Phillip nor I have talked to David...
He didn't. Neither Phillip nor I have talked to David... from Rope (1948)
He even knew about you and David. What?
He even knew about you and David. What? from Rope (1948)
He gave the party the touch I predicted. The touch of what?
He gave the party the touch I predicted. The touch of what? from Rope (1948)
He helped me say all I wanted to say to those idiots.
He helped me say all I wanted to say to those idiots. from Rope (1948)
He is such a sly, little devil, isn't he?
He is such a sly, little devil, isn't he? from Rope (1948)
He knows. He knows. He knows.
He knows. He knows. He knows. from Rope (1948)
He might be any number of places, such as the club,
He might be any number of places, such as the club, from Rope (1948)
He never could have acted. We're superior. We have courage, Rupert doesn't.
He never could have acted. We're superior. We have courage, Rupert doesn't. from Rope (1948)
He says he left a cigarette case here. He wants to come up.
He says he left a cigarette case here. He wants to come up. from Rope (1948)
He suddenly told me to take the whole afternoon for it.
He suddenly told me to take the whole afternoon for it. from Rope (1948)
He thinks I threw you over because David has a bigger bank account.
He thinks I threw you over because David has a bigger bank account. from Rope (1948)
He thought from Rope (1948)
He used to tell you the weirdest things. What sort of things?
He used to tell you the weirdest things. What sort of things? from Rope (1948)
He went to the club. I know he got there. Why?
He went to the club. I know he got there. Why? from Rope (1948)
He wouldn't have to worry much longer about David and me?
He wouldn't have to worry much longer about David and me? from Rope (1948)
He'll be out of here in five minutes, one way or the other.
He'll be out of here in five minutes, one way or the other. from Rope (1948)
He'll ruin everything with your neat little touches.
He'll ruin everything with your neat little touches. from Rope (1948)
He's always been after to me to be punctual. As well he might.
He's always been after to me to be punctual. As well he might. from Rope (1948)
He's becoming an alcoholic, Rupert
He's becoming an alcoholic, Rupert from Rope (1948)
He's dead and we've killed him. But he's still here.
He's dead and we've killed him. But he's still here. from Rope (1948)
He's got it. He's got it! Phillip.
He's got it. He's got it! Phillip. from Rope (1948)
He's my only child too, but I'm willing to let him grow up.
He's my only child too, but I'm willing to let him grow up. from Rope (1948)
He's only in town for the weekend and David is a popular man.
He's only in town for the weekend and David is a popular man. from Rope (1948)
He's really impossible! from Rope (1948)
He's so late, Mr. Kentley's getting annoyed.
He's so late, Mr. Kentley's getting annoyed. from Rope (1948)
He's the one man who might appreciate this from our angle, the artistic one.
He's the one man who might appreciate this from our angle, the artistic one. from Rope (1948)
Hello, champagne. You see what I mean about trying to be funny?
Hello, champagne. You see what I mean about trying to be funny? from Rope (1948)
Hello, come in. How are you, Brandon?
Hello, come in. How are you, Brandon? from Rope (1948)
Hello, ducks. Angel! from Rope (1948)
Hello, eh Oh, now come, Kenneth, school's out. You can say it.
Hello, eh Oh, now come, Kenneth, school's out. You can say it. from Rope (1948)
Hello, Ken. Hello, Jan. from Rope (1948)
Hello? Oh, of course. from Rope (1948)
Hello? This is Mr. Brandon Shaw.
Hello? This is Mr. Brandon Shaw. from Rope (1948)
Henry, Alice hasn't had a word from David. She's frantic.
Henry, Alice hasn't had a word from David. She's frantic. from Rope (1948)
Here comes a squad car now.
Here comes a squad car now. from Rope (1948)
Here, I'll help you with that. Thank you, Mr. Cadell.
Here, I'll help you with that. Thank you, Mr. Cadell. from Rope (1948)
Here, let me help. White or dark?
Here, let me help. White or dark? from Rope (1948)
Hey. What is it? from Rope (1948)
His body would fall forward on the floor.
His body would fall forward on the floor. from Rope (1948)
Hmph, heap is right. Isn't enough room for me to set things up properly,
Hmph, heap is right. Isn't enough room for me to set things up properly, from Rope (1948)
Horribly famous. I believe you've met.
Horribly famous. I believe you've met. from Rope (1948)
Housemaster for you three little dears?
Housemaster for you three little dears? from Rope (1948)
How do you do? Hello, chum.
How do you do? Hello, chum. from Rope (1948)
How do you do? Oh, you've hurt your hand.
How do you do? Oh, you've hurt your hand. from Rope (1948)
How do you mean? from Rope (1948)
How many years has it been since I said, Oh, it tickles. and don't you tell me.
How many years has it been since I said, Oh, it tickles. and don't you tell me. from Rope (1948)
How queer! I never heard of anyone who didn't eat chicken.
How queer! I never heard of anyone who didn't eat chicken. from Rope (1948)
How would you get David out of the way?
How would you get David out of the way? from Rope (1948)
How's Mrs. Kentley? As usual, it's a cold this time.
How's Mrs. Kentley? As usual, it's a cold this time. from Rope (1948)
How's your drink doing? All right.
How's your drink doing? All right. from Rope (1948)
How've you been, Ken? Fine, thanks. How's the new job?
How've you been, Ken? Fine, thanks. How's the new job? from Rope (1948)
However, I suppose I'd better
However, I suppose I'd better from Rope (1948)
I admit Janet put the notion in my head, but I never would have mentioned it...
I admit Janet put the notion in my head, but I never would have mentioned it... from Rope (1948)
I almost wish I were going with you. It might be rather exciting.
I almost wish I were going with you. It might be rather exciting. from Rope (1948)
I always hate to leave a party,
I always hate to leave a party, from Rope (1948)
I am, thank you. from Rope (1948)
I apologize for both of us and the story.
I apologize for both of us and the story. from Rope (1948)
I apologize, sir, again. from Rope (1948)
I asked you what is going on here.
I asked you what is going on here. from Rope (1948)
I believe you both know Miss Walker.
I believe you both know Miss Walker. from Rope (1948)
I bet you're going to play a foul trick on all of us and become...
I bet you're going to play a foul trick on all of us and become... from Rope (1948)
I better talk to her. She hung up. She began to cry so badly.
I better talk to her. She hung up. She began to cry so badly. from Rope (1948)
I can't take it as well as you, so I'm turning on you a little.
I can't take it as well as you, so I'm turning on you a little. from Rope (1948)
I can't tell you how sorry I am.
I can't tell you how sorry I am. from Rope (1948)
I could do with a rest myself,
I could do with a rest myself, from Rope (1948)
I could really strangle you. What have I done now?
I could really strangle you. What have I done now? from Rope (1948)
I couldn't help overhearing Janet.
I couldn't help overhearing Janet. from Rope (1948)
I didn't forget. I have her key. I told her I lost mine.
I didn't forget. I have her key. I told her I lost mine. from Rope (1948)
I didn't have any idea of coming in in the morning. I'm afraid you have to.
I didn't have any idea of coming in in the morning. I'm afraid you have to. from Rope (1948)
I didn't like her either, but her clothes were fabulous.
I didn't like her either, but her clothes were fabulous. from Rope (1948)
I didn't like the new girl much. Definitely Scorpio.
I didn't like the new girl much. Definitely Scorpio. from Rope (1948)
I didn't mean I hadn't killed any chickens. That's what you said.
I didn't mean I hadn't killed any chickens. That's what you said. from Rope (1948)
I didn't mean to alarm you before. You didn't alarm him.
I didn't mean to alarm you before. You didn't alarm him. from Rope (1948)
I didn't want to be left without my case. Hello, Phillip. Hello.
I didn't want to be left without my case. Hello, Phillip. Hello. from Rope (1948)
I do. Well, then. from Rope (1948)
I don't believe you ever went.
I don't believe you ever went. from Rope (1948)
I don't blame you, but Well, here.
I don't blame you, but Well, here. from Rope (1948)
I don't care if he has them, I just What?
I don't care if he has them, I just What? from Rope (1948)
I don't exactly know what I meant...
I don't exactly know what I meant... from Rope (1948)
I don't exactly know what I meant...
I don't exactly know what I meant... from Rope (1948)
I don't get it. Get what?
I don't get it. Get what? from Rope (1948)
I don't know how much, if anything, Rupert knows, but I promise you...
I don't know how much, if anything, Rupert knows, but I promise you... from Rope (1948)
I don't know what you thought, but I know what you've done.
I don't know what you thought, but I know what you've done. from Rope (1948)
I don't know, really. I don't remember feeling very much of anything.
I don't know, really. I don't remember feeling very much of anything. from Rope (1948)
I don't know. I suppose anyone was as good...
I don't know. I suppose anyone was as good... from Rope (1948)
I don't like it and Keep your voice down!
I don't like it and Keep your voice down! from Rope (1948)
I don't suppose you or Brandon were, Phillip. No.
I don't suppose you or Brandon were, Phillip. No. from Rope (1948)
I don't think I'll get that playful. Please help yourselves.
I don't think I'll get that playful. Please help yourselves. from Rope (1948)
I don't think so. Which? from Rope (1948)
I don't think that's a very good choice of words.
I don't think that's a very good choice of words. from Rope (1948)
I don't think that's precisely what I said. It's what you implied!
I don't think that's precisely what I said. It's what you implied! from Rope (1948)
I don't think there'll be much traffic. We ought to make good time.
I don't think there'll be much traffic. We ought to make good time. from Rope (1948)
I don't think you appreciate me, Phillip.
I don't think you appreciate me, Phillip. from Rope (1948)
I expected him to come with you.
I expected him to come with you. from Rope (1948)
I feel pretty honored. Oh? Why?
I feel pretty honored. Oh? Why? from Rope (1948)
I finished working out your horoscope just before we came.
I finished working out your horoscope just before we came. from Rope (1948)
I get quite intrigued when people don't answer questions.
I get quite intrigued when people don't answer questions. from Rope (1948)
I got that special pate you like.
I got that special pate you like. from Rope (1948)
I had everything laid out in the dining room and it was just beautiful.
I had everything laid out in the dining room and it was just beautiful. from Rope (1948)
I had to. Have you ever bothered to understand how someone else might feel?
I had to. Have you ever bothered to understand how someone else might feel? from Rope (1948)
I hate to throw a damper,
I hate to throw a damper, from Rope (1948)
I have a confession to make. I think I like Mason as much as Errol Flynn.
I have a confession to make. I think I like Mason as much as Errol Flynn. from Rope (1948)
I have a new young American sister. She's only three and her stuff is really primitive.
I have a new young American sister. She's only three and her stuff is really primitive. from Rope (1948)
I have to clear all those books off the dining room table,
I have to clear all those books off the dining room table, from Rope (1948)
I have, from Rope (1948)
I haven't the least idea where he was.
I haven't the least idea where he was. from Rope (1948)
I haven't the least notion what she lost.
I haven't the least notion what she lost. from Rope (1948)
I hear Rupert's coming. He was invited, but you never know.
I hear Rupert's coming. He was invited, but you never know. from Rope (1948)
I hope David arrives soon. She wants him to call her.
I hope David arrives soon. She wants him to call her. from Rope (1948)
I hope he does. How is he? Who is he?
I hope he does. How is he? Who is he? from Rope (1948)
I hope Mrs. Kentley's feeling better very soon. Thank you.
I hope Mrs. Kentley's feeling better very soon. Thank you. from Rope (1948)
I hope Mrs. Kentley's staying in bed with lots of fruit juice.
I hope Mrs. Kentley's staying in bed with lots of fruit juice. from Rope (1948)
I hope you like what you see.
I hope you like what you see. from Rope (1948)
I hope you've enjoyed yourself, Brandon. I haven't!
I hope you've enjoyed yourself, Brandon. I haven't! from Rope (1948)
I I guess I'm always excited when I give a party. Really?
I I guess I'm always excited when I give a party. Really? from Rope (1948)
I I'm only kidding, Brandon.
I I'm only kidding, Brandon. from Rope (1948)
I just couldn't be the gay girl.
I just couldn't be the gay girl. from Rope (1948)
I just relaxed and let everything pour out.
I just relaxed and let everything pour out. from Rope (1948)
I just thought it'd be nice to have supper in here.
I just thought it'd be nice to have supper in here. from Rope (1948)
I knew I had good taste. You do, you look lovely.
I knew I had good taste. You do, you look lovely. from Rope (1948)
I knew there had to be one. What is it? It's nothing too much.
I knew there had to be one. What is it? It's nothing too much. from Rope (1948)
I knew you were leaving tonight.
I knew you were leaving tonight. from Rope (1948)
I knew you'd understand, because you have to, don't you see? You have to.
I knew you'd understand, because you have to, don't you see? You have to. from Rope (1948)
I know you appreciate first editions far more than I, Mr. Kentley.
I know you appreciate first editions far more than I, Mr. Kentley. from Rope (1948)
I know you have things to do. What do you mean?
I know you have things to do. What do you mean? from Rope (1948)
I may marry her. from Rope (1948)
I mean that tonight you've made me ashamed of every concept I ever had...
I mean that tonight you've made me ashamed of every concept I ever had... from Rope (1948)
I mean, suppose you were I.
I mean, suppose you were I. from Rope (1948)
I meant by leaving so early.
I meant by leaving so early. from Rope (1948)
I merely suspect. from Rope (1948)
I might have known you couldn't just give a party for Mr. Kentley.
I might have known you couldn't just give a party for Mr. Kentley. from Rope (1948)
I must apologize for David. I can't think what's keeping him.
I must apologize for David. I can't think what's keeping him. from Rope (1948)
I must say All right, Rupert, I'll ask you.
I must say All right, Rupert, I'll ask you. from Rope (1948)
I must say, I've had a perfectly dreadful time...
I must say, I've had a perfectly dreadful time... from Rope (1948)
I must see it. The man I have a passion for is James Mason.
I must see it. The man I have a passion for is James Mason. from Rope (1948)
I never strangled a chicken in my life! Look, Phillip
I never strangled a chicken in my life! Look, Phillip from Rope (1948)
I never strangled a chicken, and you know it.
I never strangled a chicken, and you know it. from Rope (1948)
I once went to the movies. I saw Mary Pickford.
I once went to the movies. I saw Mary Pickford. from Rope (1948)
I personally thought my table was quite lovely.
I personally thought my table was quite lovely. from Rope (1948)
I phoned my place. He wasn't there?
I phoned my place. He wasn't there? from Rope (1948)
I really don't appreciate this morbid humor. The humor was unintentional.
I really don't appreciate this morbid humor. The humor was unintentional. from Rope (1948)
I relax with David, thanks to you.
I relax with David, thanks to you. from Rope (1948)
I said that I heard you. from Rope (1948)
I see. Well, it I It's true.
I see. Well, it I It's true. from Rope (1948)
I seem to be the only one having a good time.
I seem to be the only one having a good time. from Rope (1948)
I should think you'd have the decency to be embarrassed yourself.
I should think you'd have the decency to be embarrassed yourself. from Rope (1948)
I suggest you keep your voice down.
I suggest you keep your voice down. from Rope (1948)
I suppose a psychoanalyst would say that I didn't really forget it at all.
I suppose a psychoanalyst would say that I didn't really forget it at all. from Rope (1948)
I suppose it's only fair Let me take your things.
I suppose it's only fair Let me take your things. from Rope (1948)
I suppose Kenneth means Rupert's impatience with social conventions.
I suppose Kenneth means Rupert's impatience with social conventions. from Rope (1948)
I suppose you want to know if your concert will be a success?
I suppose you want to know if your concert will be a success? from Rope (1948)
I think he's definitely Scorpio.
I think he's definitely Scorpio. from Rope (1948)
I think he's nicer. Well, he's certainly richer.
I think he's nicer. Well, he's certainly richer. from Rope (1948)
I think I, uh from Rope (1948)
I think I'll be running along.
I think I'll be running along. from Rope (1948)
I think it's a clumsy way of tying them up.
I think it's a clumsy way of tying them up. from Rope (1948)
I think it's a good collection, the first editions, I mean.
I think it's a good collection, the first editions, I mean. from Rope (1948)
I think somebody better call the police.
I think somebody better call the police. from Rope (1948)
I thought he might have called to say he'd be late.
I thought he might have called to say he'd be late. from Rope (1948)
I thought I'd make it sort of a farewell for Phillip.
I thought I'd make it sort of a farewell for Phillip. from Rope (1948)
I thought only beginners did.
I thought only beginners did. from Rope (1948)
I thought you liked Rupert.
I thought you liked Rupert. from Rope (1948)
I told you before, mind your own business!
I told you before, mind your own business! from Rope (1948)
I told you before, mind your own business!
I told you before, mind your own business! from Rope (1948)
I told you he'd find out, but you had to have him here.
I told you he'd find out, but you had to have him here. from Rope (1948)
I told you on the phone. from Rope (1948)
I told you that a week ago. I suppose you did.
I told you that a week ago. I suppose you did. from Rope (1948)
I unconsciously left it because I wanted to come back.
I unconsciously left it because I wanted to come back. from Rope (1948)
I want you to have them. It's extremely generous of you.
I want you to have them. It's extremely generous of you. from Rope (1948)
I was beginning to think you weren't going to show.
I was beginning to think you weren't going to show. from Rope (1948)
I was considering Janet's for the moment.
I was considering Janet's for the moment. from Rope (1948)
I was down for three weeks. The doctors were
I was down for three weeks. The doctors were from Rope (1948)
I was just going to open the chest for Mrs. Wilson when you came over.
I was just going to open the chest for Mrs. Wilson when you came over. from Rope (1948)
I was mad about her! Didn't you love her?
I was mad about her! Didn't you love her? from Rope (1948)
I went to five stores for the special pΓ’tΓ© we like.
I went to five stores for the special pΓ’tΓ© we like. from Rope (1948)
I wish it were somebody else.
I wish it were somebody else. from Rope (1948)
I wish it would. I wish we had him out of here.
I wish it would. I wish we had him out of here. from Rope (1948)
I wish you had. Why? from Rope (1948)
I, uh from Rope (1948)
I, uh, hope I didn't upset Phillip.
I, uh, hope I didn't upset Phillip. from Rope (1948)
I'd be glad to. Sit down, Mrs. Atwater. I'll bring it to you.
I'd be glad to. Sit down, Mrs. Atwater. I'll bring it to you. from Rope (1948)
I'd find someplace to hide the body until dark.
I'd find someplace to hide the body until dark. from Rope (1948)
I'd greet him, tell him how fine he's looking and so forth...
I'd greet him, tell him how fine he's looking and so forth... from Rope (1948)
I'd hang all incompetents and fools. There are far too many in the world.
I'd hang all incompetents and fools. There are far too many in the world. from Rope (1948)
I'd invite him for a drink at the club or some quiet bar,
I'd invite him for a drink at the club or some quiet bar, from Rope (1948)
I'd just as soon kill you as kill him. Sooner!
I'd just as soon kill you as kill him. Sooner! from Rope (1948)
I'd like to see them myself, if I may. Of course. They're in the dining room.
I'd like to see them myself, if I may. Of course. They're in the dining room. from Rope (1948)
I'd like to talk to my wife. She may have some word of David.
I'd like to talk to my wife. She may have some word of David. from Rope (1948)
I'd prefer a little Scotch with a lot of water.
I'd prefer a little Scotch with a lot of water. from Rope (1948)
I'd try to make it all very pleasant, you understand.
I'd try to make it all very pleasant, you understand. from Rope (1948)
I'd walk slowly out of the room into the hall.
I'd walk slowly out of the room into the hall. from Rope (1948)
I'll get my hat. Oh, going with Janet?
I'll get my hat. Oh, going with Janet? from Rope (1948)
I'll get your things. Thank you.
I'll get your things. Thank you. from Rope (1948)
I'll take Cary Grant, myself. Oh, so will I!
I'll take Cary Grant, myself. Oh, so will I! from Rope (1948)
I'm a creature of whim. Who knows? Oh, I see.
I'm a creature of whim. Who knows? Oh, I see. from Rope (1948)
I'm a very serious fellow. Then may I ask,
I'm a very serious fellow. Then may I ask, from Rope (1948)
I'm afraid I let myself get carried away.
I'm afraid I let myself get carried away. from Rope (1948)
I'm beginning to, Brandon.
I'm beginning to, Brandon. from Rope (1948)
I'm driving him up to Connecticut after the party.
I'm driving him up to Connecticut after the party. from Rope (1948)
I'm glad. from Rope (1948)
I'm going in the other room. To see the books?
I'm going in the other room. To see the books? from Rope (1948)
I'm in quite an embarrassing position.
I'm in quite an embarrassing position. from Rope (1948)
I'm not interested in Janet's prattle, but you always interest me, Rupert.
I'm not interested in Janet's prattle, but you always interest me, Rupert. from Rope (1948)
I'm not sentimental. That's not what I mean, but it doesn't matter.
I'm not sentimental. That's not what I mean, but it doesn't matter. from Rope (1948)
I'm not very smart. from Rope (1948)
I'm not. We've got to have some excuse.
I'm not. We've got to have some excuse. from Rope (1948)
I'm on hand for the grand opening. Of what?
I'm on hand for the grand opening. Of what? from Rope (1948)
I'm quite curious. Did you ask me a question?
I'm quite curious. Did you ask me a question? from Rope (1948)
I'm quite sure he's all right. I
I'm quite sure he's all right. I from Rope (1948)
I'm scared to death, Brandon. I think we're going to get caught.
I'm scared to death, Brandon. I think we're going to get caught. from Rope (1948)
I'm sorry to hear Mrs. Kentley's so ill. It's just a cold.
I'm sorry to hear Mrs. Kentley's so ill. It's just a cold. from Rope (1948)
I'm sorry, but it is difficult trying to keep up with your romances.
I'm sorry, but it is difficult trying to keep up with your romances. from Rope (1948)
I'm sorry, I didn't. You knew, Phillip.
I'm sorry, I didn't. You knew, Phillip. from Rope (1948)
I'm sorry, Kenneth, you're out.
I'm sorry, Kenneth, you're out. from Rope (1948)
I'm sorry, Rupert. It's all right.
I'm sorry, Rupert. It's all right. from Rope (1948)
I'm such an idiot girl. No, you're not.
I'm such an idiot girl. No, you're not. from Rope (1948)
I'm sure the dear boy will turn up.
I'm sure the dear boy will turn up. from Rope (1948)
I'm sure you're very good. I do my best.
I'm sure you're very good. I do my best. from Rope (1948)
I'm to be locked up. What?
I'm to be locked up. What? from Rope (1948)
I've always thought it was out of character for David to drink anything as corrupt as whisky.
I've always thought it was out of character for David to drink anything as corrupt as whisky. from Rope (1948)
I've always wished for more artistic talent.
I've always wished for more artistic talent. from Rope (1948)
I've been in New York two weeks. Alice has been ill almost the whole time,
I've been in New York two weeks. Alice has been ill almost the whole time, from Rope (1948)
I've been praying I'd wake up and find we hadn't done it yet. But why?
I've been praying I'd wake up and find we hadn't done it yet. But why? from Rope (1948)
I've got to have a drink. You've had enough.
I've got to have a drink. You've had enough. from Rope (1948)
If he's not home, where could he be? I don't know.
If he's not home, where could he be? I don't know. from Rope (1948)
If I were you, I'd go easy on the pate, dear.
If I were you, I'd go easy on the pate, dear. from Rope (1948)
If it suits your purpose, merely
If it suits your purpose, merely from Rope (1948)
If it weren't for the traffic, I'd have been here a half hour ago.
If it weren't for the traffic, I'd have been here a half hour ago. from Rope (1948)
If it weren't that you seem to be carrying fear of discovery in your pocket.
If it weren't that you seem to be carrying fear of discovery in your pocket. from Rope (1948)
If Mrs. Wilson were here, she'd yank it out for you.
If Mrs. Wilson were here, she'd yank it out for you. from Rope (1948)
If something had come up, he'd have phoned.
If something had come up, he'd have phoned. from Rope (1948)
If we knew where he was this afternoon.
If we knew where he was this afternoon. from Rope (1948)
If you want to know something come out with it! Temper, temper.
If you want to know something come out with it! Temper, temper. from Rope (1948)
If you'd let me keep the light on, I'd have seen it.
If you'd let me keep the light on, I'd have seen it. from Rope (1948)
If you're still driving up to the farm tonight. Oh, we're driving up.
If you're still driving up to the farm tonight. Oh, we're driving up. from Rope (1948)
In any case, I'd rather not hear any more of your... contempt for humanity,
In any case, I'd rather not hear any more of your... contempt for humanity, from Rope (1948)
In broad daylight? That's right. I'd forgotten.
In broad daylight? That's right. I'd forgotten. from Rope (1948)
In less than eight hours he'll be resting gently at the bottom of a lake.
In less than eight hours he'll be resting gently at the bottom of a lake. from Rope (1948)
In my own way; but, look at this, the chicken's hardly been touched!
In my own way; but, look at this, the chicken's hardly been touched! from Rope (1948)
In season! from Rope (1948)
In the yard, Phillip was doing likewise to the necks of two or three chickens.
In the yard, Phillip was doing likewise to the necks of two or three chickens. from Rope (1948)
In view of recent events, to provi
In view of recent events, to provi from Rope (1948)
Instead of a chicken. Mr. Cadell, really!
Instead of a chicken. Mr. Cadell, really! from Rope (1948)
Into a cold, logical excuse for your ugly murder!
Into a cold, logical excuse for your ugly murder! from Rope (1948)
Is David going to be here?
Is David going to be here? from Rope (1948)
Is David here? from Rope (1948)
Is he good? Absolutely terrific!
Is he good? Absolutely terrific! from Rope (1948)
Is it all over? I'm afraid so, Rupert.
Is it all over? I'm afraid so, Rupert. from Rope (1948)
Is she still harping on her table and how awkward it is to serve from this?
Is she still harping on her table and how awkward it is to serve from this? from Rope (1948)
Is that what you thought when you choked the life out of him?
Is that what you thought when you choked the life out of him? from Rope (1948)
Is that what you thought when you served food from his grave?
Is that what you thought when you served food from his grave? from Rope (1948)
Is that you, Mrs. Wilson?
Is that you, Mrs. Wilson? from Rope (1948)
Is there, Mr. Phillip? Oh, you can make it do.
Is there, Mr. Phillip? Oh, you can make it do. from Rope (1948)
Isn't it a good idea? from Rope (1948)
It belongs in the kitchen drawer.
It belongs in the kitchen drawer. from Rope (1948)
It happened about three years ago in Connecticut.
It happened about three years ago in Connecticut. from Rope (1948)
It is. Very good champagne. What's the occasion?
It is. Very good champagne. What's the occasion? from Rope (1948)
It looks heavenly. I hope David gets here soon.
It looks heavenly. I hope David gets here soon. from Rope (1948)
It looks like a pretty small farewell party.
It looks like a pretty small farewell party. from Rope (1948)
It must be Alice. I'll talk to her, Henry.
It must be Alice. I'll talk to her, Henry. from Rope (1948)
It must have happened in broad daylight.
It must have happened in broad daylight. from Rope (1948)
It really isn't any of my business. I'm not his keeper.
It really isn't any of my business. I'm not his keeper. from Rope (1948)
It really isn't any of my business. I'm not his keeper.
It really isn't any of my business. I'm not his keeper. from Rope (1948)
It really scares me a little. I'm terribly sorry, Rupert.
It really scares me a little. I'm terribly sorry, Rupert. from Rope (1948)
It should have been ginger ale or even beer.
It should have been ginger ale or even beer. from Rope (1948)
It turned out Phillip and I were going to the country You told me that too.
It turned out Phillip and I were going to the country You told me that too. from Rope (1948)
It was a lovely Sunday morning in late spring.
It was a lovely Sunday morning in late spring. from Rope (1948)
It was about a lovely, young girl She was a bride to be.
It was about a lovely, young girl She was a bride to be. from Rope (1948)
It was just plain Something. I adored it.
It was just plain Something. I adored it. from Rope (1948)
It would help if we found out. I suppose so.
It would help if we found out. I suppose so. from Rope (1948)
It'll be over in five minutes.
It'll be over in five minutes. from Rope (1948)
It's a crazy idea, if you ask me.
It's a crazy idea, if you ask me. from Rope (1948)
It's a lovely night. You'll be driving up in good weather.
It's a lovely night. You'll be driving up in good weather. from Rope (1948)
It's a trifle late for that, don't you think?
It's a trifle late for that, don't you think? from Rope (1948)
It's all right, Mrs. Wilson. I'll answer the door.
It's all right, Mrs. Wilson. I'll answer the door. from Rope (1948)
It's all right. If you really want to kill, you don't miss,
It's all right. If you really want to kill, you don't miss, from Rope (1948)
It's been quite awhile. Yes, that's why I sounded so stupid on the phone.
It's been quite awhile. Yes, that's why I sounded so stupid on the phone. from Rope (1948)
It's just as well. We didn't expect you back until now.
It's just as well. We didn't expect you back until now. from Rope (1948)
It's more; it's the signature of the artist.
It's more; it's the signature of the artist. from Rope (1948)
It's odd the way one can pyramid simple facts into wild fantasies.
It's odd the way one can pyramid simple facts into wild fantasies. from Rope (1948)
It's right on the tip of my tongue. Mine too.
It's right on the tip of my tongue. Mine too. from Rope (1948)
It's the darkness that's got you down. Nobody ever feels really safe in the dark.
It's the darkness that's got you down. Nobody ever feels really safe in the dark. from Rope (1948)
It's the first time I've seen it. Usually, he lets me prepare everything...
It's the first time I've seen it. Usually, he lets me prepare everything... from Rope (1948)
It's the sort of mischief that would have appealed to you in school...
It's the sort of mischief that would have appealed to you in school... from Rope (1948)
It's very nice of you, Brandon. What's wrong?
It's very nice of you, Brandon. What's wrong? from Rope (1948)
It's what society's going to do. I don't know what that will be, but I can guess.
It's what society's going to do. I don't know what that will be, but I can guess. from Rope (1948)
Janet and David are Hello, Mrs. Wilson.
Janet and David are Hello, Mrs. Wilson. from Rope (1948)
Janet has a talent for being bothersome at times.
Janet has a talent for being bothersome at times. from Rope (1948)
Janet, my dear. from Rope (1948)
Janet. Yes? from Rope (1948)
Just exactly what are you up to, chum? Up to getting you coffee.
Just exactly what are you up to, chum? Up to getting you coffee. from Rope (1948)
Just for the experiment of committing it,
Just for the experiment of committing it, from Rope (1948)
Just let the books go for now. Well, all right.
Just let the books go for now. Well, all right. from Rope (1948)
Keep drinking and you'll have a worse morning.
Keep drinking and you'll have a worse morning. from Rope (1948)
Kenneth, he pretended to be completely ignorant when I told him.
Kenneth, he pretended to be completely ignorant when I told him. from Rope (1948)
Kenneth, there's too much air in your glass.
Kenneth, there's too much air in your glass. from Rope (1948)
Kenneth, why don't you switch on the radio or play some records?
Kenneth, why don't you switch on the radio or play some records? from Rope (1948)
Landlords, of course, are another matter.
Landlords, of course, are another matter. from Rope (1948)
Lay them on the dining room table.
Lay them on the dining room table. from Rope (1948)
Let's dispense with the charm! I'd like to know why you had the gall to tell Kenneth...
Let's dispense with the charm! I'd like to know why you had the gall to tell Kenneth... from Rope (1948)
Let's hope it's a success. Oh, my tray.
Let's hope it's a success. Oh, my tray. from Rope (1948)
Let's stay this way for a minute.
Let's stay this way for a minute. from Rope (1948)
Like all these, you know. Oh, I think she's lovely.
Like all these, you know. Oh, I think she's lovely. from Rope (1948)
Like Lazarus, he rose That's a lie!
Like Lazarus, he rose That's a lie! from Rope (1948)
Listen to me. Let me explain. Do you think you can explain that?
Listen to me. Let me explain. Do you think you can explain that? from Rope (1948)
Look at this mess! Just makes double the work.
Look at this mess! Just makes double the work. from Rope (1948)
Make some small talk to put him at his ease,
Make some small talk to put him at his ease, from Rope (1948)
Making our work of art a masterpiece.
Making our work of art a masterpiece. from Rope (1948)
Matter of fact, he and I once had a glass together on my birthday.
Matter of fact, he and I once had a glass together on my birthday. from Rope (1948)
May I get you some champagne? Oh, I should adore some.
May I get you some champagne? Oh, I should adore some. from Rope (1948)
May I go with you, Mr. Kentley? Thank you, Janet.
May I go with you, Mr. Kentley? Thank you, Janet. from Rope (1948)
May I have a drink now? from Rope (1948)
May I see you for a moment? Certainly.
May I see you for a moment? Certainly. from Rope (1948)
May I? Help yourself. from Rope (1948)
May I? Mr. Cadell's coming.
May I? Mr. Cadell's coming. from Rope (1948)
Maybe he can give me a job.
Maybe he can give me a job. from Rope (1948)
Maybe Mrs. Wilson forgot something. Answer it. Brandon,
Maybe Mrs. Wilson forgot something. Answer it. Brandon, from Rope (1948)
Might have an additional element of, uh, suspense.
Might have an additional element of, uh, suspense. from Rope (1948)
Mind your own business. That's enough, Phillip.
Mind your own business. That's enough, Phillip. from Rope (1948)
Mine's fine, thanks. Would you mind taking this in to Janet?
Mine's fine, thanks. Would you mind taking this in to Janet? from Rope (1948)
Mmm. Most decorative. Think so?
Mmm. Most decorative. Think so? from Rope (1948)
More than usually allergic to the truth tonight, Phillip.
More than usually allergic to the truth tonight, Phillip. from Rope (1948)
Mother has a place there.
Mother has a place there. from Rope (1948)
Mr. Brandon gave the party.
Mr. Brandon gave the party. from Rope (1948)
Mr. Brandon had a delightful evening.
Mr. Brandon had a delightful evening. from Rope (1948)
Mr. Brandon says he's always in a state when he gives a party.
Mr. Brandon says he's always in a state when he gives a party. from Rope (1948)
Mr. Brandon was in the maddest rush to clean up and get the table set.
Mr. Brandon was in the maddest rush to clean up and get the table set. from Rope (1948)
Mr. Cadell got a bad leg in the war for his courage.
Mr. Cadell got a bad leg in the war for his courage. from Rope (1948)
Mr. Cadell, even if I did know, do you think I'd tell?
Mr. Cadell, even if I did know, do you think I'd tell? from Rope (1948)
Mr. Cadell! Oh, Mrs. Wilson.
Mr. Cadell! Oh, Mrs. Wilson. from Rope (1948)
Mr. Kentley, do you suppose David could be home? I hope so.
Mr. Kentley, do you suppose David could be home? I hope so. from Rope (1948)
Mr. Kentley, may I get you some?
Mr. Kentley, may I get you some? from Rope (1948)
Mr. Kentley, wouldn't you like to see the books now?
Mr. Kentley, wouldn't you like to see the books now? from Rope (1948)
Mr. Kentley? May I use the phone?
Mr. Kentley? May I use the phone? from Rope (1948)
Mr. Kentley. How do you do, Mr. Kentley?
Mr. Kentley. How do you do, Mr. Kentley? from Rope (1948)
Mr. Kentley's coming mainly to look at these books. What could be better than...
Mr. Kentley's coming mainly to look at these books. What could be better than... from Rope (1948)
Mrs. Atwater, may I present Mr. Phillip Morgan?
Mrs. Atwater, may I present Mr. Phillip Morgan? from Rope (1948)
Mrs. Atwater, may I present Mr. Rupert Cadell?
Mrs. Atwater, may I present Mr. Rupert Cadell? from Rope (1948)
Mrs. Atwater, thank you for coming.
Mrs. Atwater, thank you for coming. from Rope (1948)
Mrs. Kentley isn't well, so I took the liberty of bringing my sister in law, Mrs. Atwater.
Mrs. Kentley isn't well, so I took the liberty of bringing my sister in law, Mrs. Atwater. from Rope (1948)
Mrs. Wilson, champagne. from Rope (1948)
Mrs. Wilson, please serve the guests. Don't lecture them.
Mrs. Wilson, please serve the guests. Don't lecture them. from Rope (1948)
Mrs. Wilson? Yes? from Rope (1948)
Mrs. Wilson. from Rope (1948)
My chin was about an inch from the ground.
My chin was about an inch from the ground. from Rope (1948)
My dear Mrs. Atwater, careful application of the trigger finger...
My dear Mrs. Atwater, careful application of the trigger finger... from Rope (1948)
My, it's a peculiar party, not that that surprises me.
My, it's a peculiar party, not that that surprises me. from Rope (1948)
My, wouldn't friend Brandon love to know that?
My, wouldn't friend Brandon love to know that? from Rope (1948)
Never mind. Come with me.
Never mind. Come with me. from Rope (1948)
Never thought I could be, did you? Honestly? No.
Never thought I could be, did you? Honestly? No. from Rope (1948)
No one is going to get in my way now.
No one is going to get in my way now. from Rope (1948)
No particular reason. I thought you'd like to take it in to her. She's in the bedroom, phoning.
No particular reason. I thought you'd like to take it in to her. She's in the bedroom, phoning. from Rope (1948)
No, brandy. from Rope (1948)
No, but we'll find it in no time.
No, but we'll find it in no time. from Rope (1948)
No, he didn't, Phillip. from Rope (1948)
No, he's more likely mixing his drinks.
No, he's more likely mixing his drinks. from Rope (1948)
No, I didn't like it one bit.
No, I didn't like it one bit. from Rope (1948)
No, personally, I would prefer to have...
No, personally, I would prefer to have... from Rope (1948)
No, that'd be too much of a shock.
No, that'd be too much of a shock. from Rope (1948)
No, that's the other one. This was just plain Something. It was sort of, you know.
No, that's the other one. This was just plain Something. It was sort of, you know. from Rope (1948)
No, the party's the finishing touch to our work.
No, the party's the finishing touch to our work. from Rope (1948)
No, uh, course not. He's just a little tight.
No, uh, course not. He's just a little tight. from Rope (1948)
No, you didn't. I did enjoy working for Mr. Cadell. Such a gentleman!
No, you didn't. I did enjoy working for Mr. Cadell. Such a gentleman! from Rope (1948)
No, you mustn't pamper her. David might have stopped to see her.
No, you mustn't pamper her. David might have stopped to see her. from Rope (1948)
No. from Rope (1948)
No. He'll probably be here in a minute, though.
No. He'll probably be here in a minute, though. from Rope (1948)
No. I left a message but from Rope (1948)
No. That's good. from Rope (1948)
No. Why do you ask? from Rope (1948)
Nobody commits a murder... Here.
Nobody commits a murder... Here. from Rope (1948)
Nobody except us. from Rope (1948)
Nobody who's ever a child, that is. I'll open these, all right?
Nobody who's ever a child, that is. I'll open these, all right? from Rope (1948)
Not at that range. Of course he didn't want to kill you.
Not at that range. Of course he didn't want to kill you. from Rope (1948)
Not even of me? from Rope (1948)
Not having it would be like, uh
Not having it would be like, uh from Rope (1948)
Not one of the seven lively, perhaps, but an art nevertheless.
Not one of the seven lively, perhaps, but an art nevertheless. from Rope (1948)
Nothing matters, except that Mr. Brandon liked the party.
Nothing matters, except that Mr. Brandon liked the party. from Rope (1948)
Nothing, probably. from Rope (1948)
Notice what? The rope, of course.
Notice what? The rope, of course. from Rope (1948)
Now I know you're not serious. But I am.
Now I know you're not serious. But I am. from Rope (1948)
Now look, I'm not going to get caught...
Now look, I'm not going to get caught... from Rope (1948)
Now the fun begins. from Rope (1948)
Now, take these and get ahold of yourself.
Now, take these and get ahold of yourself. from Rope (1948)
Now... it's a museum piece now.
Now... it's a museum piece now. from Rope (1948)
Obviously, David ran into someone at the club who changed his plans.
Obviously, David ran into someone at the club who changed his plans. from Rope (1948)
Obviously. Mind you, I don't hold with the extremists...
Obviously. Mind you, I don't hold with the extremists... from Rope (1948)
Of all the people on this Earth, Rupert Cadell is the one man most likely to suspect.
Of all the people on this Earth, Rupert Cadell is the one man most likely to suspect. from Rope (1948)
Of course, we should come back here for a few days. Otherwise, it might look
Of course, we should come back here for a few days. Otherwise, it might look from Rope (1948)
Of course. from Rope (1948)
Of course. It's in the bedroom. How cozy.
Of course. It's in the bedroom. How cozy. from Rope (1948)
Of course. It's this way.
Of course. It's this way. from Rope (1948)
Of superior or inferior beings.
Of superior or inferior beings. from Rope (1948)
Of the blunt instrument department.
Of the blunt instrument department. from Rope (1948)
Of your collection, so to speak. Oh, yes, of course.
Of your collection, so to speak. Oh, yes, of course. from Rope (1948)
Oh Oh I'm very sorry we had to spoil it.
Oh Oh I'm very sorry we had to spoil it. from Rope (1948)
Oh, come now. I don't. Why don't you ask Brandon?
Oh, come now. I don't. Why don't you ask Brandon? from Rope (1948)
Oh, dear! It was a task he usually performed competently.
Oh, dear! It was a task he usually performed competently. from Rope (1948)
Oh, dear. The resemblance is only physical.
Oh, dear. The resemblance is only physical. from Rope (1948)
Oh, good. How are you going to explain this to them?
Oh, good. How are you going to explain this to them? from Rope (1948)
Oh, Henry, I'm worried. What did she say?
Oh, Henry, I'm worried. What did she say? from Rope (1948)
Oh, I don't Please. from Rope (1948)
Oh, I don't like it any more.
Oh, I don't like it any more. from Rope (1948)
Oh, I I from Rope (1948)
Oh, I see. All ready. from Rope (1948)
Oh, I thought that was wonderful. Didn't you like it?
Oh, I thought that was wonderful. Didn't you like it? from Rope (1948)
Oh, I'd heard vague rumors. But I never pay attention to that sort of thing.
Oh, I'd heard vague rumors. But I never pay attention to that sort of thing. from Rope (1948)
Oh, I'd love it. from Rope (1948)
Oh, I'm so sorry. from Rope (1948)
Oh, I've forgotten. from Rope (1948)
Oh, I've turned the dining room into a library.
Oh, I've turned the dining room into a library. from Rope (1948)
Oh, intellectually, he could've come along. He's brilliant.
Oh, intellectually, he could've come along. He's brilliant. from Rope (1948)
Oh, isn't that painting new? Yes, it is. Do you like it?
Oh, isn't that painting new? Yes, it is. Do you like it? from Rope (1948)
Oh, isn't that painting new? Yes, it is. Do you like it?
Oh, isn't that painting new? Yes, it is. Do you like it? from Rope (1948)
Oh, it looked so lovely! But when I was whisking out to do the shopping,
Oh, it looked so lovely! But when I was whisking out to do the shopping, from Rope (1948)
Oh, it was quite lovely. from Rope (1948)
Oh, it's going to be that kind of party. I'd better doll up a little.
Oh, it's going to be that kind of party. I'd better doll up a little. from Rope (1948)
Oh, it's nothing, just a little cut. What happened?
Oh, it's nothing, just a little cut. What happened? from Rope (1948)
Oh, Janet! from Rope (1948)
Oh, Miss Walker. How'd you know?
Oh, Miss Walker. How'd you know? from Rope (1948)
Oh, Mr. Brandon! I found it.
Oh, Mr. Brandon! I found it. from Rope (1948)
Oh, Mr. Kentley, your books. Oh. Oh, yes.
Oh, Mr. Kentley, your books. Oh. Oh, yes. from Rope (1948)
Oh, Mr. Kentley. So glad you could come. Thank you, Brandon.
Oh, Mr. Kentley. So glad you could come. Thank you, Brandon. from Rope (1948)
Oh, my. Mr. Cadell is terribly nice.
Oh, my. Mr. Cadell is terribly nice. from Rope (1948)
Oh, myself, Phillip, from Rope (1948)
Oh, no, Anita, I don't think that's necessary.
Oh, no, Anita, I don't think that's necessary. from Rope (1948)
Oh, no, Anita. Occasionally I even read one of my books.
Oh, no, Anita. Occasionally I even read one of my books. from Rope (1948)
Oh, no, sorry. Knives may not be used on hotel employees.
Oh, no, sorry. Knives may not be used on hotel employees. from Rope (1948)
Oh, no, step over the head waiter's body.
Oh, no, step over the head waiter's body. from Rope (1948)
Oh, no! No, I'm just teasing.
Oh, no! No, I'm just teasing. from Rope (1948)
Oh, no. No! from Rope (1948)
Oh, Phillip, this party really deserves to go down in history.
Oh, Phillip, this party really deserves to go down in history. from Rope (1948)
Oh, rot. This party will be the most exciting ever given.
Oh, rot. This party will be the most exciting ever given. from Rope (1948)
Oh, tell. The stars are very kind.
Oh, tell. The stars are very kind. from Rope (1948)
Oh, that's not yours. Oh.
Oh, that's not yours. Oh. from Rope (1948)
Oh, there's not a chance, not any more. Why, we're pra
Oh, there's not a chance, not any more. Why, we're pra from Rope (1948)
Oh, what a pity. In another moment, you might have been strangling each other...
Oh, what a pity. In another moment, you might have been strangling each other... from Rope (1948)
Oh, what difference? You were busy arranging that other little touch of yours.
Oh, what difference? You were busy arranging that other little touch of yours. from Rope (1948)
Oh, where's David? You know,
Oh, where's David? You know, from Rope (1948)
Oh, you going too? Yes, I must. Good night.
Oh, you going too? Yes, I must. Good night. from Rope (1948)
Oh? I didn't know she had one. Yes, you do.
Oh? I didn't know she had one. Yes, you do. from Rope (1948)
Oh. from Rope (1948)
Oh. Small print, big words, no sales. Right.
Oh. Small print, big words, no sales. Right. from Rope (1948)
Oh. What about? from Rope (1948)
On her wedding day, she playfully hid herself in a chest. That's right.
On her wedding day, she playfully hid herself in a chest. That's right. from Rope (1948)
On the contrary, I think they suggest a, a ceremonial altar...
On the contrary, I think they suggest a, a ceremonial altar... from Rope (1948)
On this particular morning, his touch was, perhaps, a trifle too delicate;
On this particular morning, his touch was, perhaps, a trifle too delicate; from Rope (1948)
On this thing, there isn't half the room.
On this thing, there isn't half the room. from Rope (1948)
On this. from Rope (1948)
One for you and one for me, my love. Ah, Mr. C.
One for you and one for me, my love. Ah, Mr. C. from Rope (1948)
One for you and one for me, my love. Ah, Mr. C.
One for you and one for me, my love. Ah, Mr. C. from Rope (1948)
One morning I saw you display your handiwork.
One morning I saw you display your handiwork. from Rope (1948)
Open it. from Rope (1948)
Or any of the customary, unimaginative reasons.
Or any of the customary, unimaginative reasons. from Rope (1948)
Or as bad as any other. from Rope (1948)
Or better still, I'd invite him here.
Or better still, I'd invite him here. from Rope (1948)
Or strange, like this evening.
Or strange, like this evening. from Rope (1948)
Or Strangulation Day. from Rope (1948)
Or the Bradleys are giving a party, or maybe he went to Janetβs.
Or the Bradleys are giving a party, or maybe he went to Janetβs. from Rope (1948)
Or was it just plain Something? Something rather like that.
Or was it just plain Something? Something rather like that. from Rope (1948)
Our maid spoke to him. He was at the club, studying for his examinations.
Our maid spoke to him. He was at the club, studying for his examinations. from Rope (1948)
Out of character for him to be murdered too.
Out of character for him to be murdered too. from Rope (1948)
Out of this, David Kentley had his last drink.
Out of this, David Kentley had his last drink. from Rope (1948)
Packing, last minute odds and ends.
Packing, last minute odds and ends. from Rope (1948)
Painting the picture and not hanging it?
Painting the picture and not hanging it? from Rope (1948)
Part of your charm, I suppose.
Part of your charm, I suppose. from Rope (1948)
Particularly after a few drinks. Uh, how is yours, Rupert?
Particularly after a few drinks. Uh, how is yours, Rupert? from Rope (1948)
Perhaps even see you off.
Perhaps even see you off. from Rope (1948)
Perhaps, but I prefer manners to femininity.
Perhaps, but I prefer manners to femininity. from Rope (1948)
Personally, I think a chicken is as good a reason for murder...
Personally, I think a chicken is as good a reason for murder... from Rope (1948)
Phillip would probably play the piano.
Phillip would probably play the piano. from Rope (1948)
Phillip, did you hear me?
Phillip, did you hear me? from Rope (1948)
Phillip, do you realize we've actually done it, exactly as we planned?
Phillip, do you realize we've actually done it, exactly as we planned? from Rope (1948)
Phillip, for those five minutes,
Phillip, for those five minutes, from Rope (1948)
Phillip, sweet. Hello. from Rope (1948)
Phillip, we don't have too much time.
Phillip, we don't have too much time. from Rope (1948)
Phillip, where did you put those books you set out for Mr. Kentley?
Phillip, where did you put those books you set out for Mr. Kentley? from Rope (1948)
Phillip, will you fix Rupert a drink? Now let me see.
Phillip, will you fix Rupert a drink? Now let me see. from Rope (1948)
Phillip, would you mind helping Mrs. Atwater?
Phillip, would you mind helping Mrs. Atwater? from Rope (1948)
Phillip! from Rope (1948)
Phillip. What? from Rope (1948)
Phillip... Phillip, listen to me.
Phillip... Phillip, listen to me. from Rope (1948)
Phillip's a little antisocial tonight. Oh? I thought
Phillip's a little antisocial tonight. Oh? I thought from Rope (1948)
Phillip's drunk, Rupert. from Rope (1948)
Pity we couldn't have done it with the curtains open in the bright sunlight.
Pity we couldn't have done it with the curtains open in the bright sunlight. from Rope (1948)
Please don't let me be in the way. Of what?
Please don't let me be in the way. Of what? from Rope (1948)
Please, Brandon, we've had just about enough!
Please, Brandon, we've had just about enough! from Rope (1948)
Possibly Rupert. from Rope (1948)
Probably a symptom of approaching senility, but I must confess...
Probably a symptom of approaching senility, but I must confess... from Rope (1948)
Probably because you're always on time.
Probably because you're always on time. from Rope (1948)
Probably offer him a drink...
Probably offer him a drink... from Rope (1948)
Probably the garage man. Answer it.
Probably the garage man. Answer it. from Rope (1948)
Prying, snooping or just plain pumping?
Prying, snooping or just plain pumping? from Rope (1948)
Put them in my checkbook drawer behind that metal box.
Put them in my checkbook drawer behind that metal box. from Rope (1948)
Really, you get much too upset much too easily.
Really, you get much too upset much too easily. from Rope (1948)
Remember we said we've always said, you and I
Remember we said we've always said, you and I from Rope (1948)
Remember we said, the lives of inferior beings are unimportant?
Remember we said, the lives of inferior beings are unimportant? from Rope (1948)
Remember, Rupert? Yes, I remember.
Remember, Rupert? Yes, I remember. from Rope (1948)
Right here. from Rope (1948)
Rupert I couldn't believe it was true.
Rupert I couldn't believe it was true. from Rope (1948)
Rupert Cadell, our housemaster at prep school.
Rupert Cadell, our housemaster at prep school. from Rope (1948)
Rupert only publishes books he likes, usually philosophy.
Rupert only publishes books he likes, usually philosophy. from Rope (1948)
Rupert, please Please what?
Rupert, please Please what? from Rope (1948)
Rupert, remember the discussion we had before with Mr. Kentley? Yes.
Rupert, remember the discussion we had before with Mr. Kentley? Yes. from Rope (1948)
Rupert, you're the end. from Rope (1948)
Rupert, you're the same as ever. It's awfully good to see you again.
Rupert, you're the same as ever. It's awfully good to see you again. from Rope (1948)
Rupert? Come on up. from Rope (1948)
Rupert's a publisher now.
Rupert's a publisher now. from Rope (1948)
Rupert's coming? Yes, I thought I told you.
Rupert's coming? Yes, I thought I told you. from Rope (1948)
Rupert's extremely radical.
Rupert's extremely radical. from Rope (1948)
Rupert's on his way up now, and you've got to pull yourself together.
Rupert's on his way up now, and you've got to pull yourself together. from Rope (1948)
Rupert's on to something. He isn't. Now, let up.
Rupert's on to something. He isn't. Now, let up. from Rope (1948)
Say good night to Phillip. I'll get your hat, Mr. Cadell.
Say good night to Phillip. I'll get your hat, Mr. Cadell. from Rope (1948)
Seems to me they've gone in there now for their dessert and coffee.
Seems to me they've gone in there now for their dessert and coffee. from Rope (1948)
She is, thank you. Well, that'll do the trick.
She is, thank you. Well, that'll do the trick. from Rope (1948)
She seems to be missing David.
She seems to be missing David. from Rope (1948)
She thinks you kidnapped David, or did something to prevent him from coming.
She thinks you kidnapped David, or did something to prevent him from coming. from Rope (1948)
She wants you to call the police. The police?
She wants you to call the police. The police? from Rope (1948)
She's banked everything on hooking David.
She's banked everything on hooking David. from Rope (1948)
She's been calling every place he might be, not once, but several times.
She's been calling every place he might be, not once, but several times. from Rope (1948)
Shut up! No! You made me do it, and I hate you. I hate both
Shut up! No! You made me do it, and I hate you. I hate both from Rope (1948)
Shut up. from Rope (1948)
Simply divine! Absolute heaven!
Simply divine! Absolute heaven! from Rope (1948)
Since the day we invited him to the party. That's odd.
Since the day we invited him to the party. That's odd. from Rope (1948)
So attractively sinister! Taurus, the bull, you know.
So attractively sinister! Taurus, the bull, you know. from Rope (1948)
So did Hitler. Hitler was a paranoiac savage.
So did Hitler. Hitler was a paranoiac savage. from Rope (1948)
So I'd move quietly around behind the chair and hit him on the head with something.
So I'd move quietly around behind the chair and hit him on the head with something. from Rope (1948)
So much oomph. Yes. from Rope (1948)
So, I went downtown to that little delicatessen where Mr. Cadell goes.
So, I went downtown to that little delicatessen where Mr. Cadell goes. from Rope (1948)
Some people say he's a little peculiar, but I always thi
Some people say he's a little peculiar, but I always thi from Rope (1948)
Somebody else to see how brilliant you are, just like at school.
Somebody else to see how brilliant you are, just like at school. from Rope (1948)
Somehow, I don't think she's going to succeed.
Somehow, I don't think she's going to succeed. from Rope (1948)
Someone phoned from there with a message that David would meet us here.
Someone phoned from there with a message that David would meet us here. from Rope (1948)
Something gone wrong, Brandon? No.
Something gone wrong, Brandon? No. from Rope (1948)
Something that Excuse me, sir.
Something that Excuse me, sir. from Rope (1948)
Sorry to bother you, Brandon. It's no bother. Come in.
Sorry to bother you, Brandon. It's no bother. Come in. from Rope (1948)
Sorry. I don't like to play with light in my eyes.
Sorry. I don't like to play with light in my eyes. from Rope (1948)
Sorry. We were ridiculous and very rude.
Sorry. We were ridiculous and very rude. from Rope (1948)
Still, where is he? from Rope (1948)
Stupid babbling drunk. from Rope (1948)
Sure. Why? from Rope (1948)
Surely you don't take those nightmare ideas seriously
Surely you don't take those nightmare ideas seriously from Rope (1948)
Surprised, I guess. from Rope (1948)
Take it easy, Phillip. from Rope (1948)
Take it in the kitchen. I'll answer the door.
Take it in the kitchen. I'll answer the door. from Rope (1948)
Take the other one. What for?
Take the other one. What for? from Rope (1948)
Take your hand off my arm!
Take your hand off my arm! from Rope (1948)
Talking of skeletons, have you seen that new thing at the Strand?
Talking of skeletons, have you seen that new thing at the Strand? from Rope (1948)
Thank you for a lovely evening. Good night, good night. It's been charming.
Thank you for a lovely evening. Good night, good night. It's been charming. from Rope (1948)
Thank you for letting me come. I'm so sorry we have to leave.
Thank you for letting me come. I'm so sorry we have to leave. from Rope (1948)
Thank you so much, dear boy.
Thank you so much, dear boy. from Rope (1948)
Thank you, and here's your table.
Thank you, and here's your table. from Rope (1948)
Thank you, Mrs. Wilson. Good night, Mr. Cadell.
Thank you, Mrs. Wilson. Good night, Mr. Cadell. from Rope (1948)
Thank you. from Rope (1948)
Thank you. I, uh, would like to stay a bit.
Thank you. I, uh, would like to stay a bit. from Rope (1948)
Thanks, chum. from Rope (1948)
Thanks. This yours, Janet?
Thanks. This yours, Janet? from Rope (1948)
That doesn't make them any easier to talk to.
That doesn't make them any easier to talk to. from Rope (1948)
That is, unless you came back...
That is, unless you came back... from Rope (1948)
That let you do this thing,
That let you do this thing, from Rope (1948)
That might make it justifiable homicide.
That might make it justifiable homicide. from Rope (1948)
That moral concepts of good and evil and right and wrong...
That moral concepts of good and evil and right and wrong... from Rope (1948)
That people can not only read but actually can think.
That people can not only read but actually can think. from Rope (1948)
That teased my suspicions more than anything else, and to tell you the truth,
That teased my suspicions more than anything else, and to tell you the truth, from Rope (1948)
That that boy in there was inferior and therefore could be killed?
That that boy in there was inferior and therefore could be killed? from Rope (1948)
That That grim Sunday at Harvard,
That That grim Sunday at Harvard, from Rope (1948)
That there's a superior few to which you belong?
That there's a superior few to which you belong? from Rope (1948)
That was fascinating, wasn't it? I seem to have run down.
That was fascinating, wasn't it? I seem to have run down. from Rope (1948)
That we are each of us a separate human being, Brandon,
That we are each of us a separate human being, Brandon, from Rope (1948)
That's a good idea. May I have one for the road? Of course.
That's a good idea. May I have one for the road? Of course. from Rope (1948)
That's a new low even for you, chum.
That's a new low even for you, chum. from Rope (1948)
That's all right, Anita. Kenneth is often mistaken...
That's all right, Anita. Kenneth is often mistaken... from Rope (1948)
That's all we've done. That's all Phillip and I have done.
That's all we've done. That's all Phillip and I have done. from Rope (1948)
That's even better. from Rope (1948)
That's fine. from Rope (1948)
That's quite all right, my boy.
That's quite all right, my boy. from Rope (1948)
That's rather foolish, isn't it? Yes, very.
That's rather foolish, isn't it? Yes, very. from Rope (1948)
That's right. I'd forgotten.
That's right. I'd forgotten. from Rope (1948)
That's the difference between us and the ordinary men.
That's the difference between us and the ordinary men. from Rope (1948)
That's the second time you haven't told it. Thanks.
That's the second time you haven't told it. Thanks. from Rope (1948)
That's very unfeminine, my dear.
That's very unfeminine, my dear. from Rope (1948)
That's what's exciting. I'm glad it excites you. It frightens me.
That's what's exciting. I'm glad it excites you. It frightens me. from Rope (1948)
The are in the death by slow torture category, Oh.
The are in the death by slow torture category, Oh. from Rope (1948)
The crime of making a mistake. Being weak is a mistake.
The crime of making a mistake. Being weak is a mistake. from Rope (1948)
The David I remember was polite as well as punctual. He hasn't changed.
The David I remember was polite as well as punctual. He hasn't changed. from Rope (1948)
The dining room to get food and come all the way back to eat it.
The dining room to get food and come all the way back to eat it. from Rope (1948)
The few are those men of such intellectual and cultural superiority...
The few are those men of such intellectual and cultural superiority... from Rope (1948)
The few who are privileged to commit murder. Who might they be?
The few who are privileged to commit murder. Who might they be? from Rope (1948)
The glass was cracked and it broke, that's all.
The glass was cracked and it broke, that's all. from Rope (1948)
The housemaster at Somerville? I used to be.
The housemaster at Somerville? I used to be. from Rope (1948)
The inferior man, because he needs them.
The inferior man, because he needs them. from Rope (1948)
The Kentleys couldn't be duller if they tried, but we did have to have them.
The Kentleys couldn't be duller if they tried, but we did have to have them. from Rope (1948)
The Kentleys, Janet Walker Janet.
The Kentleys, Janet Walker Janet. from Rope (1948)
The last I remember having the case...
The last I remember having the case... from Rope (1948)
The notion that murder is an art which a few superior beings should be allowed to practice
The notion that murder is an art which a few superior beings should be allowed to practice from Rope (1948)
The opposite? Phillip's bidding the world a temporary farewell tonight.
The opposite? Phillip's bidding the world a temporary farewell tonight. from Rope (1948)
The others don't seem to be in the mood for ice cream.
The others don't seem to be in the mood for ice cream. from Rope (1948)
The others don't seem to be in the mood for ice cream.
The others don't seem to be in the mood for ice cream. from Rope (1948)
The party's also for Mr. Kentley. David's father?
The party's also for Mr. Kentley. David's father? from Rope (1948)
The power to kill can be just as satisfying as the power to create.
The power to kill can be just as satisfying as the power to create. from Rope (1948)
The real, real me stuff. from Rope (1948)
The rest of the things'll be here in two shakes.
The rest of the things'll be here in two shakes. from Rope (1948)
The Something Something. from Rope (1948)
The trouble with David is, he doesn't have to study. He's too bright.
The trouble with David is, he doesn't have to study. He's too bright. from Rope (1948)
The Virgo type, like all of these.
The Virgo type, like all of these. from Rope (1948)
The whole afternoon, after that mad rush in the morning!
The whole afternoon, after that mad rush in the morning! from Rope (1948)
Then I'd bring him in here,
Then I'd bring him in here, from Rope (1948)
Then I'm certainly giving a good imitation of one.
Then I'm certainly giving a good imitation of one. from Rope (1948)
Then no one would see us together. That's good. And no witnesses.
Then no one would see us together. That's good. And no witnesses. from Rope (1948)
Then where would you put him?
Then where would you put him? from Rope (1948)
Then you must have taught my son, David. You flatter me.
Then you must have taught my son, David. You flatter me. from Rope (1948)
Then you should hang me. I'm so stupid, I don't know whether you're serious or not.
Then you should hang me. I'm so stupid, I don't know whether you're serious or not. from Rope (1948)
Then you'd like David to walk in.
Then you'd like David to walk in. from Rope (1948)
Then, why do you go? from Rope (1948)
There hasn't been time for him to get here.
There hasn't been time for him to get here. from Rope (1948)
There isn't a word of truth in the whole story.
There isn't a word of truth in the whole story. from Rope (1948)
There must be a reason. Freud says there's a reason for everything, even me.
There must be a reason. Freud says there's a reason for everything, even me. from Rope (1948)
There must have been something deep inside you from the very start...
There must have been something deep inside you from the very start... from Rope (1948)
There was a lot to be done. You know.
There was a lot to be done. You know. from Rope (1948)
There, that's much better.
There, that's much better. from Rope (1948)
There's a lady phoning for Mr. Kentley or Mrs. Atwater.
There's a lady phoning for Mr. Kentley or Mrs. Atwater. from Rope (1948)
There's champagne in the icebox.
There's champagne in the icebox. from Rope (1948)
There's no need to hurry, Rupert.
There's no need to hurry, Rupert. from Rope (1948)
There's no reason, Janet.
There's no reason, Janet. from Rope (1948)
There's nothing going on at all, Rupert.
There's nothing going on at all, Rupert. from Rope (1948)
There've been several burglars, and Mother's a bit on edge.
There've been several burglars, and Mother's a bit on edge. from Rope (1948)
Therefore, champagne. Uh, yes.
Therefore, champagne. Uh, yes. from Rope (1948)
These hands will bring you great fame.
These hands will bring you great fame. from Rope (1948)
They indicate a marriage very soon...
They indicate a marriage very soon... from Rope (1948)
They talk about committing the perfect crime but nobody does it.
They talk about committing the perfect crime but nobody does it. from Rope (1948)
They're here. Are we ready?
They're here. Are we ready? from Rope (1948)
They've been in a state all day!
They've been in a state all day! from Rope (1948)
This all right? Thank you.
This all right? Thank you. from Rope (1948)
This has nothing to do with you. I've got to look inside that chest.
This has nothing to do with you. I've got to look inside that chest. from Rope (1948)
This is hardly the time, but I'm very glad we had that talk. So am I.
This is hardly the time, but I'm very glad we had that talk. So am I. from Rope (1948)
This is over my head. from Rope (1948)
This isn't like David. He Of course. I understand.
This isn't like David. He Of course. I understand. from Rope (1948)
This world and the people in it...
This world and the people in it... from Rope (1948)
This. from Rope (1948)
Those bull sessions you and Rupert used to have at school.
Those bull sessions you and Rupert used to have at school. from Rope (1948)
Tired. You're sure it's all right? He said you could have it.
Tired. You're sure it's all right? He said you could have it. from Rope (1948)
To a tall, fair haired young man with a very lovely father.
To a tall, fair haired young man with a very lovely father. from Rope (1948)
To David, of course. from Rope (1948)
To find something besides your cigarette case.
To find something besides your cigarette case. from Rope (1948)
To have them out laid out on the dining room table...
To have them out laid out on the dining room table... from Rope (1948)
To make sure he practices six hours a day. I've finally wangled a debut for him.
To make sure he practices six hours a day. I've finally wangled a debut for him. from Rope (1948)
To me? Yes. from Rope (1948)
Tonight you'll have an opportunity to renew that romance.
Tonight you'll have an opportunity to renew that romance. from Rope (1948)
Town Hall, at that. That's wonderful. I hope you knock 'em dead.
Town Hall, at that. That's wonderful. I hope you knock 'em dead. from Rope (1948)
Trust you to find a new use for a chest.
Trust you to find a new use for a chest. from Rope (1948)
Trying to get ready for exams. I always have to start cramming before everybody else.
Trying to get ready for exams. I always have to start cramming before everybody else. from Rope (1948)
Two desserts, Mr. Cadell?
Two desserts, Mr. Cadell? from Rope (1948)
Two desserts, Mr. Cadell?
Two desserts, Mr. Cadell? from Rope (1948)
Uh, Brandon? Yes. from Rope (1948)
Uh, finished, Phillip? All right.
Uh, finished, Phillip? All right. from Rope (1948)
Uh, Mrs. Atwater, wouldn't you like to see the books?
Uh, Mrs. Atwater, wouldn't you like to see the books? from Rope (1948)
Uh, no, you've made a mistake. This is Kenneth Lawrence.
Uh, no, you've made a mistake. This is Kenneth Lawrence. from Rope (1948)
Uh, tennis. from Rope (1948)
Uh, what did you mean, something gone wrong?
Uh, what did you mean, something gone wrong? from Rope (1948)
Uh, with him in this condition, though,
Uh, with him in this condition, though, from Rope (1948)
Unemployment, poverty, standing in line for theater tickets.
Unemployment, poverty, standing in line for theater tickets. from Rope (1948)
Unfortunately, I don't know anything.
Unfortunately, I don't know anything. from Rope (1948)
Unfortunately, it had a spring lock.
Unfortunately, it had a spring lock. from Rope (1948)
Unfortunately, you're not. Cut that out!
Unfortunately, you're not. Cut that out! from Rope (1948)
Unless I was thinking about David.
Unless I was thinking about David. from Rope (1948)
Unless I was thinking about David.
Unless I was thinking about David. from Rope (1948)
Until his body went limp...
Until his body went limp... from Rope (1948)
Very good. That's all right, Mrs. Wilson.
Very good. That's all right, Mrs. Wilson. from Rope (1948)
Very obstinate. Really? from Rope (1948)
Very. Particularly those candlesticks. They don't belong there.
Very. Particularly those candlesticks. They don't belong there. from Rope (1948)
Wait and see. I don't have to. He's never this late.
Wait and see. I don't have to. He's never this late. from Rope (1948)
Wait. You mean, before I got here Brandon knew we had broken
Wait. You mean, before I got here Brandon knew we had broken from Rope (1948)
Was that a gun? Yes, I heard three shots.
Was that a gun? Yes, I heard three shots. from Rope (1948)
Was that funny? I never know when I'm being funny.
Was that funny? I never know when I'm being funny. from Rope (1948)
Was when I was there. from Rope (1948)
We all do it, don't we, Phillip? Yes.
We all do it, don't we, Phillip? Yes. from Rope (1948)
We all do strange things in our childhood.
We all do strange things in our childhood. from Rope (1948)
We called it quits ages ago and I'm practically engaged to his best friend.
We called it quits ages ago and I'm practically engaged to his best friend. from Rope (1948)
We deserve a real holiday after it's all over.
We deserve a real holiday after it's all over. from Rope (1948)
We did do it in daytime. All right now, Phillip?
We did do it in daytime. All right now, Phillip? from Rope (1948)
We did get up on the wrong side of the bed, didn't we?
We did get up on the wrong side of the bed, didn't we? from Rope (1948)
We don't want to leave our guest of honor alone during supper.
We don't want to leave our guest of honor alone during supper. from Rope (1948)
We had our hands full getting ready for the party.
We had our hands full getting ready for the party. from Rope (1948)
We have a very simple excuse...
We have a very simple excuse... from Rope (1948)
We have to be, Phillip. We agreed there was only one crime either of us could commit.
We have to be, Phillip. We agreed there was only one crime either of us could commit. from Rope (1948)
We haven't had much opportunity to observe the resemblance lately, my boy.
We haven't had much opportunity to observe the resemblance lately, my boy. from Rope (1948)
We might find out where he is now...
We might find out where he is now... from Rope (1948)
We only serve champagne at Mr. Cadell's on very high occasions.
We only serve champagne at Mr. Cadell's on very high occasions. from Rope (1948)
We really should preserve it for posterity,
We really should preserve it for posterity, from Rope (1948)
We were going to have chicken so we walked over to the farm.
We were going to have chicken so we walked over to the farm. from Rope (1948)
We'd... better draw the curtains.
We'd... better draw the curtains. from Rope (1948)
We're alive, truly and wonderfully alive.
We're alive, truly and wonderfully alive. from Rope (1948)
We're just moving the things in here.
We're just moving the things in here. from Rope (1948)
We're not eating now. Why'd you lie to me? I don't like to talk about
We're not eating now. Why'd you lie to me? I don't like to talk about from Rope (1948)
We're not giving them champagne? We are.
We're not giving them champagne? We are. from Rope (1948)
We've got to hide it. Why?
We've got to hide it. Why? from Rope (1948)
We've killed for the sake of danger and for the sake of killing.
We've killed for the sake of danger and for the sake of killing. from Rope (1948)
Well from Rope (1948)
Well Kenneth, why don't you come along with us?
Well Kenneth, why don't you come along with us? from Rope (1948)
Well, at least this way no one will try to open it.
Well, at least this way no one will try to open it. from Rope (1948)
Well, chivalry rears its ugly head! I don't believe David's coming!
Well, chivalry rears its ugly head! I don't believe David's coming! from Rope (1948)
Well, come on, it's over, and it couldn't have gone more beautifully.
Well, come on, it's over, and it couldn't have gone more beautifully. from Rope (1948)
Well, David does all right, very much so. Thank you.
Well, David does all right, very much so. Thank you. from Rope (1948)
Well, I am and I don't like it one bit.
Well, I am and I don't like it one bit. from Rope (1948)
Well, I consider myself a very fortunate man today.
Well, I consider myself a very fortunate man today. from Rope (1948)
Well, I didn't think it was a suitable topic of conversation while we were eating!
Well, I didn't think it was a suitable topic of conversation while we were eating! from Rope (1948)
Well, I had a rotten evening.
Well, I had a rotten evening. from Rope (1948)
Well, I have too much to do to discuss this thoroughly, dear. I still think it's peculiar.
Well, I have too much to do to discuss this thoroughly, dear. I still think it's peculiar. from Rope (1948)
Well, I hope so. Not me. I'm like the grave.
Well, I hope so. Not me. I'm like the grave. from Rope (1948)
Well, I I just meant that Brandon's story wasn't true.
Well, I I just meant that Brandon's story wasn't true. from Rope (1948)
Well, I think I'd get Phillip to help me carry him out of the room,
Well, I think I'd get Phillip to help me carry him out of the room, from Rope (1948)
Well, I think it looks downright peculiar. Peculiar?
Well, I think it looks downright peculiar. Peculiar? from Rope (1948)
Well, I'll be off... from Rope (1948)
Well, I'm also embarrassed because
Well, I'm also embarrassed because from Rope (1948)
Well, I'm off. Enjoy yourselves. Don't forget to write.
Well, I'm off. Enjoy yourselves. Don't forget to write. from Rope (1948)
Well, it's very pleasant to sit here with a good drink and good company.
Well, it's very pleasant to sit here with a good drink and good company. from Rope (1948)
Well, let him come. But you know he's lying! He's caught on!
Well, let him come. But you know he's lying! He's caught on! from Rope (1948)
Well, let him come. But you know he's lying! He's caught on!
Well, let him come. But you know he's lying! He's caught on! from Rope (1948)
Well, let me see. from Rope (1948)
Well, little Kenneth Lawrence, how you've grown.
Well, little Kenneth Lawrence, how you've grown. from Rope (1948)
Well, may I have that drink anyway? Of course.
Well, may I have that drink anyway? Of course. from Rope (1948)
Well, murder can be an art too.
Well, murder can be an art too. from Rope (1948)
Well, she can switch back to Kenneth tonight.
Well, she can switch back to Kenneth tonight. from Rope (1948)
Well, the Davids of this world merely occupy space,
Well, the Davids of this world merely occupy space, from Rope (1948)
Well, they could all do with a little cooling off.
Well, they could all do with a little cooling off. from Rope (1948)
Well, uh from Rope (1948)
Well, we're really killing two birds with one stone.
Well, we're really killing two birds with one stone. from Rope (1948)
Well, what have we here? from Rope (1948)
Well, what is it? New young American primitive.
Well, what is it? New young American primitive. from Rope (1948)
Well, what was it? from Rope (1948)
Well, why not? Why not? After all, it was a party.
Well, why not? Why not? After all, it was a party. from Rope (1948)
Well, you and David used to be such good friends.
Well, you and David used to be such good friends. from Rope (1948)
Well, you might be What? from Rope (1948)
Well, you might let me finish.
Well, you might let me finish. from Rope (1948)
Well! from Rope (1948)
Well? from Rope (1948)
Well... from Rope (1948)
Well... Can't have everything, can we?
Well... Can't have everything, can we? from Rope (1948)
What a charming young man. I wish David saw more of him.
What a charming young man. I wish David saw more of him. from Rope (1948)
What a divine idea! from Rope (1948)
What a lovely evening. from Rope (1948)
What about the concert? from Rope (1948)
What about you? I don't eat it.
What about you? I don't eat it. from Rope (1948)
What about? Female vanity.
What about? Female vanity. from Rope (1948)
What about? Female vanity.
What about? Female vanity. from Rope (1948)
What are you chattering about?
What are you chattering about? from Rope (1948)
What are you doing? It's not locked.
What are you doing? It's not locked. from Rope (1948)
What are you doing? It's not what I'm going to do.
What are you doing? It's not what I'm going to do. from Rope (1948)
What are you doing? Writing that dreary column on how to keep the body beautiful.
What are you doing? Writing that dreary column on how to keep the body beautiful. from Rope (1948)
What are you going to do? I don't want to,
What are you going to do? I don't want to, from Rope (1948)
What are you laughing at? Nothing.
What are you laughing at? Nothing. from Rope (1948)
What are you worrying about, Phillip?
What are you worrying about, Phillip? from Rope (1948)
What could have? He could have been run over or held up.
What could have? He could have been run over or held up. from Rope (1948)
What did you see her in? I don't quite recall.
What did you see her in? I don't quite recall. from Rope (1948)
What do you mean, strange?
What do you mean, strange? from Rope (1948)
What do you mean? I thought I heard David on the phone to Phillip yesterday morning.
What do you mean? I thought I heard David on the phone to Phillip yesterday morning. from Rope (1948)
What do you mean? Janet! from Rope (1948)
What do you suspect? from Rope (1948)
What for, Phillip? just what is Brandon trying to do...
What for, Phillip? just what is Brandon trying to do... from Rope (1948)
What is it? Am I so far off the track?
What is it? Am I so far off the track? from Rope (1948)
What is it? That swill you gave me last Christmas.
What is it? That swill you gave me last Christmas. from Rope (1948)
What is it? Well, go on, yank it out. I can't.
What is it? Well, go on, yank it out. I can't. from Rope (1948)
What the devil are you doing?
What the devil are you doing? from Rope (1948)
What the devil? Don't you have any more sense than to
What the devil? Don't you have any more sense than to from Rope (1948)
What touch? Tying up the books that way.
What touch? Tying up the books that way. from Rope (1948)
What was it called? Something of the something.
What was it called? Something of the something. from Rope (1948)
What was so different today? Oh, what wasn't!
What was so different today? Oh, what wasn't! from Rope (1948)
What was strange about David? His not showing up.
What was strange about David? His not showing up. from Rope (1948)
What was that one about? I don't remember how it started.
What was that one about? I don't remember how it started. from Rope (1948)
What would you say to some champagne?
What would you say to some champagne? from Rope (1948)
What, may I ask, is happening to my table?
What, may I ask, is happening to my table? from Rope (1948)
What? That's a gun, isn't it?
What? That's a gun, isn't it? from Rope (1948)
What's going on here? I don't know,
What's going on here? I don't know, from Rope (1948)
What's going on, Phillip?
What's going on, Phillip? from Rope (1948)
What's it all about, Phillip?
What's it all about, Phillip? from Rope (1948)
What's the matter? I was sure she'd notice.
What's the matter? I was sure she'd notice. from Rope (1948)
What's the matter? Nothing. I'm just thinking.
What's the matter? Nothing. I'm just thinking. from Rope (1948)
What's this all about? You'll see. It's brilliant!
What's this all about? You'll see. It's brilliant! from Rope (1948)
What's this rumor I hear about you and Town Hall?
What's this rumor I hear about you and Town Hall? from Rope (1948)
What's what all about? Stop playing crime and punishment, Rupert.
What's what all about? Stop playing crime and punishment, Rupert. from Rope (1948)
When did you put it there? Just before David arrived.
When did you put it there? Just before David arrived. from Rope (1948)
When was the first? When you said you never strangled a chicken.
When was the first? When you said you never strangled a chicken. from Rope (1948)
When were you born? July 14. Can you really tell my future?
When were you born? July 14. Can you really tell my future? from Rope (1948)
When whatever did happen to David.
When whatever did happen to David. from Rope (1948)
When you called it quits,
When you called it quits, from Rope (1948)
When, uh, what happened? from Rope (1948)
Whenever he's been detained, he's telephoned.
Whenever he's been detained, he's telephoned. from Rope (1948)
Whenever I try to be, I lay the bomb of all time.
Whenever I try to be, I lay the bomb of all time. from Rope (1948)
Where are you going? Just to Brandon's mother's place for a few weeks.
Where are you going? Just to Brandon's mother's place for a few weeks. from Rope (1948)
Where is David? I haven't the faintest idea.
Where is David? I haven't the faintest idea. from Rope (1948)
Where the poor old man can easily get at them.
Where the poor old man can easily get at them. from Rope (1948)
Where's David, Phillip? I don't know.
Where's David, Phillip? I don't know. from Rope (1948)
Which is the cat and which is the mouse? That's enough.
Which is the cat and which is the mouse? That's enough. from Rope (1948)
Which is why he was the perfect victim for the perfect murder.
Which is why he was the perfect victim for the perfect murder. from Rope (1948)
Which makes everything just ginger peachy.
Which makes everything just ginger peachy. from Rope (1948)
Which you can heap with the foods for our sacrificial feast.
Which you can heap with the foods for our sacrificial feast. from Rope (1948)
Who are you calling? Only the garage.
Who are you calling? Only the garage. from Rope (1948)
Who could live and love as you never could, and never will again.
Who could live and love as you never could, and never will again. from Rope (1948)
Who else is coming? No one you don't know, if that's what's bothering you.
Who else is coming? No one you don't know, if that's what's bothering you. from Rope (1948)
Who feel there should be open season for murder all year round.
Who feel there should be open season for murder all year round. from Rope (1948)
Who is it? from Rope (1948)
Who is to decide if a human is inferior, and therefore a suitable victim for murder?
Who is to decide if a human is inferior, and therefore a suitable victim for murder? from Rope (1948)
Who's that? Brandon, who's that?
Who's that? Brandon, who's that? from Rope (1948)
Whom would you have preferred? Kenneth?
Whom would you have preferred? Kenneth? from Rope (1948)
Why can't he keep his hands off people?
Why can't he keep his hands off people? from Rope (1948)
Why did you invite Kenneth? Why not?
Why did you invite Kenneth? Why not? from Rope (1948)
Why did you serve from here, anyway? It wasn't my idea.
Why did you serve from here, anyway? It wasn't my idea. from Rope (1948)
Why didn't you? The more the merrier. Because he hasn't the nerve.
Why didn't you? The more the merrier. Because he hasn't the nerve. from Rope (1948)
Why don't I call and tell her he's been detained?
Why don't I call and tell her he's been detained? from Rope (1948)
Why don't you eat it, Phillip? I just don't.
Why don't you eat it, Phillip? I just don't. from Rope (1948)
Why is it I'm always too early at parties?
Why is it I'm always too early at parties? from Rope (1948)
Why must I try and be so smart with everyone but David?
Why must I try and be so smart with everyone but David? from Rope (1948)
Why not? I could have predicted it this morning.
Why not? I could have predicted it this morning. from Rope (1948)
Why the switch from Kenneth to David, anyway?
Why the switch from Kenneth to David, anyway? from Rope (1948)
Why? from Rope (1948)
Why? Brandon knows. from Rope (1948)
Why? Didn't I notice another new one in the foyer?
Why? Didn't I notice another new one in the foyer? from Rope (1948)
Why? To pick her up after all.
Why? To pick her up after all. from Rope (1948)
Why? Well from Rope (1948)
Why? Yes, why? It's only a piece of rope,
Why? Yes, why? It's only a piece of rope, from Rope (1948)
With Janet and Kenneth? from Rope (1948)
With the right to live and work and think as individuals,
With the right to live and work and think as individuals, from Rope (1948)
With the right to live and work and think as individuals,
With the right to live and work and think as individuals, from Rope (1948)
With these people? Oh, they're a dull crew, all right.
With these people? Oh, they're a dull crew, all right. from Rope (1948)
With you again because David would be out of the running.
With you again because David would be out of the running. from Rope (1948)
Won't you be? from Rope (1948)
Wonder where it could be. Oh, well, here it is right where I left it.
Wonder where it could be. Oh, well, here it is right where I left it. from Rope (1948)
Wonderful Mrs. Wilson. from Rope (1948)
Would you call me as soon as you hear from David? Be glad to.
Would you call me as soon as you hear from David? Be glad to. from Rope (1948)
Would you mind turning that off?
Would you mind turning that off? from Rope (1948)
Would you send my car around, please? Yes, right away. Thank you.
Would you send my car around, please? Yes, right away. Thank you. from Rope (1948)
Wouldn't you say so, Brandon? I wouldn't know.
Wouldn't you say so, Brandon? I wouldn't know. from Rope (1948)
Y You know, Phillip, I've been thinking.
Y You know, Phillip, I've been thinking. from Rope (1948)
Yeah, they came from up there.
Yeah, they came from up there. from Rope (1948)
Yes, he wanted to make sure about the time.
Yes, he wanted to make sure about the time. from Rope (1948)
Yes, I adored it. Did you? Good.
Yes, I adored it. Did you? Good. from Rope (1948)
Yes, I do. Let me see now.
Yes, I do. Let me see now. from Rope (1948)
Yes, I see. You didn't speak to David at all today?
Yes, I see. You didn't speak to David at all today? from Rope (1948)
Yes, I'd like to see them. May I use the telephone?
Yes, I'd like to see them. May I use the telephone? from Rope (1948)
Yes, I'll just carry it. Oh, thanks.
Yes, I'll just carry it. Oh, thanks. from Rope (1948)
Yes, it could, without Rupert.
Yes, it could, without Rupert. from Rope (1948)
Yes, it must have been broad daylight when it happened.
Yes, it must have been broad daylight when it happened. from Rope (1948)
Yes, Phillip, I asked you a question.
Yes, Phillip, I asked you a question. from Rope (1948)
Yes, that's right. Then what?
Yes, that's right. Then what? from Rope (1948)
Yes, that's what I mean. Oh, you're as romantic as Janet.
Yes, that's what I mean. Oh, you're as romantic as Janet. from Rope (1948)
Yes, to you I can, because you'll understand. Understand?
Yes, to you I can, because you'll understand. Understand? from Rope (1948)
Yes, wasn't it? But good Americans usually die young on the battlefield, don't they?
Yes, wasn't it? But good Americans usually die young on the battlefield, don't they? from Rope (1948)
Yes, we're all going together. What did I predict?
Yes, we're all going together. What did I predict? from Rope (1948)
Yes, where? from Rope (1948)
Yes, why? For the pleasure of our company or another drink.
Yes, why? For the pleasure of our company or another drink. from Rope (1948)
Yes, you did. I'd forgotten.
Yes, you did. I'd forgotten. from Rope (1948)
Yes, you would, but where, Rupert? Yes.
Yes, you would, but where, Rupert? Yes. from Rope (1948)
Yes. from Rope (1948)
Yes. from Rope (1948)
Yes. An immaculate murder!
Yes. An immaculate murder! from Rope (1948)
Yes. Good. You better put those away.
Yes. Good. You better put those away. from Rope (1948)
Yes. I thought you'd be glad to see her.
Yes. I thought you'd be glad to see her. from Rope (1948)
Yes. I'll go and call. from Rope (1948)
Yes. I'll need a key to get in in the morning...
Yes. I'll need a key to get in in the morning... from Rope (1948)
You agree with Nietzsche and his theory of the superman. Yes, I do.
You agree with Nietzsche and his theory of the superman. Yes, I do. from Rope (1948)
You always did stutter when you were excited.
You always did stutter when you were excited. from Rope (1948)
You always have, from that very first day in prep school.
You always have, from that very first day in prep school. from Rope (1948)
You always plan your parties so well, it's odd to have anything go wrong.
You always plan your parties so well, it's odd to have anything go wrong. from Rope (1948)
You always plan your parties so well, it's odd to have anything go wrong.
You always plan your parties so well, it's odd to have anything go wrong. from Rope (1948)
You and Mrs. Atwater. from Rope (1948)
You and Phillip must come to dinner soon. What's wrong?
You and Phillip must come to dinner soon. What's wrong? from Rope (1948)
You are driving to Connecticut tonight, aren't you? Yes, but we're all packed.
You are driving to Connecticut tonight, aren't you? Yes, but we're all packed. from Rope (1948)
You are in love with David, aren't you?
You are in love with David, aren't you? from Rope (1948)
You aren't planning to do away with a few inferiors, by chance?
You aren't planning to do away with a few inferiors, by chance? from Rope (1948)
You aren't really frightened any more, are you?
You aren't really frightened any more, are you? from Rope (1948)
You can put the books back in the morning.
You can put the books back in the morning. from Rope (1948)
You can relax. I have to take it up to the country.
You can relax. I have to take it up to the country. from Rope (1948)
You can't have fear. Neither of us can.
You can't have fear. Neither of us can. from Rope (1948)
You could have said that. All right, I didn't!
You could have said that. All right, I didn't! from Rope (1948)
You couldn't possibly spoil it.
You couldn't possibly spoil it. from Rope (1948)
You deliberately arranged it so that he wouldn't come. How clever of me!
You deliberately arranged it so that he wouldn't come. How clever of me! from Rope (1948)
You dirty dog. from Rope (1948)
You don't look well, either one of you. Oh, thanks.
You don't look well, either one of you. Oh, thanks. from Rope (1948)
You don't really approve of murder, Rupert, if I may.
You don't really approve of murder, Rupert, if I may. from Rope (1948)
You don't remember the hour of your birth, by any chance?
You don't remember the hour of your birth, by any chance? from Rope (1948)
You don't think anything really did happen to him?
You don't think anything really did happen to him? from Rope (1948)
You had no business telling that story. Why did you lie?
You had no business telling that story. Why did you lie? from Rope (1948)
You just astound me, as always.
You just astound me, as always. from Rope (1948)
You know I never did anything unless I did it perfectly.
You know I never did anything unless I did it perfectly. from Rope (1948)
You know me better than that.
You know me better than that. from Rope (1948)
You know perfectly well why not.
You know perfectly well why not. from Rope (1948)
You know, I wish I could come straight out with what I want to know.
You know, I wish I could come straight out with what I want to know. from Rope (1948)
You know, Phillip, from Rope (1948)
You know. The Something, with what's her name?
You know. The Something, with what's her name? from Rope (1948)
You may, and I do. Think of the problems it would solve:
You may, and I do. Think of the problems it would solve: from Rope (1948)
You mean, for example, to find if you really got rid of David.
You mean, for example, to find if you really got rid of David. from Rope (1948)
You must admit, it was most considerate of me,
You must admit, it was most considerate of me, from Rope (1948)
You often pick words for sound rather than meaning.
You often pick words for sound rather than meaning. from Rope (1948)
You owe me $2.40 for taxis, including the tip.
You owe me $2.40 for taxis, including the tip. from Rope (1948)
You really don't mind? No. Why should we?
You really don't mind? No. Why should we? from Rope (1948)
You said that if anything did happen,
You said that if anything did happen, from Rope (1948)
You seeking an apartment? Call on our Miss Sash Weight...
You seeking an apartment? Call on our Miss Sash Weight... from Rope (1948)
You shouldn't let him upset you.
You shouldn't let him upset you. from Rope (1948)
You sound just like Daddy. I remember once
You sound just like Daddy. I remember once from Rope (1948)
You start on the books Who is it?
You start on the books Who is it? from Rope (1948)
You threw me over, chum, remember?
You threw me over, chum, remember? from Rope (1948)
You two being so intense about an old, dead chicken.
You two being so intense about an old, dead chicken. from Rope (1948)
You two'll be the death of me. What's to be done with the books?
You two'll be the death of me. What's to be done with the books? from Rope (1948)
You were born on the 14th of July.
You were born on the 14th of July. from Rope (1948)
You were pushing your point rather hard.
You were pushing your point rather hard. from Rope (1948)
You were right to. If nothing else, a man should stand by his words.
You were right to. If nothing else, a man should stand by his words. from Rope (1948)
You were right, Phillip. Those books were tied clumsily.
You were right, Phillip. Those books were tied clumsily. from Rope (1948)
You weren't there this afternoon, were you, Kenneth? I wish I had been.
You weren't there this afternoon, were you, Kenneth? I wish I had been. from Rope (1948)
You wouldn't know me these days. I'm a new woman; punctual as a clock.
You wouldn't know me these days. I'm a new woman; punctual as a clock. from Rope (1948)
You, perhaps. You frighten me.
You, perhaps. You frighten me. from Rope (1948)
You'd be seen. What? from Rope (1948)
You'd better get along with the carving.
You'd better get along with the carving. from Rope (1948)
You'd have to add something that appealed to your warped sense of humor.
You'd have to add something that appealed to your warped sense of humor. from Rope (1948)
You're awful. Thank you. from Rope (1948)
You're both pulling my leg. Why do you think that?
You're both pulling my leg. Why do you think that? from Rope (1948)
You're Cancer, the crab. You're a moon child.
You're Cancer, the crab. You're a moon child. from Rope (1948)
You're confused. Brandon dreamt that up...
You're confused. Brandon dreamt that up... from Rope (1948)
You're going to die. from Rope (1948)
You're going too far. Why? What do you mean?
You're going too far. Why? What do you mean? from Rope (1948)
You're much better at this than I am. What would you do?
You're much better at this than I am. What would you do? from Rope (1948)
You're not and it's my fault.
You're not and it's my fault. from Rope (1948)
You're not frightened any more, are you? No.
You're not frightened any more, are you? No. from Rope (1948)
You're not serious about these theories. Of course he is.
You're not serious about these theories. Of course he is. from Rope (1948)
You're quite a good chicken strangler, as I recall.
You're quite a good chicken strangler, as I recall. from Rope (1948)
You're very much influenced by the moon. May I see your hands?
You're very much influenced by the moon. May I see your hands? from Rope (1948)
You're, uh, from Rope (1948)
You've got to pull yourself together. Brandon, Brandon
You've got to pull yourself together. Brandon, Brandon from Rope (1948)
You've got to. No! He knows!
You've got to. No! He knows! from Rope (1948)
You've got your sleeve in the celery, Mr. Phillip.
You've got your sleeve in the celery, Mr. Phillip. from Rope (1948)
You've murdered! from Rope (1948)
You've strangled a fellow human being...
You've strangled a fellow human being... from Rope (1948)
Your touch has improved, Phillip. Rupert!
Your touch has improved, Phillip. Rupert! from Rope (1948)
Your wife sends her love. David wasn't there?
Your wife sends her love. David wasn't there? from Rope (1948)
It's fascinating. Come on, Brandon, please.
It's fascinating. Come on, Brandon, please. from Rope (1948)
Well, I'm sure Rupert has the intelligence Now, gentlemen
Well, I'm sure Rupert has the intelligence Now, gentlemen from Rope (1948)
...particularly at parties. Particularly at this one.
...particularly at parties. Particularly at this one. from Rope (1948)
'Course, he was a Harvard undergraduate.
'Course, he was a Harvard undergraduate. from Rope (1948)